Bingyi: The Eyes of Chaos
November 18, 2023 – February 25, 2024
Opening Reception: Saturday, November 18 from 4:00 – 6:00 pm
INKstudio is proud to present Bingyi’s third solo exhibition at the gallery entitled Bingyi: The Eyes of Chaos. An artist, architectural designer, curator, cultural critic, and social activist, Bingyi (b. 1975, Beijing) has developed a multi-faceted practice that encompasses land-and-environmental art, site-specific architectural installation, musical and literary composition, ink painting, performance art, and filmmaking. In The Eyes of Chaos, INKstudio debuts Bingyi’s latest grand, speculative narrative about Art and its relationship to Nature, Literature, History and Politics as retold or reimagined from a woman’s point of view.
Bingyi tells her story through two bodies of work resulting from her investigations over the past five years into the origins of the ink monochrome landscape in China: The Eyes of Chaos: Temple of the Matriarch of Painting—the organic development of Bingyi’s land-and-environment art practice into historical landscape painting; and Dream within a Dream within a Dream—a speculative, archaeological reconstruction of the life of Hua, the “Matriarch of Painting.” Hua, it turns out, was not only a visionary woman artist but a philosopher and political thinker who, in the Northern Song, created an alternative aesthetic system that de-centered the Patriarchal, Confucian, Brush-centered and Humanistic mode of literati landscape painting and, from a Woman’s point of view, re-centered the expressive possibilities of brush and ink on Ink and Water, on Taoism and on Nature.
To view the exhibition, click here.
UPCOMING EXHIBITION FOR ASIA WEEK NEW YORK 2024
Kelly Wang and Ren Light Pan: New Material Practices in INK Art
March 14 – 22, 2024
Kelly Wang (b. 1992) and Ren Light Pan (b. 1990) are two emerging New York-based women artists who are redefining the material practices of Ink art. In one of her featured paintings, Brush Rest, Wang uses newspaper twisted into strands and sculpted into two-dimensional and three-dimensional landscape forms to transform the normally passive, absorbent ground of ink art—namely, paper—into an active, material inquiry into human society and nature. In contrast, Ren Light Pan, in her Sleep series paintings, uses the heat of her body and the physical, material properties of ink and water—namely, diffusion, absorption and evaporation—to indexically record her physical body in its sleeping state.