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Sotheby’s March 2026 Asia Week New York Auctions

Sothebys_MarchIndian2026

An important thangka depicting Vajrasana Buddha at Bodh Gaya, Tibet, 14th / 15th century; Lot 823; Estimate: US$400,000 – 800,000 USD, Indian & Himalayan Art, including Property from the Zimmerman Family Collection Sale

This month, explore the rich legacy of Asian Art at Sotheby’s, where tradition and innovation join in a stunning showcase at the Breuer building. From ancient masterpieces to contemporary expressions, discover seven centuries of artistic excellence at their exhibition in their New York galleries from March 14–25, culminating with a series of live and online auctions that begin on March 24. Also be sure to join their afternoon of lectures on Sunday, March 22.

Explore the full lecture and auction schedule below:

ASIAN ART LECTURES SERIES
Sunday, March 22nd, 2026

1:00pm | Into the Studio: Huanghuali Furniture in Focus by Nicholas Grindley
A guided tour of the Huanghuali for the Scholar’s Studio: An Important Private Collection of Classical Chinese Furniture. Please note this tour takes place in the 4th floor galleries and is limited by RSVP to 15 attendees.

2:00pm | The Yuan Dynasty Stage-Granary: An Architectural and Historical Examination by Nancy S. Steinhardt, Professor of East Asian Art at University of Philadelphia, Curator of Chinese Art, PENN Museum

3:00pm | From Private Passion to Public Legacy: Women Who Built the Art Institute of Chicago’s Chinese Art Collection by Seung Hee Oh, Assistant Curator of Chinese Art, Arts of Asia, Art Institute of Chicago

To learn more, click here.

ASIA WEEK NEW YORK AUCTIONS

Indian & Himalayan Art, including Property from the Zimmerman Family Collection
Auction: Tuesday, March 24, 2026 at 9:30am EDT
Previews: March 19–21 & 23, 10am-5pm; March 22, 12-5pm

The Indian & Himalayan Art auction is led by an important assemblage of Tibetan and Nepalese art from the Zimmerman Family Collection, the preeminent collection of Himalayan art in the United States, a part of which forms the core of the Metropolitan Museum of Art’s Himalayan holdings. The selection of twelve thangkas and bronzes, extensively published since the 1960’s and included in major exhibitions of Himalayan art, is now being dispersed to the market on the occasion of the inaugural Asian Art auctions at the Breuer building.

Other highlights of the sale include a superb Khasa Malla copper alloy figure of Shakyamuni Buddha and a group of Gandharan sculpture from the collection of Paul Theroux, the celebrated travel writer and novelist.

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A very rare and important ‘huanghuali’ folding horseshoe-back armchair (Jiaoyi), Late Ming / early Qing dynasty, 17th century; Lot 8; Estiimate: US$1,200,000 – 2,000,000; Huanghuali for the Scholar’s Studio: An Important Private Collection of Classical Chinese Furniture Sale

Huanghuali for the Scholar’s Studio: An Important Private Collection of Classical Chinese Furniture
Auction: Wednesday, March 25, 2026 at 9am EDT
Previews: March 19–21 & 23–24, 10am-5pm; March 22, 12-5pm

This season, Sotheby’s is honored to present Huanghuali for the Scholar’s Studio: An Important Private Collection of Classical Chinese Furniture, comprising fourteen exceptional works of Ming- and early Qing-dynasty ‘huanghuali’ furniture from a distinguished private collection. The sale is led by an exceedingly rare and important seventeenth-century ‘huanghuali’ folding horseshoe-back armchair (jiaoyi), formerly in the collection of Frederic Mueller and previously part of the Museum of Classical Chinese Furniture in Renaissance, California. With fewer than thirty examples of this form known to survive from the Ming dynasty, the folding horseshoe-back armchair is one of the rarest and most celebrated forms within the canon of classical Chinese furniture. Distinguished by its elaborately carved openwork backsplat and sinuously curved crestrail, the present chair stands as a masterful expression of the form. Other highlights include a rare pair of seventeenth-century ‘huanghuali’ and ‘huamu’ ‘Fu character’ armchairs (sichutouguanmaoyi), also formerly in the Museum of Classical Chinese Furniture; a rare late Ming-dynasty ‘huanghuali’ trestle-leg altar table (qiaotou’an); and a very rare seventeenth-century ‘huanghuali’ sedan chair from the esteemed collection of Robert and Alice Piccus.

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Chinese Art
Auction: Wednesday, March 25, 2026 at 9:30am EDT
Previews: March 19–21 & 23–24, 10am-5pm; March 22, 12-5pm

Sotheby’s New York is honored to present the inaugural Chinese Art auction at the Breuer building. The sale offers a remarkable journey through Chinese art, from early ritual bronzes to Qing imperial masterpieces. Highlights include a distinguished group of Tang and Song ceramics from an important American private collection; a rare Song dynasty Guanyao lobed dish formerly in the Frederick M. Meyer Collection; a magnificent Xuande mark and period blue and white jar previously held by the Chang Foundation; a striking dappled black-glazed bowing Ferghana horse from the Cindy and Jay Pritzker Collection; as well as an Early Western Zhou dynasty four-handled archaic bronze ritual food vessel from a Colorado family collection. The sale also includes a selection of Ming and Qing porcelain, archaic bronzes, jades, lacquerware, scholars’ objects, classical furniture, a group of ink rubbings from the Wu Family Shrine, and historical documents relating to the Xi’an Incident, presented on the occasion of the 90th anniversary of this pivotal moment in modern Chinese history.

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Maqbool Fida Husain, Seve[n] Shades […] Bamboos; Estimate US$450,000 – 650,000; Modern & Contemporary South Asian Art Sale

Modern & Contemporary South Asian Art
Auction: Thursday, March 26, 2026 at 11am EDT
Previews: March 19–21 & 23–25, 10am-5pm; March 22, 12-5pm

This season’s Modern & Contemporary South Asian auction takes a comprehensive look at artwork from the region, showcasing paintings and works on paper from across India, Pakistan, Bangladesh and Sri Lanka. Spanning the 20th and 21st centuries, the upcoming sale features trailblazers of South Asian art, creators who questioned convention and pioneered their own visual languages. Sourced from across the United States and from around the world, the works in this auction indicate the extraordinary reach of South Asian art and its appreciation amongst the international art community.

