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MIYAKO YOSHINAGA Opening Joo Myung Duck: Sensory Space in Photography and its Conversation with Korean Abstract Painting

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Joo Myung Duck (b. 1940), Seoul, 2011, archival pigment print, 20 x 30 inches, Edition 1 of 15, Signature in Certificate © Joo Myung Duck / Datz Museum of Art & Miyako Yoshinaga Gallery

Joo Myung Duck: Sensory Space in Photography and its Conversation with Korean Abstract Painting
March 8 – April 13, 2024
Asia Week Hours: Mar 14-23, 11am-6pm (otherwise by appointment)

Opening Reception: Friday, March 15, 6-8pm
Talk by Dr. Yuri Doolan: Tuesday, March 19, 6:30pm
24 East 64th Street, 3rd Floor

MIYAKO YOSHINAGA is pleased to open Joo Myung Duck: Sensory Space in Photography and its Conversation with Korean Abstract Painting on Friday, March 8th during this season of Asia Week New York.  Originally known for social documentaries in his black-and-white photographs, Korean artist Joo Myung Duck (b. 1940) developed a series of densely “black” landscapes in the 1980s and the 1990s. In 2011, at age 71, Joo explored color photography, primarily focusing on the urban locality intertwined with colors, patterns, and textures. In the series, Joo employs close-looking and erases reality through the practice of abstract art to create sensory space. The exhibition also strives to shed light on this master photographer’s relationship with Korean abstract art, particularly, the Dansaekhwa movement and its artists, investigating their shared aesthetic, methodology, and philosophy.

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Joo Myung Duck (b. 1940), Seoul, 2011, archival pigment print, 20 x 30 inches, Edition 1 of 15, Signature in Certificate

In addition to the opening reception during Asia Week, the gallery will host a talk by Dr. Yuri Doolan about his book ‘The First Amerasians,’ which offers a fascinating historical background behind Joo’s Mixed Names series. Dr. Doolan will tell the heartbreaking story of how Americans created and used the concept of the “Amerasian” to remove thousands of mixed-race children from their Korean mothers in US-occupied South Korea to adoptive US homes during the 1950s and 1960s. His talk will explore the Cold War ideologies undergirding this so-called rescue and show how this process of removal and placement via US refugee and adoption laws profoundly shaped the lives of mixed-race Koreans and their mothers. Dr. Doolan is an Assistant Professor of History and Women’s, Gender, and Sexuality Studies and the inaugural chair of the Asian American and Pacific Islander Studies Program at Brandeis University.

To RSVP for the talk, email: [email protected]

To learn more, click here.

 

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Japan Society Opens New Exhibition

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Yamaoka Tesshu (1836–1888), Talismanic Dragon, Edo Period (1615-1867 A.D.), anging scroll(s), ink on paper, 44.5 x 60.3 cm

None Whatsoever: Zen Paintings from the Gitter-Yelen Collection
March 8 – June 16, 2024
Roundtable Discussion: Friday, March 8 at 1pm

Japanese Art Society of America Lecture : Wednesday, March 20 at 5pm 

Japan Society is pleased to present their Spring exhibit, None Whatsoever: Zen Paintings from the Gitter-Yelen Collection. Often playful, sometimes comical, and always profound, Zen paintings represent one of the world’s most fascinating religious and artistic traditions. This exhibition explores the origins of Zen Buddhism through over four centuries of ink paintings and calligraphies by painter-monks, who expressed Zen Buddhist teachings through their art, including the celebrated Buddhist master Hakuin Ekaku (1685–1768). The exhibition advances Japan Society Gallery’s history of presenting important Buddhist artworks and concepts, including from the 2007 exhibition, Awakenings: Zen Figure Painting in Medieval Japan, and the 2010 exhibition, The Sound of One Hand: Paintings and Calligraphy by Zen Master Hakuin. Visitors will also be invited to engage with Zen Buddhist practices through wide-ranging public programming, from in-gallery meditation sessions to calligraphy workshops and tea ceremony demonstrations.

