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John W. Winkler: The Chinatown Etchings Opening at Charles B. Wang Center


John W. Winkler, Busy Street in Chinatown (1915), etching, 6 x 7.5 in; Courtesy of the Rivolo Collection

John W. Winkler: The Chinatown Etchings
March 1 – May 19, 2024
Charles B. Wang Center Skylight Gallery
Opening Reception: Wednesday, March 20, 2024 from 5-7pm

John W. Winkler: The Chinatown Etchings explores forgotten scenes of San Francisco’s Chinatown from 1916 to 1923. Through John W. Winkler’s exceptional etchings, the exhibition unveils a crucial chapter in early Chinese immigration history in the United States.

Featuring 81 evocative etchings, the exhibition serves as a visual time capsule, capturing the essence of daily life in the heart of an early twentieth-century Chinatown. Winkler’s work, distinguished by its unparalleled quality, offers a unique lens to rediscover the narratives of this vibrant community during a pivotal immigration period. Winkler’s etchings transcend artistry, becoming historical documents that reveal the experiences, struggles, and resilience of those who called Chinatown home. The intricacy and depth of his lines convey not only artistic skill but also a profound connection to his subjects.

Curated by A. Rex Rivolo, director of Roving Sands Fine Arts, with all works on loan from the A. Rex Rivolo Collection and the Martin Levine Collection.

In addition to the opening reception on March 20th, also mark your calendars for these exhibition-related programs:

Lecture: Capturing History: The Stories within John W. Winkler’s Chinatown Etchings
by Dr. A. Rex Rivolo
Wednesday, March 20, 2024 from 4:00-5:00 pm

Guided Gallery Tour of John W. Winkler: The Chinatown Etchings
February 28, March 27, April 17 & May 8, 2024 from 12:00-12:30pm

To learn more and RSVP, click here.

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Alisan Fine Arts Opens New Exhibitions Soon


Lui Shou-Kwan (1919-1975), Red Mountain Landscape 紅山風景, 1962, ink and color on rice paper, 43.5 x 46.5 cm

Lui Shou-Kwan: Shifting Landscapes
February 27 – April 27, 2024
Opening Reception: Tuesday, February 27 from 6-8pm

Alisan Fine Arts is delighted to announce Shifting Landscapes, a solo exhibition celebrating the art of pioneering ink artist Lui Shou-Kwan (1919-1975) at their newly opened gallery space on the Upper East Side.  Lui’s first exhibition in New York presents transformative works from the artist’s career that bridged tradition and modernity while also sparking new dialogue in the international art community. Lui was a vanguard figure of the New Ink Movement in Hong Kong, a movement that reimagined the Chinese Ink tradition and flourished from the 1950s to 1970s. Extremely influential to the following generation of artists, Lui was instrumental in transforming traditional Chinese ink painting into a modern, global art form.

Landscape as Metaphor: Contemporary Voices
February 27 – April 27, 2024
Asia Week New York Opening Reception: Thursday, March 14 from 5-8pm

In conversation with Lui Shou-Kwan’s show, a group exhibition of contemporary artists will be presented in Alisan Fine Art’s adjacent gallery. Landscape as Metaphor: Contemporary Voices features artists Bouie Choi, Chu Chu, Lam Tung Pang, Kelly Wang and Yang Yongliang, each of whom distinctively interpret the subject of landscape. Accompanying Asia Week New York, Alisan Fine Arts will also be hosting a reception and meet-and greet with artist Kelly Wang on March 14th from 5-8pm.

Be sure to mark your calendars for these exciting exhibitions and events!

To learn more about both shows, click here.

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Exceptional Indian, Himalayan, Tribal and Southeast Asian Art Coming to Asia Week New York

Be sure to sign up for free & join in a fascinating discussion between the artist and our panel of curators!

Top L-R: Krishna dancing on the naga Kalaya flanked by his pleading wives, late 18th c., Oliver Forge and Brendan Lynch LLC; Kaparamip Robe, late 19th-early 20th c., Thomas Murray; Two Princesses Entertained at Night on a Terrace, c. 1690, Francesca Galloway. Bottom L-R: A pair of carved, silvered, and painted wood figures of Rampant Horses, 19th c., Kapoor Galleries; Vajrapani Mandala, 14th-15th c., Carlton Rochell Asian Art; A Wedding Celebration, c. 1780, Art Passages.