The sale is led by a seminal work by Maqbool Fida Husain, Second Act (1958), which is the most widely published and frequently exhibited work ever sold in this category at Sotheby’s. This history includes important books such as Harry N. Abram’s Husain monograph (1971) and MoMA Oxford’s India: Myth and Reality show (1982). Other highlights in the auction are a Francis Newton Souza published in Edwin Mullin’s F N Souza monograph (1962), a Kattingeri Krishna Hebbar shown in the landmark Geneva show Coups de Coeur (1987), a K.C.S. Paniker from the Words and Symbols series, and other fresh-to-market property from artists such as Vasudeo S. Gaitonde, Jagdish Swaminathan, Ram Kumar, Bhupen Khakhar, Anwar Jalal Shemza and Zainul Abedin.

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Impressions of the Past: Han Dynasty Tomb Bricks from the Art Institute of Chicago
March 6 – 31, 2026 at 11am EDT
Previews: March 19–21 & 23–24, 10am-5pm; March 22, 12-5pm

This spring Asian Art week, Sotheby’s presents a singular opportunity to acquire Han dynasty (206 BC – 220 AD) works from the collection of the Art Institute of Chicago. Presented across 52 lots – all of which are offered without reserve – the sale comprises an extensive collection of impressed tomb bricks, all originally acquired from the esteemed dealers Yamanaka & Company around 1925 by Kate S. Buckingham. Commissioned for the construction of a tomb, each earthenware brick is impressed with auspicious themes and imagery from daily life and mythological stories.

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Chinese Art in America: Loans from Important
Private Collections

Further details forthcoming.

ZARINA
March 19 – 25, 2026
Previews: March 19–21 & 23–25, 10am-5pm; March 22, 12-5pm

As we mark the inaugural Asia Week at our new home – the Breuer Building – Zarina (1937-2020) offers a particularly resonant presence, her practice having examined the idea of ‘home’ with sustained depth and clarity. An Indian-born American artist, Zarina is best known as a printmaker. Her work was profoundly shaped by a life lived across continents, which arose, in part, through her marriage to an Indian diplomat. Grounded in line, memory, and place, her prints and sculptures explore themes of migration and belonging with disciplined restraint. Sourced from three private collections, this exhibition brings together significant works from across Zarina’s most prized subjects and mediums.

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• • •

Bonhams March 2026 Asia Week New York Auctions

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A FINE AND EXCEPTIONAL YANGCAI BLUE-GROUND ‘LOTUS’ BOTTLE VASE, Qianlong six-character seal mark and of the period, Lot 35, Estimate: US$300,000 – US$500,000, Fine Chinese Ceramics and Works of Art Sale

Discover Asia Week at Bonhams, featuring a slate of nine auctions celebrating expertly crafted works of art from across Asia. From Chinese, Japanese, and Korean Works of Art and Paintings to rare Himalayan thangkas and bronzes, browse an array of rare works and celebrated collections, from a Joseon Moon Jar to Imperial Zitan furniture.

Also be sure to join them for a panel discussion on Sunday, March 22 at 2pm EDT!

Explore the full auction and event schedule below:

Panel Discussion
How an Artist’s Biography Influences Collectors: Featuring the Work of Park Soo-keun
Sunday, March 22, 2026, at 2pm EDT

Love the artist, love the art? How much does biography influence a collector’s decision to buy or not to buy an object? Join for a panel discussion exploring this question through the paintings of Korean artist Park Soo-keun. The discussion will feature Joe Earle, Bonhams Global Consultant for Japanese and Korean Art, and Kyunghee Pyun, PhD, Professor of Art History and Museum Professions at FIT, with Eana Kim, PhD, Visiting Assistant Professor of History of Art and Design at Pratt Institute, serving as moderator.

To register for free, click here.

Fine Chinese Ceramics and Works of Art
Auction: Monday, March 23, 2026 at 9am EDT
Previews: March 18–22, 10am–5pm

A Fine and Exceptional Yangcai Blue-Ground ‘Lotus’ Bottle Vase, Qianlong six-character seal mark and of the period, estimated at US$300,000 – 500,000 is among the standout highlights in the Fine Chinese Ceramics and Works of Art sale on March 23. Finely painted in brilliant pastel enamels over a meticulously carved blue sgraffiato ground, the vase exemplifies the technical sophistication and lavish aesthetic of imperial yangcai porcelain at its height. Closely related examples can be found in major museum collections, including the Museum of Fine Arts, Boston, and the Palace Museum, Taipei, underscoring the rarity and significance of the present vase.

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Francine and Bernard Wald Collection of Fine Snuff Bottles, Part III
Auction: Monday, March 23, 2026 at 2pm EDT
Previews: March 18–22, 10am–5pm

This third instalment of the couple’s collection will comprise 150 lots and will showcase a variety of media, including fine examples of jade and agate such as a Shadow‑Agate Snuff Bottle, 1780-1860, portraying five bats rising from a gourd plume, estimated at US$1,500–2,500.

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Chinese Paintings, Calligraphy and Prints
Auction: Tuesday, March 24, 2026 at 9am EDT
Previews: March 19–23, 10am–5pm

Leading the Chinese Paintings, Calligraphy and Prints sale on March 24, is a curated group of eight significant paintings from the collection of Paul Cheng-tzu Mao (1922–2012), consulate representative of the Republic of China in San Francisco and a prominent supporter of Asian artists in the Western United States. Through his decades‑long engagement with the artistic community, Mao forged close relationships with leading painters – including Zhang Daqian (1899–1986), one of the most prodigious Chinese artists of the twentieth century – which resulted in several works dedicated to him. Standouts within the collection include two paintings by Zhang Daqian, both estimated at US$100,000 – 150,000: Red Lotus Dedicated to Mr. And Mrs. Mao Cheng-tzu, 1974; and Landscape with Waterfall for Mao Cheng-tzu, 1974.

Generally scarce and rare to come to market, the sale’s selection of Chinese prints includes editions of the Shizhuzhai Shuhuapu considered to be the most important examples of early polychrome printing, as well as wartime prints created by artists at the Lu Xun Academy of Art and Literature at Yannan, dating back to the 1930s.