The exhibition takes its title from a legendary encounter between a Buddhist monk and a Chinese emperor. According to 8th-century Chinese sources, itinerant monk Bodhidharma, patriarch of Zen Buddhism, visited the court of Emperor Wu Liang. When the emperor asked how much goodwill his generous deeds had earned in the eyes of the Buddha, the monk’s curt reply, “None Whatsoever,” shocked the ruler. This exchange—seemingly casual and dismissive, yet also uncompromising, profound, and revolutionary—has come to embody the relationship in Zen Buddhism between student and teacher.

There will also be several related events, the first a roundtable discussion on the day of the opening, March 8th at 1pm titled Zenga: A New History that explores the origins, evolution, and importance of the Gitter-Yelen Collection of Japanese art. Alice Yelen Gitter and Kurt Gitter will their share experiences and aspirations during the decades-long formation of their collection. A circle of expert curators and scholars will discuss the significance of Japanese art in the Gitter-Yelen Collection for museums, universities, and the public. Join their conversation about the stories, memories, and ideas behind the elusive and alluring Zen paintings on view — and other works of Japanese art in the Gitter-Yelen Collection.

To reserve tickets, click here.

The second event is presented by the Japanese Art Society of America during their JASA Member Annual Meeting, a lecture presented by Frank Feltens, Curator of Japanese Art at the Smithsonian’s National Museum of Asian Art titled When Zen Becomes Political: Zen and Soft/Hard Power on Wednesday, March 20th at 5pm. Zen has been used to foster political agendas, as inspiration for activism, and as a way to go against common norms. This talk highlights distinctive moments and individuals that made Zen and its arts a part of the political discourse of their times. They showcase how Zen has been part of Japan’s hard and soft power for centuries and continued to be in the twentieth century.

To reserve tickets, click here.

None Whatsoever originated at the Museum of Fine Arts, Houston and was co-organized by Bradley Bailey, The Ting Tsung and Wei Fong Chao Curator of Asian Art, and Yukio Lippit, The Jeffrey T. Chambers and Andrea Okamura Professor of History of Art and Architecture at Harvard University. The Japan Society presentation is organized by Tiffany Lambert, Curator and Interim Director, Japan Society.

To learn more, click here.

 

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Doyle March 2024 Asia Week New York Auctions

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A Large Chinese Parcel Gilt Lacquered Bronze Figure of Amitabha, Ming Dynasty, Height 20 inches, Lot 71, Estimate: US$6,000-US$8,000, Asian Works of Art

During this month’s Asia Week New York, Doyle presents two highly-anticipated sales of the arts of China, Japan and elsewhere in Asia dating from the Neolithic Period through the 20th century. Showcased will be porcelains, bronzes, jades, snuff bottles, pottery, scholar’s objects, furniture and paintings from prominent collections and estates.

Asian Works of Art
Auction: Tuesday, March 19, 10am EDT
Viewing: March 15-18, 12-5pm

Asian Works of Art: Session II
Auction: Wednesday, March 20, 10am EDT
Viewing: March 15-18, 12-5pm

For full details, click here.

 

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Kaikodo LLC Presents A Discovery of Dragons

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A Chinese Cizhou-ware Ceramic Pillow with Double-phoenix Décor, North Song period, 11th / early 12th century, L: 45 cm x W: 33 cm x H: 28 cm

A Discovery of Dragons
Online Exhibition: March 14 – April 18, 2024

One of the highlights of Kaikodo LLC‘s upcoming Asia Week New York online exhibition, A Discovery of Dragons, is a Chinese Cizhou-ware Ceramic Pillow with Double-phoenix Décor. This stoneware pillow is a breathtaking example of a technique for producing ceramic decoration perfected by Cizhou potters during the 11th century of the Song dynasty in northern China. The remarkable precision apparent in the production of the rare double-phoenix design on the headrest of the pillow and the density and intricate placement of the stamped rings forming the ground are exemplary, producing an effect that is as close to refined metalware decoration as a potter could get.


