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Join the Closing Celebration of Our Spring at Tina Kim Gallery

TinaKim_SukiClosing

Suki Seokyeong Kang: Our Spring
Closing Saturday, April 25, 2026
Dear Suki: Poetry Gathering: Saturday,  April 25 at 12pm (kindly RSVP)
525 West 21st St, NYC

Tina Kim Gallery invites you to join Dear Suki: Poetry Gathering, a special event marking the closing of Suki Seokyeong Kang: Our Spring and commemorating the one-year anniversary of the artist’s passing.  Organized by Brooklyn-based poet and translator Soje, the event will feature poetry readings by Hua Xi, Paloma Yannakakis, Stine An, and Yoo Heekyung.

Audio recordings of poems recited in Korean by Kang accompany the immersive Mountain-hours installation in Our Spring.  Hovering at varying heights or gently grazing the floor, these works transform the gallery into a surreal, kinetic terrain as the mobiles rotate in conversation with the room’s invisible air currents.

To RSVP for this special event, click here.

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Alisan Fine Arts Presents Whispers of the Unseen: In Resonance

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Whispers of the Unseen: In Resonance
April 23 – May 9, 2026
Opening Reception: Thursday, April 23, 6-8pm
120 East 65th Street, NYC

Alisan Fine Arts is pleased to present Whispers of the Unseen: In Resonance. The exhibition features the work of three Macau-born artists—Wong Weng Cheong, Rusty Fox, and Heidi Lau. Though their practices span printmaking, photography, and ceramic sculpture, they share a quiet sensibility that whispers rather than declares. Belonging to the same generation and shaped by similar cultural landscapes, their artistic languages diverge, yet the spiritual undercurrents of their works resonate within a shared field.

Wong Weng Cheong, widely recognized for his large-scale digital installations, is represented here by an earlier body of traditional copperplate etchings. These works possess a markedly introspective tone, unfolding like a series of epistolary poems addressed to his younger self. Originally conceived digitally and later translated onto copper plates, the images allow ephemeral electronic forms to acquire the tactile gravity of the etching process. Within these compositions, time and space appear suspended; elongated figures evoke a liminal, dreamlike atmosphere. This series serves both as a projection of the artist’s psychological boundaries and as the conceptual point of departure for the installation he later presented at the Macau Pavilion of the 2024 Venice Biennale.

Similarly rendered in monochrome, Rusty Fox’s photographs turn away from interior psychological spaces and instead attend to overlooked scenes within the urban landscape. Moving through the city like a nocturnal flâneur, Fox centers his compositions on trees, constructing images that recall the uncanny atmosphere of classical Chinese zhiguai tales. Twisted trunks assume anthropomorphic qualities, as if reclaiming the city after nightfall. In his work, the documentary authority of photography subtly shifts. Through deliberate framing and selection, perception is quietly reoriented, allowing multiple layers of reality to unfold: the physical world reshapes the senses, the senses reshape our imagination of familiar spaces, and imagination itself may constitute another form of truth.

While these prints and photographs explore the tensions and distortions of perception on a two-dimensional plane, Heidi Lau condenses memory, myth, and interiority into three-dimensional form. Working primarily with clay, Lau draws upon the elemental properties of the material to explore the expression of indistinct memories, mythologies, and visual experiences. The deformation of clay and the merging of glazes allow emotional memory to settle into matter, resulting in forms that hover between abstraction and figuration. By infusing a historically laden medium with her own embodied experience, Lau transforms ceramics into a distinctly contemporary visual syntax.

Resonance does not imply similarity; rather, it describes how different frequencies respond to one another. Across their varied media, the works of these three artists reveal collisions between embodied experience and urban memory. Together, they illuminate layers that are often overlooked, concealed, or forgotten, while their quiet murmurs continue to reverberate.

To learn more, click here.

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Asia Week New York March 2026 Auction Results

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Top row (L–R): Courtesy Christie’s; Bonhams; Heritage Auctions. Bottom row (L–R): Courtesy Doyle; Sotheby’s; Freeman’s

Asia Week New York delivered outstanding results this year, with our six member auction houses—Bonhams, Christie’s, Doyle, Freeman’s, Heritage Auctions, and Sotheby’s—achieving exceptional results across both live and online sales!