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A BLACKGROUND THANGKA OF MAHAKALA, TIBET 16TH/EARLY 17TH CENTURY; Lot 713; Estimate: US$200,000 – US$300,000; Indian, Himalayan & Southeast Asian Art Sale,

Indian, Himalayan & Southeast Asian Art
Auction: Tuesday, March 24, 2026 at 1:00pm EDT
Previews: March 18–23, 10am–5pm

Also on March 24, the Indian, Himalayan & Southeast Asian Art sale will offer 57 lots, spanning important stone and metal sculpture, Tibetan thangkas, early Jain bronzes, rare manuscript covers, and Indian court paintings. A major highlight in the sale is a Large Gold-Ground Thangka of Amitabha, 16th century, estimated at $US200,000 – 300,000. Masterfully painted in the tradition of the important Menri School of Tibetan painting, the present lot work has closely related to an example in the collection of The Metropolitan Museum of Art.

Download our catalogue today!

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Netsuke from the Collection of Joseph and Elena Kurstin, Part II
Auction: Wednesday, March 25, 2026 at 10am EDT
Previews: March 18–24, 10am–5pm

Following the success of the Kurstin Collection’s inaugural sale in 2022, which exceeded its expectations when it totalled US$1.9 million with over 93% lots sold, this next instalment of the internationally recognised collection of fine Japanese netsuke includes a of 30 miniature sculptural masterpieces. Highlights include an important Wood Netsuke of Shoki the Demon Queller by Tametaka (active circa 1750–1780), estimated at US$100,000–150,000; and an Important Wood Netsuke of a Man-Faced Kirin attributed to Unjūtō Shumemaru (active second half of the 18th century), estimated at US$70,000 – 90,000.

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A LARGE AND IMPORTANT WHITE PORCELAIN MOON JAR, Joseon dynasty (1392-1897), 18th century; Lot 1136, Estimate: US$800,000 – US$1,000,000; Fine Japanese and Korean Art Sale

Fine Japanese and Korean Art
Auction: Wednesday, March 25, 2026 at 12pm EDT
Previews: March 18–24, 10am–5pm

A Large and Important White Porcelain Moon Jar, from the 18th century Joseon Dynasty (1392–1897), estimated at US$800,000 – 1,000,000, highlights the Fine Japanese & Korean Art sale on March 25. With fewer than 30 Moon Jars known worldwide, the present lot ranks among the finest surviving examples of its type and is regarded to be one of the largest ever to appear on the market in the West. With its near‑perfect spherical form and luminous milky glaze, it exemplifies the technical mastery of the Gwangju royal kilns at the height of their production, reflecting an extraordinary level of craftsmanship.

Also notable in the sale are two fresh-to-market paintings by self-taught South Korean artist Park Soo Keun (1914–1965), whose works are increasingly rare to the market. Both estimated at US$250,000 – 350,000, and from the Collection of Peter Grey Vosburgh, by descent, they include Park’s Five Women, 1962, and Three Women and a Child Resting, 1960.

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Beginning March 20, be sure to check out the following Online Sales of impressive works of art:

Arts of India, Southeast Asia and the Himalayas Online
March 20–27, 2026 starting at 12pm EDT
Previews: March 18–23, 10am–5pm

Further details forthcoming.

Learn more

Chinese Ceramics and Works of Art Online
March 22–31, 2026 starting at 12pm EDT
Previews: March 18–22, 10am–5pm

Further details forthcoming.

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Japanese Ceramics Online
March 25–April 2, 2026

Further details forthcoming.

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• • •

Asia Week March 2026 Museum Exhibition Guide

TheMet_JapaneseCeramics

Dish with Three Jars. Edo period (1615–1868), 1680–90s. Porcelain with cobalt under and polychrome enamels over a transparent glaze (Hizen ware, Nabeshima type), H. 1 5/8 in. (4.1 cm); Diam. 6 in. (15.2 cm). The Metropolitan Museum of Art, New York, The Harry G. C. Packard Collection of Asian Art, Gift of Harry G. C. Packard, and Purchase, Fletcher, Rogers, Harris Brisbane Dick, and Louis V. Bell Funds, Joseph Pulitzer Bequest, and The Annenberg Fund Inc. Gift, 1975 (1975.268.563). Courtesy The Metropolitan Museum of Art

In addition to the extraordinary gallery exhibitions and auction house viewings, begin planning your Asia Week New York schedule with this highlighted selection of Asian art museum exhibitions on view throughout New York City and the surrounding region. Many will feature opening receptions or related programs, which are also listed in our Calendar of Events here. Start exploring now and make the most of these upcoming weeks celebrating Asian art across the city!

ASIA SOCIETY MUSEUM

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Shiva as Vinadhara (Player of the Vina). India, Tamil Nadu; Chola period, about 970. Copper alloy. H. 27 3/4 in. (70.5 cm); W. 17 5/8 in. (44.8 cm); D. 6 1/2 in. (16.5 cm). Asia Society, New York: Gift of Hope Aldrich, 2024. Courtesy Asia Society

Buddha and Shiva, Lotus and Dragon: Celebrating 70 Years of Asia Society and the Rockefeller Legacy
March 18, 2026 – January 3, 2027
Members-Only Opening: Tuesday, March 17, 5:30-8:45pm
Patrons-Only Preview: Tuesday, March 17, 5:30 – 6:30pm

Displaying seventy of the finest examples of Asian art in the United States drawn from Asia Society’s permanent collection, the exhibition showcases the extraordinary range of bronzes, ceramics, and metalwork thoughtfully assembled between the 1950s and the 1970s by John D. Rockefeller 3rd (1906-1978) and his wife Blanchette Hooker Rockefeller (1909-1992). With highlights including spectacular Buddhist and Hindu sculptures, and rare Chinese, Korean, and Japanese ceramics, this exhibition celebrates historic achievements in Asian art spanning more than two millennia.