Dragon Mirror (detail)

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Sebastian Izzard LLC Offers Japanese Paintings, Prints, and Illustrated Books, 1760-1810

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Suzuki Harunobu (1724-1770), The Poem of Minamoto no Shigeyuki, Edo period, ca. 1767-68, woodblock print: ink and color on paper

Japanese Paintings, Prints, and Illustrated Books, 1760-1810
March 15 – 22, 2024
Asia Week Hours: Mar 15-16 & 18-22, 11am-5pm (otherwise by appointment)

17 East 76th Street, 3rd Floor

The Asia Week spring exhibition at Sebastian Izzard Asian Art LLC, Japanese Paintings, Prints, and Illustrated Books, 1760-1810, will explore the graphic culture of Edo in the late eighteenth and early nineteenth centuries. The introduction of color printing in the 1760s led to new techniques which were quickly adopted by the skilled craftsmen employed by the publishers of the period. The exhibition also chronicles changes in fashions and political affairs that affected the world of ukiyo-e, both in representations of the licensed entertainment quarter of the Yoshiwara and the city at large. Suzuki Harunobu (1724–1770) and his contemporaries are represented as are his successors in the following decades such as Torii Kiyonaga and Kitagawa Utamaro.

Poetry circles, already a significant source of patronage for artists such as Harunobu, flourished during the 1770s and 1780s. The samurai and wealthy merchants who formed much of their membership enjoyed rowdy, alcohol-fueled parties where they rubbed shoulders with celebrities including leading actors and the highest-ranking courtesans. Poets such as Ōta Nanpō (Shokusanjin, 1749–1823) and Akera Kankō (1740‒1799) worked with the publisher Tsutaya Jūzaburō (1750–1797) to promote the literary efforts of the participants, resulting in numerous kyōka anthologies illustrated by leading artists such as Kitao Masanobu (Santō Kyōden, 1761–1816), and Utamaro. The exhibition features several important examples including a fine copy of Kyōden’s masterwork Yoshiwara Courtesans: A New Mirror Comparing the Calligraphies of Beauties.

Also offered are a representative selection of beauty and actor prints from the 1790s and a group of drawings, prints, and paintings from the turn of the century by Katsushika Hokusai (1760‒1849). Of these, the most important is Telescope, long regarded as a masterpiece by the artist and one of three known specimens. A painting of Kumagai Naozane Riding Backwards on an Ox was last seen in public at an exhibition of Hokusai’s work organized by the Nihon Keizai Shimbun held in Moscow during the 1960s.

Kubo Shunman, a contemporary of Utamaro, was a painter deeply involved with the Edo poetry circles both as an artist and an author. He is represented in the exhibition by a fine painting on silk of a courtesan and her attendant with a cat.

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Kubo (Kubota) Shunman (1757–1820), Courtesan and Her Maid in an Interior, ca. 1795–1800, hanging scroll: ink and colors on silk, 35¾ x 14 in (90.8 x 35.6 cm)

To learn more, click here.

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Ippodo Gallery’s Cosmic Sound: Master Paintings by Ken Matsubara

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Ken Matsubara, Green Dragon 青龍(額・炉縁), 2023, pigment on paper, H6.6 × W42.5 × D42.5 cm

Cosmic Sound: Master Paintings by Ken Matsubara
March 14 – April 4, 2024
Asia Week Hours: Mar 14-23, 11am-6pm (otherwise by appointment)
Opening Reception & Music Performance: Thursday, March 14th, 5-8pm (RSVP required)
32 East 67th Street,  3rd Floor

On the occasion of Asia Week New York, Ippodo Gallery is proud to present Cosmic Sound: Master Paintings by Ken Matsubara, a culmination of the artist’s concepts featuring 20 of the beloved painter’s unique artworks. Matsubara will showcase his series spanning his long and illustrious career, including three works depicting the auspicious and fearsome dragon zodiac, the spectacular 12-panel Kūkai’s View, and versions of Scenery and the Moon Sound.