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KATSUSHIKA HOKUSAI (1760-1849), Kanagawa oki nami ura (Under the well of the Great Wave off Kanagawa) [“Great Wave”] , price realized: $889,500; Bonhams’ Christie’s Japanese and Korean Art Sale

Bonhams’ March Asia Week New York at its newly unveiled U.S. headquarters at 111 West 57th Street, concluded with strong results across six live sales, demonstrating robust demand for exceptional works from across Asia, achieving a total of $12.5 million. Leading the marquee sale week were two standout masterworks: a Pair of Rare and Magnificent Carved Imperial Zitan Corner‑Leg Tables and a fine and full early impression of Katsushika Hokusai’s (1760–1849) iconic Kanagawa-oki nami-ura (Under the Wave off Kanagawa), each sold for $889,500. The week also saw outstanding results for Part III of Francine and Bernard Wald’s collection of fine snuff bottles, with 99% lots sold.

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A VERY RARE AND MAGNIFICENT ‘FLORAL BOUQUET’ DOUCAI VASE, MEIPING, YONGZHENG SIX-CHARACTER MARK IN UNDERGLAZE BLUE WITHIN A DOUBLE CIRCLE AND OF THE PERIOD (1723-1735), price realized: $3,033,500; Christie’s Important Chinese Art Sale

Asia Week at Christie’s New York was also a resounding success, with 900 lots sold across seven auctions, achieving the highest total for an Asian Art Week in five years: $77,624,774. This was 250 percent of the total low estimate for the week, with 89 percent sold by lot. This marks the 12th consecutive season since September 2020 that Christie’s has led the market for Asian Art Week in New York. Highlights included, the South Asian Modern + Contemporary Art sale realizing $27M, the record for a sale in the category outside of India; Important Chinese Art leading the week in its category, totaling $34M and seeing strong results for a wide variety of objects; Christie’s first -ever auction focused on Japanese art forms which influenced anime, manga, and pop and sub culture, Anime Starts Here: Japanese Subculture Reimagines Tradition, made a big statement soaring 407 percent times its low estimate.

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A Magnificent Pair of Chinese Famille Verte Porcelain Rouleau Vases, Kangxi period, price realized: $203,700; Doyle’s Fine Chinese Works of Art Featuring The Tina Hills Collection / Fine Asian Works of Art Sale

Doyle’s highly successful two-day auction of Asian Works of Art in March topped $2.5 million, far surpassing expectations. Bidders from around the globe drove exceptional results for a wide range of porcelain and ceramics, bronzes, jades, snuff bottles, scholar’s objects, furniture, paintings and other traditional arts representing centuries of East and South Asian history and culture. Over 100 lots of fine Chinese porcelain and other works of art from The Tina Hills Collection attracted spirited bidding, driving exceptional results and a total that more than doubled the high estimate for the collection. The top lot was magnificent pair of Kangxi famille verte rouleau vases that soared over their $30,000-50,000 estimate to achieve a stunning $203,700. A Tibetan gilt-bronze figure of Virupa, dating to the 16th-17th century, also exceeded expectations, selling for an impressive $152,900. Property from The Jane Stanton Hitchcock Collection, the bronze was a rare early example depicting the revered Mahasiddha, and thus performed strongly despite the loss of his iconic raised arm, traditionally shown blocking the sun.

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Zhang Daqian (Chinese, 1899-1983), Landscape, ink and color on paper, hanging scroll, price realized: $220,000, Freeman’s Asian Works of Art sale

Freeman’s successfully concluded its second March Asia Week New York sale on Friday, March 27, delivering strong results across all key metrics. A total of 204 lots achieved a hammer total of $1,573,400, with overall sales reaching $2,013,952. The average lot value (inclusive of buyer’s premium) rose to $11,574, reflecting a continued shift toward higher-quality consignments. The sale also achieved an impressive 85 percent sell-through rate, marking a notable high point for recent seasons. Chinese paintings led the auction, accounting for the top two lots and the only six-figure results, led by Zhang Daqian’s Landscape (ink and color on paper, hanging scroll), which achieved a hammer price of $220,000. The Chinese Works of Art category generated the highest total hammer and a strong concentration of five-figure sales. Noteworthy results were also seen in more specialized areas. Chinese Snuff Bottles achieved a rare 100 percent sell-through rate, totaling $99,950, while the expansion of Korean art offerings proved highly successful. Moving from just three ceramic lots last September to 16 diverse lots this March, 15 of 16 lots sold. These results underscore both the strength of the sale and growing opportunities in emerging collecting categories.

