SEPTEMBER EVENTS
Paul Binnie (Scottish, b. 1967), Travels with the Master: Niagara Falls (Meishou to no tabi: Meishou To No Tabi: Naiagura bakufu), signed in kanji at lower right, Bin-ni, followed by red artist’s seal, Binnie, series title at upper left, Meisho to no tabi, the print title below in katakana and in kanji, Naiagura bakufu, and in penciled English on the bottom margin, Niagara Falls, embossed, Binnie, at the center of the bottom margin, and pencil signed at far right, Paul Binnie, from an edition of 100, 2009, obaiban tate-e 26 3/8 x 18 7/8 in. (67 x 48.1 cm), Courtesy Scholten Japanese Art
Paul Binnie: Pigments of the Imagination
Zoom Webinar
Wednesday, September 25 at 5 pm EDT
Join us for a live Zoom presentation by Scottish multidisciplinary artist Paul Binnie, who works in the tradition of Japanese woodblock printing, particularly shin-hanga, later this month. Paul will speak about his early training as a painter in Scotland and then as a woodblock printmaker in Japan in the 1990s. He will discuss the influences on his work, the changes that have taken place and the direction his work has followed over a career of more than thirty years. There will be illustrations of many of his woodblock prints and a number of oil paintings to show the progress of his work from the 1990s until today.
Paul Binnie was born in Scotland in 1967, and studied art history at the University of Edinburgh and painting and etching at Edinburgh College of Art from 1985 to 1990. After taking his Master’s degree (with honors) in 1990, he moved to Paris and then in 1993 went on to Tokyo to study woodblock printmaking for almost six years. In 1998, Paul moved to London, where he set up his studio and worked for twenty years. At the end of 2018 he relocated to San Diego. Paul’s work is held in many public collections, including The Metropolitan Museum, New York; The National Museum of Asian Art, Washington, DC; The Rijksmuseum, Amsterdam; The British Museum, London, and The National Library of Australia, Canberra, among others.
To register for this free event, click here.
Utagawa Hiroshige (Japanese, 1797–1858), Plum Estate, Kameido (Kameido Umeyashiki), no. 30 from 100 Famous Views of Edo, 11th month of 1857. Woodblock print, 14 3/16 × 9 1/4 in. (36 × 23.5 cm). Brooklyn Museum; Gift of Anna Ferris, 30.1478.30. (Photo: Brooklyn Museum)
Recorded Zoom Webinar and Lecture: Hiroshige’s 100 Famous Views of Edo Now Online
On the occasion of the Brooklyn Museum’s recent exhibition, Hiroshige’s 100 Famous Views of Edo (feat. Takashi Murakami), there were discussions about the significance of Utagawa Hiroshige’s monumental landscape series. Below are two recorded sessions from April 3rd and May 3rd:
This first panel discussion includes catalog author and historian Henry Smith, Professor Emeritus, Columbia University; Joan Cummins, Senior Curator, Asian Art, Brooklyn Museum and exhibition curator; and Ȧlex Bueno, Project Assistant and Professor, Centre for Global Education, Tokyo, who discusses photographic images in the exhibition.
Click here to view the recorded discussion online.
The second was a Zoom webinar with noted curator and author, Dr. Andreas Marks, Mary Griggs Burke Curator of Japanese and Korean Art and Director of the Clark Center at the Minneapolis Institute of Art, where they discussed his newly published book, Hiroshige’s One Hundred Famous Views of Edo: The Definitive Collector’s Edition. With 700 images, the book is a definitive guide to understanding the complexity of Hiroshige’s great work as well as the dynamics of the Japanese print market during this period.
Click here to view the recorded discussion online.
When Zen Becomes Political: Zen and Soft/Hard Power with Frank Feltens
The video of our March 20 annual meeting special lecture is now available to view here.
Upcoming Exhibition, Meiji Modern: Fifty Years of New Japan
Help Us Celebrate 50 Years of JASA!
The exhibition Meiji Modern: Fifty Years of New Japan, celebrating 50 years of the Japanese Art Society of America, opened at Asia Society Museum, New York, on October 3, 2023. One review called Meiji Modern a “perfect exhibition,” engaging both scholars and non-specialist visitors who are “thrilled to discover beautiful art they didn’t know and to learn its history in labels that are both clear and serious.”
JASA’s beautiful 272-page full-color catalog for the exhibition (cover above) takes a fresh look at the art of the Meiji period (1868-1912) through a selection of approximately 200 objects drawn from public and private collections across the United States, including newly discovered prints, photographs, textiles, paintings, and craft objects. Copies of the catalog can be ordered through the JASA Store or our online Publications Order Form.
To learn more about the catalog, click here. To order a copy online, click here.