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Ken Matsubara, Kukai’s View; Sun and Moon, Sun and Venus 旭日昃星, 2017, H71 x W442 in. (H180 x W1125 cm), (Set of 3 panels)

Ken Matsubara (b. 1948) came to the medium of painting as a young man living amongst monks at a Buddhist temple in north-central Japan. Now residing in Nasu, Tochigi Prefecture, a natural landscape of rivers and waterfalls, Matsubara sojourned across the Japanese archipelago, finding inspiration through researching local imaginations of the dragon—sometimes a sky god or spirit of the water. The transcendental themes of his youth continue to permeate his works. One universal symbol is the circle, symbolizing the resonant sound of a ringing prayer bowl. The repetitive shape muddies the separation between sun or moon, sky or sea, or foreground from background: all is one and one is all.

There will also be a special otsuzumi drum performance during the opening reception by Shonosuke Okura. The acclaimed  musician is the 15th generation to receive the otsuzumi tradition.

To learn more and RSVP, click here.

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Christie’s March 2024 Asia Week New York Auctions

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Katsushika Hokusai (1760-1849), Fugaku sanjurokkei (Thirty-six views of Mount Fuji), a complete set of forty-six prints, c.1830–32; Estimate: US$3,000,000-US$5,000,000, Japanese and Korean Art

Christie’s New York celebrates Asian Art Week with eight sales, four live and four online, of the rare, the rarely seen and pieces of phenomenal provenance. Live sales begin on March 19th with the Japanese and Korean Art sale featuring the complete Thirty-six Views of Mount Fuji series from master of Japanese woodblock printing, Hokusai, while the Important Chinese Art sale boasts a number of rare, highly-sought-after ceramics from imperial era China. Other highlights of the week include massive jade vessels previously exhibited in San Francisco, Tibetan painting and impressive bronze and stone sculptures.

A full list of the auctions is below:

Japanese and Korean Art
Auction: Tuesday, March 19 at 10am EDT
Viewing: March 16–18, 10am-5pm

This season’s Japanese and Korean Art sale is led by a complete set of Fugaku sanjurokkei (Thirty-six views of Mount Fuji) by the master Katsushika Hokusai, followed by a modern and contemporary section. Among their diverse selection, this sale features a fine selection of Korean works of art and paintings, Japanese prints and paintings including rare scrolls by Jakuchu and Kunimasa, lacquer works, sculptures, ceramics and cloisonné.

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A Painting of Ngor Abbots, Eastern Tibet, 18th century; Estimate: US$200,000-US$300,000, Indian, Himalayan and Southeast Asian Works of Art

Indian, Himalayan and Southeast Asian Works of Art
Auction: Wednesday, March 20 at 9am EDT
Viewing: March 16–19, 10am-5pm

This season’s sale features a wide selection of works from across India, the Himalayas, and Southeast Asia. The sale is led by a group fine Himalayan gilt bronzes, foremost among them a rare Zanabazar style gilt-bronze figure of Green Tara from the Nyingjei Lam Collection. Other important Himalayan sculptures include a large and rare Western Tibetan silver-inlaid figure of Vairochana, a large 16th century Tibetan gilt-bronze figure of Amitabha and a 15th century Nepalese gilt-bronze figure of Chakrasamvara. The vast selection of Himalayan paintings highlights an important Eastern Tibetan painting of Ngor Abbots. The sale also includes a group of well-provenanced Gandharan works of art from a New York estate. The sale concludes with an impressive selection of Indian paintings, including a folio from the ‘large’ Guler-Basohli Bhagavata Purana series, several works from the workshop of the Kangra artist Purkhu, a portrait of Kashmir darners attributable to Bishan Singh, and an assortment of Company School and Early Bengal School works.