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A Chinese Famille Rose Tripod Censer with Carved Wood Cover and Stand, Qianlong mark and of the period, price realized: $150,000, Heritage Auctions’ Asian Art Signature® Auction #8254 Sale

Heritage Auctions’ sales achieved a strong total of $893,069 during Asia Week, driven by robust demand for Chinese ceramics, jade, and Japanese art. Leading the sale was a Qianlong-period famille rose tripod censer, which realized $150,000.

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A very rare and important ‘huanghuali’ folding horseshoe-back armchair (Jiaoyi), Late Ming / early Qing dynasty, 17th century, price realized: $2,000,000, Sotheby’s Huanghuali for the Scholar’s Studio: An Important Private Collection of Classical Chinese Furniture Sale

Sotheby’s inaugural Asia Week at the new global headquarters in the Breuer Building concluded with exceptional results, achieving over $44.9 million and surpassing the pre-sale high estimate of $23.1 million by 194%. Accompanied by two public exhibitions, the sale series presented an exceptional range of works spanning centuries of artistic achievement. Highlights included a rare Xuande mark and period blue-and-white jar which realized $4.1 million after a nearly nineteen-minute bidding battle; an exceedingly rare and important seventeenth-century ‘huanghuali’ folding horseshoe-back armchair (jiaoyi) which realized $2 million; and Maqbool Fida Husain’s Second Act (1958), which led the week at $5.1 million. Of the 322 lots sold, 69% sold above their high estimate, signaling strong, competitive bidding and deep engagement from the market. The Chinese Art auction further distinguished itself by achieving its second-highest March season total in the past five years and a record average lot value exceeding $100,000 over the same period.

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Fu Qiumeng Fine Art’s Upcoming Exhibition Traveller

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© image courtesy of the Wallpaper Magazine and Fu Qiumeng Fine Art

Traveller
April 30 – June 6, 2026
Opening Reception, Thursday, April 30, 5-8pm
Artist-led fan-painting workshop (TBD)
65 East 80th St., Ground Fl, NYC

Fu Qiumeng Fine Art is excited to present Traveller, a solo exhibition by Zhang Xiaoli, on view from April 30 through June 6, 2026.

A lone Lego figure on horseback rides through landscapes it was never meant to inhabit. In Traveller, Zhang Xiaoli transplants the visual grammar of Chinese landscape painting into the world of Lego. Taking “theater” as its central framework, the exhibition unfolds in distinct chapters: PrologueScenesOpen Rehearsal, and Epilogue.

It begins with Le Garden Manual, a Lego reinterpretation of the Mustard Seed Garden Manual, serving as a pedagogical guide into this theatrical world and reconstructing its elemental grammar through modular blocks.

Alongside the exhibition, an artist-led fan-painting workshop will invite participants to engage directly with Zhang’s playful reinterpretation of pictorial traditions through their own hands. Stay tuned for more details.

To learn more, click here.

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Ralph M. Chait Galleries Participates in Inaugural Pennsylvania Antiques Show

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Fine and Rare Chinese Export Porcelain Hong Bowl, Qianlong Period, ca: 1780-85; Courtesy Ralph M. Chait Galleries, Inc.

Pennsylvania Antiques Show at Valley Forge
April 23 – 26, 2026
Preview Party: Thursday, Apr 23, 5-9pm
Hours: Friday and Saturday, Apr 24-25, 11am-6pm; Sunday,  Apr 26, 11am-4pm
Convention Center at the Valley Forge Casino Resort, 1160 1st Ave. King of Prussia, PA 

Ralph M. Chait Galleries, Inc. is delighted to be exhibiting at the inaugural Pennsylvania Antiques Show at Valley Forge. They will be bringing a wonderful variety of fine Chinese porcelain, works of art, and export silver.

The Show highlights the best of Americana, fine art, folk art, Chinese and European decorative arts, garden antiques, along with standout pieces of 20th-century art and design. Proceeds from the Show preview and attendance will benefit Historic Trappe’s educational programs, including living history demonstrations, hands-on workshops led by traditional artisans, and events such as Kids Dig History.

Ralph M. Chait Galleries looks forward to welcoming you soon!

To learn more about the fair, click here.

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Into the Waters with Senju and Bingyi at National Museum of Asian Art

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Composite Image: Hiroshi Senju / National Museum of Asian Art, Smithsonian Institution, Gift of the artist, in honor of Hiroko Murase, S2025.1.1-2, © Hiroshi Senju (detail); Bingyi / National Museum of Asian Art, Smithsonian Institution, Gift of Clara Xing and Theodore T. Wang, S2025.2.1-3, © Bingyi (detail)

Into the Waters with Senju and Bingyi: Two Contemporary Paintings
April 2 – September 27, 2026 
Arthur M. Sackler Gallery | Gallery 25

Water is more than subject or inspiration for contemporary artists Hiroshi Senju and Bingyi—it’s a method, a material, and a philosophy. Be among the first to see their paintings, which offer two distinct, hypnotic visualizations of water at the National Museum of Asian Art.