Six Asia Week New York dealers from near and far are preparing memorable exhibitions of classical and contemporary Indian, Himalayan, Tribal and Southeast Asian art for our upcoming fifteenth season of Asia Week New York.

Art Passages
Indian Paintings: Latest Acquisitions
March 13-19, 2024
Online only

Indian Paintings: Latest Acquisitions is the gallery’s latest presentation of Indian paintings exhibiting a wide array of schools and subject matter. From Mughal portraiture to Company School, these paintings reflect the taste and interest of their patrons: Nobles, devotees, and English resident rulers of India. Among the highlights is Wedding Celebration, a Company School watercolor.

Oliver Forge and Brendan Lynch Ltd.
Gods, Gardens and Princes: Indian Works on Paper
March 14-22, 2024
Opening Reception: Thursday, March 14, 5-8pm
67 East 80th Street, Suite 2

For this 15th season of Asia Week New York, Oliver Forge and Brendan Lynch Ltd. is pleased to present an exhibition comprising of court paintings from India and Persia from the 17th to 19th centuries. A highlight of the show is the striking painting, Krishna dancing on Kaliya flanked by two nagini. This, along with many other works on paper, will be displayed at their Upper East Side location.

Francesca Galloway
Indian Painting Intimacy and Formality
March 14-21, 2024
Opening Reception: Thursday, March 14 until 8pm
Les Enluminures Gallery, 23 East 73rd Street, 7th Floor

Newly returning Francesca Galloway will present a small and exciting group of 17th and 18th century Mughal paintings, works from famous Bundi & Kota Ragamalas, a grand early 19th century Maratha processional scene by a Hyderabad trained artist, drawings for the famous Tehri Garhwal Gita Govinda series and Company School paintings including portraits of Indian children, a Skinner trooper and architectural studies of Mughal monuments and Hindu temples. Most of the paintings are recent acquisitions from private collections.

Kapoor Galleries
Time is a Construct
March 14-22, 2024
Opening Reception: Thursday, March 14, 6-8 pm
34 East 67th Street, 3rd Floor

Highlights of Kapoor Galleries’ exhibition include a finely rendered painting from the Bharany Ramayana series, a pair of carved and silvered horses, and a splendid folio from the Gita Govinda. The gallery exhibition will also showcase many fine Indian miniature paintings and arms as well as a carefully curated selection of sculptures from India, Nepal, and Tibet.

Thomas Murray
Recent Acquisitions: Tibetan Rugs, Ainu, Boro
March 14-22, 2024
The Mark Hotel, 25 East 77th Street

One of the standout offerings at Thomas Murray will be a late 19th/early 20th century exceptionally rare and beautiful white on indigo Kaparamip Robe, a striking geometric pattern rooted in Northern Asiastic Shamanism and an aesthetically compelling example of a classic garment type. This piece, along with many other fine works will be displayed at The Mark Hotel on the Upper East Side of Manhattan.

Carlton Rochell Asian Art
Indian and Himalayan Art
March 14-22, 2024
Opening Reception: Thursday, March 14, 6-9pm
Adam Williams Fine Art, 24 East 80th Street

Also newly returning, Carlton Rochell Asia Art will present paintings, sculptures, and ritual objects from Tibet, Nepal, and India for this year’s Asia Week New York. Many of the works are drawn from international private collections and have been exhibited in various museum exhibitions. Highlights include a group of Tibetan Buddhist paintings (thangkas) which are of outstanding quality.

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Zoom into our next Webinar Kondō Takahiro: The Thinking Hand


Kondō Takahiro in his studio, Yamashina, Kyoto (2017); Credit: Kondō Takahiro

Zoom Webinar
Kondō Takahiro: The Thinking Hand
Tuesday, February 20 at 5pm EST

Asia Week New York is pleased to present our upcoming webinar celebrating one of Japan’s most admired ceramists, Kondō Takahiro, whose work is featured in the Brooklyn Museum exhibition Porcelains in the Mist.  Kondō’s forebears specialized in wheel-thrown vessels with painted decoration, but he has pushed the limits of the ceramic medium to create art of broader significance.

Our panel of curators and historians will trace Kondō’s career, explain the thinking behind the Brooklyn display, discuss the haunting Reduction body sculptures, and set his work in a global context. Speaking live from Kyoto, Kondō will introduce his recent projects. The webinar will conclude with a dialogue between the artist and catalogue author Joe Earle.