South Asian Modern + Contemporary Art Including Works from the Collection of Umesh and Sunanda Gaur
Auction: Wednesday, March 20 at 11am EDT
Viewing: March 16–19, 10am-5pm

This group of important modern works comes from the renowned collection of Umesh and Sunanda Gaur, including significant works by Francis Newton Souza, Sudhir Patwardhan and Nalini Malani. The Gaurs have devoted more than three decades to the patronage and promotion of South Asian Art in North America, building one of the finest and deepest collections over this period, and spearheading several museum exhibitions of works from this category across the continent from the early 2000s onward. Complementing these works are significant paintings by Sayed Haider Raza, Jehangir Sabavala, Maqbool Fida Husain, Sadanand Bakre, Ganesh Pyne, Manjit Bawa and Gulammohammed Sheikh. The catalogue also features works by pioneers of South Asian modernism Jamini Roy, Abdur Rahman Chughtai, Allah Bux and George Keyt, accompanied by important contemporary lots by Zarina, Nasreen Mohamedi, Sheila Makhijani and Salman Toor.

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A Superb and Very Rare GE Foliate Dish, Southern Song-Yuan Dynasty (1127-1368), 5 ½ in. (14 cm) diam., fitted cloth box; Lot 912, Estimate: US$1,800,000-US$2,500,000, Important Chinese Art Including the Collection of Dorothy Tapper Goldman

Important Chinese Art Including the Collection of Dorothy Tapper Goldman
Auction: Thursday, March 21 at 9am EDT & Friday, March 22 at 9am EDT
Viewing: March 16–19, 10am-5pm; March 20, 10am-2pm

Important Chinese Art Including the Collection of Dorothy Tapper Goldman features outstanding works from prominent institutional and private collections. The sale encompasses ceramics, cloisonné enamel, lacquer, jade carvings, scholar’s objects, textiles, and classical Chinese furniture. Highlights include a very rare Ge foliate dish from the Linyushanren collection, a Kangxi-period very rare and finely-cast imperial gilt-bronze figure of seated Amitayus, a pair of imperial gilt-bronze ritual bells from the Kangxi period, a carved huanghuali canopy bed, a group of important and massive jade vessels from the Fine Arts Museums of San Francisco, and more than a hundred works from the renowned Chinese art collector and philanthropist Dorothy Tapper Goldman. The sale also presents curated selections from noted private collections, such as archaic jades and ceramics from the Collection of Dr. Hiroshi Horiuchi, as well as Qing porcelains from the Collection of Professor and Mrs. Yu Chunming.

Landscapes of Japan: Woodblock Prints from Edo to Post-War
Online: March 13–26, 10am EDT

Landscapes of Japan: Woodblock Prints from Edo to Post-War features a fine selection of iconic woodblock prints by master artists from the 18th to 20th century, including Katsushika Hokusai, Utagawa Hiroshige, Kawase Hasui and Yoshida Hiroshi. The selection tells a comprehensive story of the evolving history of landscapes depicted in Japanese woodblock prints.

South Asian Modern + Contemporary Art Online
Online: March 13–27, 10am EDT

This online auction of South Asian Modern + Contemporary Art complements the live auction of works from this category, to be held in New York on March 20th. The catalogue presents a wide variety of works across diverse genres and media by well-known artists from South Asia and its diaspora for new and seasoned collectors alike, including property from the renowned collections of Umesh and Sunanda Gaur and Mahinder and Sharad Tak. Works by modernists Maqbool Fida Husain, Sayed Haider Raza, Francis Newton Souza, Bal Chhabda and Manjit Bawa are offered alongside significant lots by Atul Dodiya, Paresh Maity and Jangarh Singh Shyam, to name only a few artists. Art for Baby, a group of fifteen lots by prominent modern and contemporary Indian artists, will be offered to benefit Outset. For the first three months of their lives, babies only perceive the world around them in black, white and shades of gray. Inspired by Outset’s 2008 international publication Art for Baby, these gray scale works were commissioned by Rudritara Shroff from artists including Jyoti Bhatt, Jogen Chowdhury, Atul Dodiya, Dhruvi Acharya, Anju Dodiya, Shilpa Gupta and Bijoy Jain for a new Indian version of the book, which will serve not only as an early introduction to contemporary Indian art, but also a tool for honing visual skills which are so important in early childhood development. 