Senju and Bingyi reimagine their cultures’ rich artistic traditions with their own bold experiments. Senju reconfigures traditional Japanese painting with contemporary techniques and abstracts real waterfalls into idealized images. Often painting outdoors, Bingyi intuitively channels raw nature but also pulls on historical Chinese ink painting and philosophy. This exhibition puts the artists’ two paintings in context with their unique methods, influences, and ethos.

Across three hanging scrolls, Bingyi’s painting bears layers of splashed ink, the sea breeze’s effects, and careful brushwork that conjures a whorl of water and petals. Senju’s folding screens recall the dripping ceramic glazes and waterfall prints in our museum’s collections. By evoking water’s essence, these artists call us to ask: How is nature both permanent and vulnerable? How does water nurture and also destroy? What beauty and mystery can we find in the very resources we rely on? And what happens when we abandon the line between artist and environment? Step into the gallery and feel the power and beauty of water.

To learn more, click here.

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Banquet of Life Closes Soon at Ippodo Gallery

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Installation view of Banquet of Life: Nihonga Paintings by Daisuke Nakano at Ippodo Gallery

Banquet of Life: Nihonga Paintings by Daisuke Nakano
Closing Saturday, April 18, 2026
35 N Moore Street, NYC

These are the final days to catch Banquet of Life: Nihonga Paintings by Daisuke Nakano at Ippodo Gallery, on view through April 18. In this captivating exhibition, eleven new works mark a pivotal passage through the seasons, as Daisuke Nakano celebrates the natural world in luminous detail. From landscapes blanketed in shimmering snow, to the delicate threshold of the spring thaw, and onward into full bloom, each painting reflects the quiet transformation and vitality of flora and fauna.

Native to Kyoto and a master of Nihonga painting traditions, Daisuke Nakano (b. 1974) draws upon historical Japanese image-making to paint bright scenes of nature in a state of undisturbed purity. Each pigment is ground from rare and precious minerals mixed with nikawa, deer-collagen glue, and placed upon a background of gold and silver leaf on washi paper in keeping with the methods developed in Japan for centuries. Nakano’s influences draw primarily from paradigms codified during the height of Edo (1615–1868) aesthetics, which often centered imagined landscapes and the life teeming therein.

Nakano stands out as a luminary force among those few remaining Nihonga traditionalists today, evoking classical ideas and pushing them to their limits of color, composition, and craftsmanship. His scenes are overflowing with flourishes of complementary colors and dynamic interplay of lively bodies of birds, insects and flowers. Though filled to the point of bursting, Nakano’s canvases strike a balance even as forms and colors overlap with spirited energy. Each line—the primary pictorial tool of Nihonga painters—captures personality and movement with animated grace.

To learn more, click here.

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Don’t Miss the Final Days of Alisan Fine Arts’ Exhibitions

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(Left): Fu Xiaotong, 35,880 Pinpricks, 2023, handmade Xuan paper, 23 ⅝ x 18 ⅞ in. (Right): Wang Tiande, Poling a Boat Through the Winter Forest, 2025, Xuan paper, ink, burn marks, and rubbing, 21 ¾ x 26 ⅜ in.; Courtesy Alisan Fine Arts

Fu Xiaotong: NUN-7
Wang Tiande: Beyond Reach

Closing Saturday, April 18, 2026
120 East 65th Street, NYC

There’ still time to experience two solo presentations by artists Fu Xiaotong and Wang Tiande at Alisan Fine Arts before they close on April 18!

Both artists are inspired by the Chinese landscape painting tradition, taking nature as their primary theme. Moreover, both are pioneers in material manipulation, pushing the boundaries of traditional Chinese ink and Xuan paper in contemporary art practice.

Based in Berlin, Fu Xiaotong is known for her intricate paper pinhole creations of “traditional” landscape compositions.  In her recent works, she  interprets the natural world from two contrasting perspectives: from afar, in her serene, distant mountain and water-scapes, and on a microcosmic level, in her investigation of plant cells and organic tissue. In some pieces, forms appear densely aggregated, resembling cellular structures; in others, the dispersion and branching of pinholes evoke patterns of growth, division, or migration found in living systems.