Recent Acquisitions from Hope Aldrich and Sandra Ferry Rockefeller
and
Blanchette Hooker Rockefeller and the Rockefeller Collection

Concurrently on view with Buddha and Shiva, Lotus and Dragon: Celebrating 70 Years of Asia Society and the Rockefeller Legacy are two companion displays. The first features recent acquisitions from Mr. and Mrs. John D. Rockefeller 3rd’s daughters Hope Aldrich and Sandra Ferry Rockefeller, along with five comparative pieces from Asia Society Museum’s permanent collection. In addition, Blanchette Hooker Rockefeller and the Rockefeller Collection, on display in the Visitors Center, includes works Mrs. Rockefeller gave to the museum after the foundational bequest in 1979.

CHINA INSTITUTE GALLERY

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Photograph from the opera Farewell, My Concubine, performed in the U.S., 1930, digital image, collection of Chinese National Academy of Arts, ©Chinese National Academy of Arts. Courtesy Chinese Institute Gallery

The Dancing Goddess: Mei Lanfang in America
March 12 – July 12, 2026
Curator’s Talk: Mar. 12, 6:30–8pm
Asia Week New York Open House: March 26, 2026, 10am-8pm (free admission with light refreshments)

Step into the vibrant world of Mei Lanfang, the 20th-century’s greatest performer of Peking Opera, whose sensational 1930 American tour forever changed the landscape of modern theater. In celebration of China Institute’s centennial, this exhibition revisits this milestone of Sino-American cultural exchange, a pivotal moment sponsored by the Institute itself. Featuring an extraordinary collection of his revolutionary stage costumes, rare photographs, original production materials, and artwork that illuminate the breadth of his creative genius.

THE FRICK COLLECTION

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(From left to right): Vase, probably 19th century, Famille noire porcelain, 27 x 10 1/2 in., Henry Clay Frick Bequest @ The Frick Collection; Dragon Jars with Cover (Pair), Qing Dynasty (1644−1911), Kangxi Period (1662−1722), Hard-paste porcelain with underglaze blue, 3 3/8 x 3 9/16 in. Bequest of Childs Frick in memory of Frances Dixon Frick, 1965 @ The Frick Collection; Vase, Qing Dynasty (1644–1911), Qianlong Period (1735-1796), Hard-paste porcelain with polychrome overglaze and underglaze blue, 21 x 10 1/2″ @The Frick Pittsburgh. Courtesy The Frick Collection

Looking East from Fifth Avenue: Chinese Porcelain at The Frick Collection
Friday, March 20, 2026 from 6–7pm
Stephen A. Schwarzman Auditorium
Free with registration

Join Yifu Liu, Anne L. Poulet Curatorial Fellow, for an illuminating lecture tracing the evolution of Chinese porcelain at The Frick Collection—from Henry Clay Frick’s earliest acquisitions to the museum’s most recent additions. Alongside the famille noire vases, polychrome enameled jars, and mounted wares that Frick cherished, the lecture will introduce lesser-known yet highly valuable imperial porcelain from the Yongzheng and Qianlong reigns; blue-and-white wares from the sixteenth to the nineteenth century; and Kangxi export dishes produced for European markets. Liu will examine the historical circumstances surrounding the formation of Frick’s porcelain collection, reevaluate its cultural relevance today, and explore its relationship with the European art for which the museum is best known.

JAPAN SOCIETY GALLERY

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Kawai Kanjirō, Dish with motif of hand and flower on white ground, 1951. Collection of Kawai Kanjirō House. Photo courtesy of Kawai Kanjirō House

Kawai Kanjirō: House to House
March 10 – May 10, 2026
Opening Reception: Wednesday, March 18 at 5pm (kindly RSVP)
Kawai Kanjirō’s Way of Tea Talk & Tea Ceremony: Thursday, March 19 at 10am, 11:30am, 1pm
JASA Annual Lecture: Sunday, March 22 at 11am

This solo exhibition celebrates the remarkable life and career of folk potter, poet, and artist Kawai Kanjirō (1890–1966) for the first time in the United States. Kawai is best known for his influential role in the mingei (folk art) movement in Japan, which he founded in the mid-1920s with his friends, the philosopher Yanagi Sōetsu (1889–1961) and the potter Hamada Shōji (1894–1978). Showcasing representative works from Kawai’s personal collection that are rarely seen outside his former home (now a museum known as the Kawai Kanjirō House), the exhibit traces the evolution from the artist’s early functional ceramic ware to his late-career modernist wood sculptures.

JAPANESE ART SOCIETY OF AMERICA

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Lecture and Annual Meeting: We Do Not Work Alone: Kawai Kanjirō and Ceramics in Modern Kyoto
Sunday, March 22, 2026
Lecture at 11am & Annual Meeting at 12pm  
Japan Society, 333 E. 47th St. NYC

Preceding JASA’s annual meeting at noon, Meghen Jones, Professor of Art History at the New York State College of Ceramics at Alfred University will give the talk We Do Not Work Alone: Kawai Kanjirō and Ceramics in Modern Kyoto. Kindly sign-up in advance. If attending in person for the Annual Meeting in person, register here.  If attending by Zoom for the Annual Meeting, register here. If attending the 11am lecture via Zoom, register here.

THE KOREA SOCIETY

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Ran Hwang, Return to Nature #1 (detail), 2025; Image courtesy of the Artist

Ran Hwang | Noble Blossoms
Through April 17, 2026
Artist Talk: Friday, March 20, 2026 at 6pm

In her solo exhibition, Ran Hwang presents large-scale installations that are both intricate and poetic, delicate yet dramatic, as they explore the cyclical patterns of life and the fleeting nature of beauty. Hwang creates her art through a meticulous and repetitive process, utilizing everyday materials such as paper buttons and pins. This requires intense concentration and discipline, reflecting the meditative state of Zen masters and the spiritual values traditionally sought by scholars of the past. Through her work, Hwang evokes a sense of tranquility, inviting the viewer into an experience that seeks fulfillment and peace.

KOREA GALLERY AT KCCNY

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Buhm Hong, Memory Weeds (2016–2025), razor-cut acrylic installation. Courtesy of the artist. Courtesy Korean Cultural Center NY

Choong Sup Lim: In Between
February 19 – April 12, 2025

The Korean Cultural Center New York is proud to present 사 잇 In Between, an exhibition celebrating the profound artistic legacy of Choong Sup Lim (b. 1941). Lim’s work transcends the boundaries of nature and civilization, tradition and modernity, Korea and New York, illuminating the transformative potential of the liminal spaces where these realms converge. Central to Lim’s work is the use of found objects, which serve as vessels of memory and time. His recent installations, marked by intricate craftsmanship, merge Korean sensibilities with contemporary relevance, offering a profound meditation on cultural duality and artistic reinvention.