Arts of Asia Online
Online: March 13–28, 10am EDT
Viewing: March 16–19, 10am-5pm; March 20, 10am-2pm

This Asian Art Week, Christie’s is pleased to present Arts of Asia Online, a carefully curated selection spanning across India, the Himalayas, China, Korea, and Japan. The sale presents a wide selection of works across various media, including ceramics, jade carvings, lacquerware, metalwork, furniture, textiles, bronze sculpture, stone sculpture, prints, and paintings. Highlights from the sale include a selection of Chinese porcelain from the collection of Dr. Hiroshi Horiuchi, a fine selection of Japanese inro, and curated groupings of Himalayan bronze sculpture and Indian court paintings from prestigious private collections. With a wide range of estimates, Arts of Asia Online presents opportunities for both burgeoning and established collectors of Asian art.

Chinese Works of Art from the Collection of Dorothy Tapper Goldman
Online: March 13–29, 10am EDT
Viewing: March 16–19, 10am-5pm; March 20, 10am-2pm

Christie’s is pleased to present the online sale of Chinese works of art from the beloved collector, professor, connoisseur and philanthropist Dorothy Tapper Goldman. Offered in conjunction with a selection of works in the Important Chinese Art sale, this online auction presents collectors an additional opportunity to acquire objects that are representative of the collector’s refined taste and discerning eye. Mrs. Goldman’s home featured porcelains grouped by color, with those exhibited in the living room ranging from lemon-yellow to emerald-green and lavender-blue, beautifully interspersed with delicate works of art in gilt-bronze and wood. In the dining room, her impressive collection of luminous white Dehua porcelains was featured opposite rich works in tixi lacquer, creating an elegant display to please the eye. The sale comprises 120 lots including contemporary Chinese paintings, Dehua wares and monochrome porcelains, works of art and scholar’s objects.

SPECIAL EXHIBITION

From Protégé to Master: The Chinese Painting Collection of Harold Wong

March 16 – 20, 2024
Viewing: Sat-Tue, 10am-5pm; Wed, 10am-2pm 
Lecture: Sunday, March 17th at 6:30pm (registration required)

Christie’s is honored to present this special highlight exhibition in New York during Asian Art Week. From Protégé to Master: The Chinese Painting Collection of Harold Wong is a non-selling exhibition that will open in Hong Kong this spring to commemorate the legacy of Harold Wong, a celebrated connoisseur, collector, gallerist, artist, and leading figure in the international Chinese art scene. Born in 1943, Harold Wong developed a keen interest in traditional Chinese art, culture, and literature at a young age under the guidance of his father, Wong Pao Hsie. Tutored by the venerable master Madam Koo Tsin-yaw, Wong became an accomplished painter who exhibited his work as early as 1962. His extensive Chinese paintings and calligraphy collection continued his family heritage and forged new paths. It exemplified his passion for classical paintings and calligraphy by Ming and Qing dynasty masters with a focus on calligraphic couplets, late Qing dynasty Shanghai painters, and representative 20th-century artists, many of whom were family friends who enriched his journey as an artist and collector. The upcoming exhibition will showcase Harold Wong’s unwavering pursuit of beauty and knowledge and celebrate his life as a contemporary Chinese scholar-gentleman.