Glenn Adamson is a curator, writer and historian based in New York and London.
Joan Cummins has served as Lisa and Bernard Selz Curator of Asian Art at the Brooklyn Museum since 2007.
Xiaojin Wu currently serves as the Luther W. Brady Curator of Japanese Art at the Philadelphia Museum of Art.
Kondō Takahiro, artist.

Moderated by Joe Earle, former chief curator of Asian art departments in museums in London and Boston, who over the last 40 years has presented numerous exhibitions of Japanese ceramics.

Register here to join this free event.

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Artist Yau Wing Fung: Talk & Demonstration at Fu Qiumeng Fine Art


Image courtesy of Fu Qiumeng Fine Art

Yau Wing Fung Artist Talk & Demonstration
Saturday, February 17, 2024
Artist Talk: 11am-12pm (Free to Public)
Demonstration: 3:30-4:30pm ($12 Limit to 18 guests)
Live In-Person at 65 E. 80th St, NYC and Livestream

Join Fu Qiumeng Fine Art this Saturday for an Artist Talk and Demonstration with Yau Wing Fung, whose solo exhibition, Illusion, is currently on view through March 9, 2024.

The evolution of Chinese philosophy and cosmic perspectives has fostered a distinctive spatial awareness in traditional Chinese landscape art. Ancient painters, in depicting landscapes, forged a profound connection between their inner world and the natural realm, giving rise to the technique of “以小观大, or viewing the large through the small.” Yau, in his artistic endeavors, seeks to broaden these pictorial perspectives by integrating timeless wisdom with contemporary viewpoints. In this artist talk, Yau will delve into his reflection on the evolving cosmic consciousness in landscape painting, spanning across history and into the present day.

Then, during the afternoon demonstration, Yau Wing Fung will invite and guide guests to join an immersive experience in Chinese ink landscape painting. This hands-on opportunity allows you to explore the connection between brush and mind, immersing yourselves in the meditative essence of ink art.

The lecture is free and open to the public while the demonstration is ticketed. Both will be simultaneously conducted onsite and online.

To learn more and RSVP, click here.

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Last Days for Floating Vessels: Stoneware by Mitsukuni Misaki at Ippodo Gallery


Installation view of Floating Vessels: Stoneware by Mitsukuni Misaki at Ippodo Gallery

Floating Vessels: Stoneware by Mitsukuni Misaki
Closing Thursday, February 15, 2024

Showcasing over 30 of Misaki’s latest works, ranging from small vases to majestic containers, this exhibition at Ippodo Gallery explores the master ceramicist’s modern and hand-coiled forms and marks his return to New York after six years.

Misaki received training in four classical kiln techniques: kutani, uchiharano, aizu hongo, and bizen. This research guided Misaki to begin his own kiln in 1979, where he maintains his secluded and contemplative practice nearly half a century later.

Mitsukuni Misaki’s creations, reminiscent of the timeless ceramics of ancient civilizations, stretch out like a boundless horizon, inviting viewers to connect with the rich legacy of craftsmanship.  Be sure to visit and witness the evolution of Misaki’s artistic journey before the show closes tomorrow.

To learn more, click here.

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Shibunkaku’s Upcoming Exhibition Kishino Kan


Installation view of Kishino Kan

Shibunkaku Kyoto
Kishino Kan
February 16 – 24, 2024

Shibunkaku is pleased to present their latest exhibition of new works by ceramic artist Kishino Kan for the first time in five years at Shibunkaku Kyoto. Born from the synergy of earth, fire, and the artist’s skillful hands, these vessels were created in a newly-built kiln The gallery will be open every day during the exhibit, and they look forward to welcoming you soon.

To learn more and view the works, click here.

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Asia Society’s New Exhibition COAL + ICE Opens this Week


Installation view of David Breashears’s Mount Everest, Main Rongbuk Glacier, Tibet, China, 2007

February 13 – August 11, 2024
Opening Reception: Tuesday, February 13, 6-8:30 pm (Members only with RSVP)

Asia Society is proud to present COAL + ICE, an immersive photography and video exhibition that visualizes the causes and consequences of the climate crisis and foregrounds creative solutions.  The exhibit will be accompanied by a series of related programs.