THE METROPOLITAN MUSEUM OF ART

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Subramaniyan with his consorts Valli and Devasena (detail), Ravi Varma Press, c. 1900–1915, Color lithograph, varnish. The Metropolitan Museum of Art, New York, Purchase, Friends of Asian Art, 2021

In addition to their many Asian art exhibitions on view, join their Annual Distinguished Lecture on the Arts of South and Southeast Asia on Friday, March 14!

Gods at the Gate of Modernity—Religious Arts in Colonial Calcutta
Friday, March 20, 2026, 6-7pm
Grace Rainey Rogers Auditorium

In Calcutta, the cosmopolitan colonial capital of 19th-century India, artists and artisans adapted new technologies of mechanical reproduction to render the Hindu gods more accessible and affordable. During this time, they pioneered the chromolithographic religious print, a form of popular devotional imagery that became ubiquitous in twentieth-century India. This lecture explores how this new genre emerged and proliferated into the pervasive visual language of modern India.

Household Gods: Hindu Devotional Prints, 1860–1930
Through June 27, 2027

Household Gods: Hindu Devotional Prints, 1860–1930 presents the first encyclopedic exhibition of these chromolithographic prints from the pioneering studio presses of Calcutta (Kolkata), Poona (Pune), and Bombay (Mumbai). These mass-produced prints became a powerful means of expressing Indian religious identity at a time when the country was experiencing the first stirrings of the Independence movement.

The Infinite Artistry of Japanese Ceramics
Through August 8, 2027

This exhibition explores Japan’s extensive and rich history of ceramic art through approximately 350 extraordinary works presented in themes that offer fresh perspectives on the diverse forms and functions, from everyday tableware to vessels created for tea masters and elite households to modern sculptural compositions.

Celebrating the Year of the Horse
Through January 26, 2027

This exhibition brings together works from The Met Collection to explore the horse’s enduring nature and vital place in Chinese civilization. In Chinese popular culture, horses are among the most celebrated animals, and in the spiritual realm they serve as noble mounts for divine guardians believed to bring joy, protection, and prosperity to the household. This presentation, featuring a range of expressive works in ceramics, glass, jade, and metal, and woodblock prints, illuminates these roles while celebrating the horse’s power, vitality, and spirit.

Colorful Korea: The Lea R. Sneider Collection
Through February 16, 2026

Over the course of forty years, Lea R. Sneider (1925–2020) formed a significant collection of Korean art that challenged established norms. This exhibition features a substantial gift and loans from the Lea R. Sneider Collection, featuring approximately 100 works spanning the fifth century to the present. Through paintings, ceramics, furniture, textiles, and funerary and ritual objects, the exhibition explores the enduring presence of auspicious symbolism and the understated dynamism that define Korean art.

PRINCETON UNIVERSITY ART MUSEUM

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Toshiko Takaezu, Sunrise Egg, ca. 2003–4, refired 2006. Princeton University Art Museum. Gift of the artist. © Toshiko Takaezu. Photo: Bruce M. White. Courtesy Princeton University Art Museum

Toshiko Takaezu: Dialogues in Clay
October 31, 2025 – July 5, 2026
David Nasher Haemisegger Gallery

Drawing from the museum’s collection including some recent gifts, the works featured in these galleries span more than five hundred years from 1500 to the present and vary in mediums from painting to ceramics. They showcase the evolution and expansion of artistic expressions of the land in Japan, and offer glimpses into the shifting cultural and social landscapes as well.

Journeys Real and Imagined in East Asian Art
Ongoing

South Asian Art
Ongoing

Trade and the Arts of Islam
Ongoing

RUBIN MUSEUM OF HIMALAYAN ART

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Installation view, About a Living Culture at Diversity Plaza, Jackson Heights, NYC. Photo by Nicholas Knight, courtesy of the Rubin Museum of Himalayan Art

About a Living Culture
Through September 13, 2026
Diversity Plaza, Jackson Heights, NYC

Nepalese artist IMAGINE (a.k.a Sneha Shrestha) presents a new temporary public art installation that celebrates and takes inspiration from the diverse Himalayan cultures of the Jackson Heights, Queens, neighborhood. In her first public art sculpture, IMAGINE’s  installation is in the shape of an arch made of repeating rows of ‘Ka,’ the first letter of the Nepali alphabet. In Nepal, religious and sacred environments feature variations in the form of archways, which encourage passersby to look through and get blessings from the divine. IMAGINE’s sculpture will invite the public to interact and experience a meditation and “send” it out to the universe as they embark upon their pathways through Diversity Plaza.

CHARLES B. WANG CENTER AT STONY BROOK UNIVERSITY

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Sacred Paper: Korean Ritual Artsnju Seo
March 9 – May 24, 2026
Opening Reception: Monday, Mar 9, 5-7pm (kindly RSVP)
Lecture: Monday, Mar 9 at 4pm
Demonstrations: Monday, Mar 9 at 5:30pm

Korea’s ritual paper arts reveal a remarkably inventive tradition in which humble mulberry paper becomes an expressive material of extraordinary range. Sacred Paper: Korean Ritual Arts highlights two regional practices that transform fragile fibers into complex sculptural forms. \ Shown together, these works celebrate paper’s versatility, regional diversity, and enduring craftsmanship.

NATIONAL MUSEUM OF ASIAN ART

Smithsonian_Vishnu
omposite image: (top) Vishnu Reclining on the Serpent Ananta (Endless One); Cambodia, Siem Reap province, second half of 11th century; bronze, mercury gilding; National Museum of Cambodia, Phnom Penh; Photograph by Mario Ciampi, © Guicciardini & Magni Architetti / (bottom) Still from the short film Awkun; National Museum of Asian Art, Smithsonian Institution, Film by praCh Ly

Vishnu’s Cosmic Ocean
Through September 7, 2026

At the dawn of time, the Hindu god Vishnu slept on a coiled serpent floating in the primordial ocean. There, he dreamed the universe into existence. This magnificent story of creation comes to life through the largest bronze ever cast in Southeast Asia, now on loan from the National Museum of Cambodia. For the first time in centuries, you can experience this sculpture’s full monumental scale: a breathtaking six meters long (nearly twenty feet). Only the head and torso have been displayed since 1936, when the sculpture was found buried in a pit with dozens of loose bronze fragments. A team of international experts has recently conserved and reconnected the body’s remnants after decades of scientific research.

