Heeseop Yoon, Still Life with Eiffel Tower, 2022, pen drawing collage on paper, 18 x 24 in., image courtesy of the artist
Heeseop Yoon Agglomeration, Korea Society
Concludes August 25
Although her intricate installations are often so large that they spread over walls onto ceilings and floors, Heeseop Yoon thinks of her work as freehand drawings. All of Yoon’s works are based on real spaces with vast messes, such as basements, workshops, storage spaces, or “places where everything is jumbled and time becomes ambiguous without the presence of people.” Based on photographs, Yoon draws freehand without erasing; based on her own drawings, she creates her enlarged wall drawings using black tapes. In the final installation, her miscalculations and corrections are visible, as Yoon is interested in how memory and perception constantly adjust both for herself and for her viewer, and the paradox that the more she corrects her work, the less legible the drawing becomes. In her solo exhibition at The Korea Society, Yoon will show both her large-scaled line drawing installation and intricate black and white drawings.
Watch the recorded Artist's Talk, which Korea Society posted on July 12th, click here.
Visits to Korea Society require advance appointment. To book a date, click here.