COAL + ICE brings together the work of more than 37 photographers and artists from China and around the world, and traces a photographic arc from deep within coal mines to the melting glaciers of the greater Himalaya, and across the globe where rising sea levels and extreme weather events are wreaking havoc. The imagery in COAL + ICE is drawn from diverse materials, from glass plate negatives to smartphone videos, spanning more than a century. Through intimate portraits and vast altered landscapes, these photographs document the consequences triggered by our continued reliance on fossil fuels. The exhibition brings to life the environmental and human costs of climate change, while also highlighting the innovative solutions that provide hope for a more sustainable future.

Throughout the run of the exhibition, climate change will take center stage at Asia Society, including speaker events, performances, films, and more. Asia Society has joined forces with a network of partner organizations across New York City’s five boroughs to concurrently present exhibitions and events, expanding the conversation to inspire deeper engagement on how the climate crisis affects our global and local communities.

To learn more the exhibit and its programs, click here.

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Scholten Japanese Art Participates in IFPDA Print Fair at the Park Avenue Armory


Paul Binnie (Scottish, b. 1967), Famous Views of Japan: Red Fuji, Fuji from Lake Kawaguchi (78/100), (Nihon meisho zu-e: Red Fuji, Fuji from Lake Kawaguchi)

IFPDA Print Fair
Park Avenue Armory
February 15–18, 2024
VIP Preview: Thursday, February 15, 5-9pm (invitation and VIP pass only)

Scholten Japanese Art is pleased to be participating in the upcoming International Fine Print Dealers Association Print Fair opening next Thursday, February 15th at the Park Avenue Armory in New York. In addition to exhibiting a classic selection of Japanese woodblock prints by Edo Period masters such as Utagawa Hiroshige (1797-1858) and Katsushika Hokusai (1760-1849), they are delighted to announce that for the first time Scottish printmaker Paul Binnie (b. 1967) will be attending the fair and demonstrating both woodblock carving and printing in the gallery’s booth.

Scholten has had a long-term connection with Binnie, who is internationally known as one of the leading exponents of traditional style printmaking, and his work can be found in many important collections worldwide, including the Metropolitan Museum in New York City and the Smithsonian Institute’s National Museum of Asian Art in Washington D.C.

Binnie trained in woodblock printing in Tokyo for almost six years from 1993, and the gallery just celebrated his thirtieth year of printmaking with a highly successful solo exhibition in 2023.

Binnie will be present at the gallery stand during the four days of the fair and will demonstrate both carving and printing on alternate days. A wide selection of the artist’s work will be available to view, including some rare and highly sought-after designs, as well as new works and a preview of upcoming print projects.

To learn more, click here.

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Fu Qiumeng Fine Art Presents Yau Wing Fung: Illusion


Yau Wing Fung: Illusion 邱荣丰:幻真 opening at Fu Qiumeng Fine Art

Yau Wing Fung: Illusion 邱荣丰:幻真
February 10 – March 9, 2024
Opening Reception: Saturday, February 10th, 3-6pm
Artist Talk & Demonstration: Saturday, February 17th

Fu Qiumeng Fine Art is delighted to present Yau Wing Fung’s latest solo exhibition, Illusion, where the artist’s works encapsulate a creative journey spanning the past five years, revealing ink landscapes that seamlessly transcend the boundaries of tradition and contemporaneity.

Yau Wing Fung finds artistic inspiration in the spatio-temporal aesthetics of traditional Chinese ink paintings. With each brushstroke gracefully traversing the paper, he contemplates the undulations of the landscapes, immersing himself in ancient wisdom that highlights a harmonious connection with the flow of the world. Simultaneously, his acute awareness of the shift in visual experience leads him to seamlessly interweave the classical poetic hermitude and the versatility of the digital present; his artworks whisper timeless wisdom but in contemporary terms. From the foundational Looming series to the recent Meta and Into series, Yau’s artistic creativity consistently challenges conventional modes of viewing landscapes. In Illusion, the artist delves into the rhythmic beauty and constructive qualities of traditional ink paintings, reconfiguring the pictorial space to engage with the ever-evolving human experience in the digital age, prompting contemplation that transcends our recognition of the immediate surroundings, both spatially and temporally.

The project is supported by JCCAC’s Professor Mayching Kao Arts Development Fund.

To learn more, click here.

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