PHILADELPHIA MUSEUM OF ART

Philly_MiyashitaTwinBreezes
Twin Breezes, 2008, Miyashita Zenji (Japanese, 1939 – 2012), glazed stoneware with colored-clay bands. Purchased with the East Asian Art Revolving Fund and with funds contributed by Maxine de S. Lewis, 2024-9-1. Photography by Richard Goodbody, Courtesy of Joan B Mirviss LTD. Courtesy Philadelphia Museum of Art

Visions of the Land in Japan
Through April 20, 2026

Drawing from the museum’s collection including some recent gifts, the works featured in these galleries span more than five hundred years from 1500 to the present and vary in mediums from painting to ceramics. They showcase the evolution and expansion of artistic expressions of the land in Japan, and offer glimpses into the shifting cultural and social landscapes as well.

Fantastical Creatures of Asia
Ongoing

This exhibition brings together works that explore how artists across time and region have imagined the supernatural to express cultural values, spiritual beliefs, and contemporary concerns. Together, they reveal Asia’s enduring fascination with fantastical beings and the powerful stories they convey.

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Artists in Conversation: A Prelude to Asia Week New York

ZetterquistPanel1

Thanh Hoa Whiteware Bowl, Ly-Tran Dynasty, 13th-14th c., Vietnam, 60 x 120 cm. Copyright Eric J. Zetterquist, 2021

Asia Week New York x Sigma Foundation Present
The Art and Craft of Photography: From Asian Traditions to Contemporary Practice
Thursday, March 12 at 6:30pm (EDT)
Seizan Gallery
525 West 26th Street
Free and open to all

Get a first look at Asia Week New York! In colloration with Sigma Foundation, join us for an exclusive preview event that kicks off the celebrations and sets the stage for an extraordinary week of art, culture, and inspiration!

Join us for an engaging discussion on the evolution of photographic practice—from its historical foundations to today’s bold contemporary innovations. This panel brings together artists, a curator, and an industry expert to explore how photography has developed over time, highlighting the influence of Japanese and Asian traditions on modern work and its role in a global context today.

Panelists will delve into the interplay of tradition and experimentation, the impact of photographic technology on artistic vision, and the curatorial opportunities and challenges of presenting Japanese photography to international audiences. From postwar photo narratives to contemporary abstraction, this lively conversation will illuminate the enduring dialogue between history, craft, and creative reinvention.

Start the celebration of Asia Week New York with us and sign up today!

Kindly RSVP to [email protected]

 

The Distinguished Panel of Experts Include:

Gen Aihara, Artist
Aihara is a Japanese photographer whose work explores the relationship between materiality, light, and abstraction. In his earliest works with photograms, one of the earliest photographic processes, Aihara created images by placing and manipulating elements such as water directly onto photosensitive paper and exposing them to light. Rooted in historic photographic techniques, his practice bridges past and present, transforming analog methods into a contemporary visual language. In addition to his own artistic practice, Aihara serves as production and installation manager for Hiroshi Sugimoto. This dual perspective informs his work, blending deep technical expertise with a visionary approach to contemporary photography.

Maggie Mustard, Assistant Curator of Photography, Miriam and Ira D. Wallach Division of Art, Prints and Photographs, The New York Public Library
Maggie is an educator, curator, and art historian specializing on the history of photography. She earned her PhD in Art History and Archaeology from Columbia University, where her dissertation focused on questions of memory and photographic representation in the work of Japanese postwar photographer Kawada Kikuji. Previously, she served as Chief Curatorial Advisor for The Incomplete Araki: Sex, Life, and Death in the Works of Nobuyoshi Araki, was the Marcia Tucker Senior Research Fellow at the New Museum of Contemporary Art, and Visiting Assistant Professor at Wesleyan University. Her recent curated exhibitions at NYPL include New York Subways 1977: Alen MacWeeney and The Awe of the Arctic: A Visual History.

Kazuto Yamaki, CEO, Sigma Corporation, and Founder, Sigma Foundation
Yamaki is CEO of Sigma Corporation, a family-owned Japanese manufacturer of cameras and lenses. Appointed CEO in February 2012, he has led the company for more than a decade, overseeing the development of major new products, global growth, and numerous international design awards. In 2025, he established the Sigma Foundation, a philanthropic initiative dedicated to supporting photography as an art form and fostering new platforms for photographic expression.

Eric Zetterquist, Artist
Zetterquist draws on a millennium-old Chinese tradition of painting portraits of art objects to celebrate their beauty and the accomplishments of collectors. Following this practice, he creates portraits of Asian ceramics dating from 2500 B.C. to 1400 A.D., isolating forms and emphasizing the negative space they create. His large-scale, black-and-white images with “painterly” edges and matte textured surfaces evoke Asian calligraphy and offer what he calls “warm minimalist” abstractions. Not merely photographs of objects, Zetterquist’s work challenge their viewers to explore concepts of form and negative space in both ancient and contemporary contexts, and remind us that we are part of a human chain that stretches back through the millennia, whose core values of beauty and artistic integrity are stalwart.

Moderated by Alice Teng, Executive Director, Asia Week New York

 

About Sigma Foundation
The Sigma Foundation is a philanthropic initiative dedicated to advancing photography as an art form. The Foundation collaborates with artists worldwide to produce and present their work – regardless of whether they use Sigma products. Through its Photobook Project, the Sigma Foundation commissions and publishes long-form, artist-driven books. The inaugural artists in the series – Sølve Sundsbø, Julia Hetta, Stephen Gill, and Anders Petersen – reflect the Foundation’s commitment to craftsmanship, creative independence, and the enduring power of the printed image. To learn more, click here.