There will also be a short lecture by Catherine Maudsley, art advisor, curator, and art historian, on Sunday, March 17th at 6:30pm during our reception. Please contact Sophia Zhou at (212) 636-2552 or [email protected] for more information.

Guided Tours

Saturday, 16 March at 11am
Monday, 18 March at 11am
Meet at the front reception desk

Also join their guided tours of Asian Art Week galleries with Robert D. Mowry, the senior consultant, who will share his insights on the history and provenance behind this season’s collection of fascinating works.

For full details, click here.

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INKstudio Exhibiting Kelly Wang and Ren Light Pan: New Material Practices in INK Art

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Kelly Wang (b. 1992), Brush Rest, 2023, newspaper and mixed media, 75.5 W x 25 D x 39 H in (191.8 x 63.5 x 99 cm)

Kelly Wang and Ren Light Pan: New Material Practices in INK Art
March 14–22, 2024
Exhibiting by appointment
Contact [email protected]

For this 15th year of Asia Week New York, INKstudio is pleased to present Kelly Wang and Ren Light Pan: New Material Practices in INK Art. Kelly Wang (b. 1992) and Ren Light Pan (b. 1990) are two emerging New York-based women artists who are redefining the material practices of Ink art. In one of her featured paintings, Brush Rest, Wang uses newspaper twisted into strands and sculpted into two-dimensional and three-dimensional landscape forms to transform the normally passive, absorbent ground of ink art—namely, paper—into an active, material inquiry into human society and nature. In contrast, Ren Light Pan, in her Sleep series paintings, uses the heat of her body and the physical, material properties of ink and water—namely, diffusion, absorption and evaporation—to indexically record her physical body in its sleeping state.

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Korean Cultural Center New York Opens John Pai: Eternal Moment

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Photo credit: Geoffrey Quelle

John Pai: Eternal Moment
March 6 – April 18, 2024
Opening Reception: Wednesday, March 6th, 6-8pm (RSVP)

The Korean Cultural Center New York is honored to present John Pai: Eternal Moment, a retrospective exhibition at the gallery of its new building located at 122 East 32nd Street in New York City this Wednesday, March 6th,

The exhibition celebrates John Pai’s legacy as a seminal figure in the tapestry of Korean arts in New York City and the world. His life and works reflect the enduring spirit of innovation, artistry, and the rich narrative of Korean history.

This historical retrospective highlights works from Pai’s oeuvre. From his earliest works as a young graduate student at Pratt Institute in the 1960s with influences from early Constructivism, the show spans over six decades, giving a comprehensive understanding of the vast breadth of Pai’s artistic realm and his unwavering dedication to his craft and vision. Included in this landmark show are excerpts from the artist’s oral history with historian Leyla Vural conducted in the summer of 2021, and the unveiling of an intimate cinematic portrait of the artist, commissioned by the Korean Cultural Center New York (KCCNY).

To learn more and RSVP, click here.

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HK Art & Antiques Shows Korean Artists in Paris

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Chung Sanghwa (b. 1932), Untitled 86-2-6, 1986, acrylic on canvas, 39 1/4 x 25 1/2 in (99.7 x 64.8 cm)

Korean Artists in Paris
March 15–April 5, 2024
Asia Week Hours: Mar 15-22, 11am-6pm (otherwise by appointment)
49 East 78th Street, Suite 4B

HK Art & Antiques is pleased to present Korean Artists in Paris for this 15th season of Asia Week New York. Curated by Heakyum Kim and Pierre Cambon, the former curator at the Musée Guimet, this exhibition showcases the work of Chung Sanghwa, Shin Sung Hy, Nam Kwan and Kim Sang-lan, four Korean artists who have lived and worked in Paris. Known in both Korea and France, their successful careers cover a great span of time, from the 1950s to the present. Each artist demonstrates how the two countries impacted their work.

Based in New York since 2015, HK Art & Antiques, under the direction of Heakyum Kim, is one of the foremost sources for fine Korean art.

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