Wang Tiande: Beyond Reach features the artist’s latest works, which fuse his technique of burning incense into Xuan paper with his more recent practice of attaching older traditional artworks directly onto his compositions. This practice began several years ago—while viewing Ming-dynasty paintings in a friend’s collection, Wang considered the potential to combine authentic historical paintings and calligraphy with his own burned and painted works. An avid collector of older artwork, he began layering and attaching pieces from his collection to his own creations. The resulting works occupy a hybrid state, part historical ‘ready-made’ and part contemporary painting, presented as artifacts in pristine, black shadow-box frames.

To learn more, click here.

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Visit Scholten Japanese Art at the IFPDA Print Fair

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Ito Shinsui (1898-1972), Twelve Images of Modern Beauties: Cotton Kimono (Shin bijin juni sugata: Yukata), 1922

IFPDA Print Fair
April 9 – 12, 2026

Friday & Saturday, Apr 10-11, 11am-7pm; Sunday,  Apr 12, 11am-6pm
Park Avenue Armory, 643 Park Avenue, NYC

Scholten Japanese Art is thrilled to return to the IFPDA Print Fair at the Park Avenue Armory from April 9-12. Visitors can explore a carefully curated selection of Japanese prints, including masterpieces by renowned artists such as Ito Shinsui, showcasing the beauty, craftsmanship, and enduring legacy of traditional and modern printmaking.

Don’t miss this opportunity to experience the exceptional range and depth of Japanese print art in one of New York’s most iconic settings.

Established in 1987, the IFPDA is the only vetted international membership organization for dealers, publishers, and galleries specializing in prints, editions & drawings.  All ticket sales benefit the grantmaking programs of the IFPDA Foundation, the only US nonprofit dedicated to supporting print and drawing exhibitions, internships, and educational programs.

They look forward to welcoming you soon!

To learn more about the fair, click here.

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Upcoming Gallery Presentations at the Dallas Art Fair

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Clockwise: Fujinuma Noboru, Lacquered Bamboo Cylinder (320), 2020, moso bamboo, lacquer, 21 x 7 x 6.5 in., courtesy TAI Modern; Hiroyoshi Asaka, KASHOUMON-Corner Protection-Ⅲ, 2023, marble, 5.1 x 5.9 x 5.9 in (13 x 15 x 15 cm), courtesy Seizan Gallery; Leah Ying Lin, ‘Oumuamua Breath (detail) 2026, stainless steel, resin, 31 ½ x 31 ½ x 69 ⅜ in., courtesy Alisan Fine Arts

April 16–19, 2026
VIP Preview + Benefit: Thursday, April 16, 5-9pm
Fair Hours: April 17-18, 11am-7pm; April 19, 11am-5pm
Fashion Industry Gallery, 1807 Ross Avenue Dallas, TX

Participating in the upcoming Dallas Art Fair, Alisan Fine Art, Seizan Gallery, and TAI Modern are excited to present a dynamic cross-section of contemporary Asian art, each bringing a distinct curatorial vision to the fair. Together, our member galleries offer a compelling dialogue across mediums and cultural perspectives, reflecting the breadth, innovation, and global resonance of contemporary Asian art today.

Alisan Fine Arts
Booth #C11

Showcasing a selection of artists who represent a diverse cross-section of diasporic artists from around the globe, they will be presenting the work of 10 artists: Chinyee, Julie Chang, Fu Xiaotong, Summer Lee, Justin Lim, Leah Ying Lin, Anna Song, Xin Song, Jia Sung, and Kelly Wang. Spanning two generations, this group of artists highlights the rich, ongoing history of Asian diasporic art.

Seizan Gallery
Booth #B6

In their inaugural participation, they are pleased to present a focused selection of works by leading contemporary Japanese artists, including Hiroyoshi Asaka, Aya Fujioka, Eri Iwasaki, and Toshiyuki Kajioka. Bringing together distinct approaches to material, form, and image, the presentation forms a compelling dialogue that reflects the depth and vitality of contemporary Japanese art.

TAI Modern
Booth #C6

Exhibiting contemporary Japanese bamboo art, they are proud to showcase the extraordinary expressive range and innovation of one of Japan’s most revered artistic traditions. The presentation brings together significant works by leading living masters, whose practices push the boundaries between traditional craftsmanship and contemporary sculpture.

Our dealer members look forward to welcoming you in Dallas!

To learn more about the fair, click here.

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