• • •

China Institute Gallery Presents The Dancing Goddess: Mei Lanfang in America

chinaInstMei

Courtesy China Institute Gallery

The Dancing Goddess: Mei Lanfang in America
March 12 – July 12, 2026
Curator’s Talk: Mar. 12, 6:30–8pm
Asia Week New York Open House: March 26, 2026, 10am-8pm (free admission with light refreshments)

China Institute Gallery is thrilled to present The Dancing Goddess: Mei Lanfang in America opening March 12 with an opening lecture by exhibition curator, Dr. Catherine V. Yeh (Boston University). The groundbreaking artistry of Mei Lanfang, the 20th century’s preeminent master of Peking opera and one of the most influential performers ever to grace the stage, is showcased in a dramatic display of his costumes, stage sets, props, paintings, rare photographs, videos, and archival materials.

Curated by the internationally renowned expert Dr. Catherine V. Yeh, the exhibition celebrates his triumphant 1930 American tour, organized by the newly established China Institute of America. A milestone of Sino-American cultural exchange, Mei Lanfang’s visit launched Peking opera to the world stage, captivating Broadway audiences with his original fusion of song, dance, and dramatic acting. Mei’s work inspired artists from Bertolt Brecht and Thornton Wilder to Konstantin Stanislavski. Through his powerful reimagining of feminine roles, he transformed a centuries-old art form, leaving an indelible mark on modern dance, fashion, film, and theater.

Presented in celebration of China Institute’s Centennial, the exhibition honors this defining chapter in their history and the enduring legacy of cross-cultural dialogue that Mei Lanfang inspired.

For more information, please contact Tracy Jiao at [email protected].

To learn more, click here.

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Don’t Miss the Final Days of Alisan Fine Arts’ Exhibitions

AlisanClosing_Cui

Installation view, Cui Fei: Vermicular Calligraphy

Cui Fei: Vermicular Calligraphy
Chiang Yomei: Moon on the Water
Closing Saturday, March 7, 2026
120 East 65th Street, NYC

There’ still time to experience two concurrent solo exhibitions at Alisan Fine Arts before they close on March 7—Cui Fei: Vermicular Calligraphy and Chiang Yomei: Moon on the Water.

Vermicular Calligraphy presents a significant body of work by Cui Fei, representing the culmination of years of meticulous artistic development. The exhibition deepens his exploration of asemic writing, drawing inspiration from natural forms and organic movement. To learn more, click here.

Moon on the Water marks Chiang Yomei’s first solo exhibition in the United States. Featuring works from her ongoing Lotus and Waking Dream series, the exhibition reflects the artist’s engagement with Buddhist philosophy and psychological inquiry. To learn more, click here.

Take refuge from the cold and lose yourself in the beauty of these two poetic exhibitions!

• • •

Sacred Paper: Korean Ritual Artsnju Seo at Charles B. Wang Center

WangCenter_Hanji

Sacred Paper: Korean Ritual Artsnju Seo
March 9 – May 24, 2026
Opening Reception: Monday, Mar 9, 5-7pm (kindly RSVP)
Lecture: Monday, Mar 9 at 4pm
Demonstrations: Monday, Mar 9 at 5:30pm

The Charles B. Wang Center is pleased to present Sacred Paper: Korean Ritual Artsnju Seo opening March 9. This exhibition explores Korea’s richly inventive ritual paper traditions, where humble mulberry paper is transformed into a material of remarkable expressive range. Sacred Paper highlights two distinct regional practices that elevate delicate fibers into intricate and compelling sculptural forms. In Chungcheongnam-do, the Seolwi Seolgyeong tradition creates intricate cut-paper structures that define and organize ceremonial space. The artist Jongseung Park demonstrates how paper can be shaped into protective architectural forms through precise cutting, layering, and assembly. Dr. Heera Shin presents folded flowers, lanterns, and ornaments that animate ritual settings along Korea’s East Sea coast with color and movement. Shown together, these works celebrate paper’s versatility, regional diversity, and enduring craftsmanship.

This exhibition is curated by Jinyoung Anna Jin, the director of Asian art and culture at the Charles B. Wang Center, and the Academic Center for K-Religions at Sogang University in Seoul.

To learn more, click here.

• • •

Fu Qiumeng Fine Art Presents Contemplation / Meditation: Concepts and Cultures

FQM_AWNY2026

Contemplation / Meditation: Concepts and Cultures
March 5 – April 11, 2026
Opening Reception: Thursday, March 19, 5-8pm
Special AWNY Hours: March 19–17, 10am-6pm

Fu Qiumeng Fine Art is pleased to present Contemplation / Meditation: Concepts and Cultures, a co-curated exhibition by the gallery and Jeffrey Wechsler that explores how Eastern and Western artistic traditions have visualized inner stillness, reflection, and states of heightened awareness.

This presentation is made possible by the generous support of The Richard Pousette-Dart Foundation and Pace Gallery, whose collaboration has been indispensable to its realization.

Rooted in classical Chinese philosophy, the exhibition draws inspiration from Confucian, Daoist, and Buddhist thought, where inner cultivation and cosmic order are understood as deeply interconnected. From Confucian contemplation—emphasizing moral clarity, calm reflection, and self-perfection—to Daoist and Zen practices of meditation that quiet the mind, dissolve conceptual thinking, and release ego attachment, Eastern traditions have long approached art not as visual imitation, but as a conduit for spiritual resonance and embodied presence.

In contrast and dialogue, the exhibition also considers Western artists who, whether intuitively or through direct engagement with Eastern philosophy, pursued similar contemplative states. Featuring works that range from classical and modern East Asian art to modern and contemporary American painting, Contemplation / Meditation presents images that are sometimes representational, often abstract, and always oriented toward inducing clarity, calmness, or mental acuity.

Through restrained brushwork, expansive emptiness, spontaneous gesture, and subtle fields of color, the exhibition reveals how different cultural frameworks converge in a shared pursuit: using art to access states of stillness, insight, and presence.

The exhibition includes works by Arnold Chang, Michael Cherney, Duxi Chen, Hisao Hanafusa, Zhang Xiaoli, Brandon Sadler, Luo Min, Fung Ming Chip, Tang Ke, Wang Mansheng, Yau Wingfung, Sal Sirugo, and Rollin Crampton, among others.

To learn more, click here.

• • •

Early Press Coverage of Asia Week New York

Apollo-Press-Post

Detail from Apollo February 2026 print issue with image of work, The Mahant Bagvan playing a vina (c. 1780–90; detail), Kangra, Pahari Hills, courtesy of Oliver Forge and Brendan Lynch, Ltd.; Courtesy Apollo 

With Asia Week around the corner, we are thrilled to be featured in several prominent press outlets.

On February 2, Apollo magazine—both in print and online—highlighted the exceptional quality and breadth of works presented by our distinguished member dealers, auction houses and partnered museums. The feature praised not only the diversity of the exhibitions, but also our steadfast “commitment to connoisseurship,” as articulated by our chairperson, Margaret Gristina. With exhibitions that reveal the depth and richness of Asian art across cultures and centuries, the article reaffirmed Asia Week New York’s standing as a premier destination for collectors, scholars, and enthusiasts alike. It also highlighted our year-round presence as a vital “cultural platform” and an “anchor” for research and scholarship in the field of Asian art. As Gristina notes, our mission is to underscore the importance of Asian art within the cultural landscape—a commitment that extends well beyond the celebratory week and remains at the heart of our work year-round.

 

AAN-March-2026

Detail of Asian Art Newspaper online article issue with image of work, Passing Rain (1917) by Ito Shinsui (1898-1972) courtesy of Scholten Japanese Art; Courtesy Asian Art Newspaper

Additional coverage of Asia Week New York has been featured in Asian Art Newspaper,  Elite Lifestyle Magazine and Business of Home.

To view all these articles in full, click here to see all our press coverage in our Press Room section on the website!

• • •

Setting the Stage for Asia Week New York: Artists in Conversation

ZetterquistPanel1

Thanh Hoa Whiteware Bowl, Ly-Tran Dynasty, 13th-14th c., Vietnam, 60 x 120 cm. Copyright Eric J. Zetterquist, 2021

Asia Week New York x Sigma Foundation Present
The Art and Craft of Photography: From Asian Traditions to Contemporary Practice
Thursday, March 12 at 6:30pm (ET)
Seizan Gallery
525 West 26th Street
Free and open to all

Get a first look at Asia Week New York! In colloration with Sigma Foundation, join us for an exclusive preview event that kicks off the celebrations and sets the stage for an extraordinary week of art, culture, and inspiration!

Join us for an engaging discussion on the evolution of photographic practice—from its historical foundations to today’s bold contemporary innovations. This panel brings together artists, a curator, and an industry expert to explore how photography has developed over time, highlighting the influence of Japanese and Asian traditions on modern work and its role in a global context today.

Panelists will delve into the interplay of tradition and experimentation, the impact of photographic technology on artistic vision, and the curatorial opportunities and challenges of presenting Japanese photography to international audiences. From postwar photo narratives to contemporary abstraction, this lively conversation will illuminate the enduring dialogue between history, craft, and creative reinvention.

Start the celebration of Asia Week New York with us!

 

The Distinguished Panel of Experts Include:

Gen Aihara, Artist
Aihara is a Japanese photographer whose work explores the relationship between materiality, light, and abstraction. In his earliest works with photograms, one of the earliest photographic processes, Aihara created images by placing and manipulating elements such as water directly onto photosensitive paper and exposing them to light. Rooted in historic photographic techniques, his practice bridges past and present, transforming analog methods into a contemporary visual language. In addition to his own artistic practice, Aihara serves as production and installation manager for Hiroshi Sugimoto. This dual perspective informs his work, blending deep technical expertise with a visionary approach to contemporary photography.

Maggie Mustard, Assistant Curator of Photography, Miriam and Ira D. Wallach Division of Art, Prints and Photographs, The New York Public Library
Maggie is an educator, curator, and art historian specializing on the history of photography. She earned her PhD in Art History and Archaeology from Columbia University, where her dissertation focused on questions of memory and photographic representation in the work of Japanese postwar photographer Kawada Kikuji. Previously, she served as Chief Curatorial Advisor for The Incomplete Araki: Sex, Life, and Death in the Works of Nobuyoshi Araki, was the Marcia Tucker Senior Research Fellow at the New Museum of Contemporary Art, and Visiting Assistant Professor at Wesleyan University. Her recent curated exhibitions at NYPL include New York Subways 1977: Alen MacWeeney and The Awe of the Arctic: A Visual History.

Kazuto Yamaki, CEO, Sigma Corporation, and Founder, Sigma Foundation
Yamaki is CEO of Sigma Corporation, a family-owned Japanese manufacturer of cameras and lenses. Appointed CEO in February 2012, he has led the company for more than a decade, overseeing the development of major new products, global growth, and numerous international design awards. In 2025, he established the Sigma Foundation, a philanthropic initiative dedicated to supporting photography as an art form and fostering new platforms for photographic expression.

Eric Zetterquist, Artist
Zetterquist draws on a millennium-old Chinese tradition of painting portraits of art objects to celebrate their beauty and the accomplishments of collectors. Following this practice, he creates portraits of Asian ceramics dating from 2500 B.C. to 1400 A.D., isolating forms and emphasizing the negative space they create. His large-scale, black-and-white images with “painterly” edges and matte textured surfaces evoke Asian calligraphy and offer what he calls “warm minimalist” abstractions. Not merely photographs of objects, Zetterquist’s work challenge their viewers to explore concepts of form and negative space in both ancient and contemporary contexts, and remind us that we are part of a human chain that stretches back through the millennia, whose core values of beauty and artistic integrity are stalwart.

Moderated by Alice Teng, Executive Director, Asia Week New York

 

About Sigma Foundation
The Sigma Foundation is a philanthropic initiative dedicated to advancing photography as an art form. The Foundation collaborates with artists worldwide to produce and present their work – regardless of whether they use Sigma products. Through its Photobook Project, the Sigma Foundation commissions and publishes long-form, artist-driven books. The inaugural artists in the series – Sølve Sundsbø, Julia Hetta, Stephen Gill, and Anders Petersen – reflect the Foundation’s commitment to craftsmanship, creative independence, and the enduring power of the printed image. To learn more, click here.

• • •