Skip to main content

Onishi Gallery Opens Contemporary Japanese Ceramics as Statement Tomorrow

Konno Creature 1200

Konno Tomoko (b. 1967), Creature, 2010, stoneware with nerikomi, h. 21 5/8 x w. 20 1/2 x d. 10 5/8 in. (55 x 52 x 27 cm)

Contemporary Japanese Ceramics as Statement
November 15 – December 6, 2023
By appointment only
Opening Reception: Tuesday, December 5, 6–8pm

Onishi Gallery is pleased to be presenting Contemporary Japanese Ceramics as Statement, featuring Konno Tomoko, Suzuki Miki and Ohi Toshio Chozaemon XI whose works are treated as artfully designed sculptures that make a statement and engage in meaningful dialogue with the interior of a home. The work of Konno Tomoko will be part of Radical Clay: Contemporary Women Artists from Japan, which will be held at the Art Institute of Chicago opening on December 16, 2023. The works in the museum exhibition come from the Carol and Jeffrey Horvitz Collection.

To learn more, click here.

• • •

Fu Qiumeng’s Whispers of Elegance 轻闻风雅 Closes Soon

Resting on a Rock

Qian Du, Resting on a Rock and Gazing Clouds 憩石望雲, ink and color on paper, fan leaf, framed

Whispers of Elegance 轻闻风雅
Closes on November 18, 2023

Fu Qiumeng Fine Art’s Fall exhibition, Whispers of Elegance, shines a spotlight on the art of Chinese fans. Curated by Xian Fang, the former Head of Sales and Vice President at Sotheby’s New York Classical Chinese Paintings department, this enchanting group of folding fans showcases the art’s evolution with a discerning selection that spans from the Qing Dynasty luminaries such as Wang Yuanqi (1642-1715) and Huang Yi (1744-1802), progressing to modern masters like Qi Baishi (1864-1957) and Xiao Xun (1883-1944), and onto contemporaries like Ding Yanyong (1902-1978) and Wang Jiqian (C. C. Wang, 1907-2003).

A particularly wonderful group of folding fans from the Republic era showcases joint creations by literati artists, such as Zhang Daqian (Chang Dai-Chien, 1899-1983), Pu Ru (1896-1963), Tao Lengyue (1895-1985), and Wang Fu’an (1879-1960), among many others. This selection offers profound insights into the transformative interpretations, dialogues, and collaborations of traditional Chinese visual culture, deeply influenced by the vibrant intellectual and artistic movements of early 20th-century China.

To learn more, click here.

• • •

Upcoming Webinar with Asia Week New York and The Cleveland Museum of Art

The Thousand Buddha Hall

The Thousand Buddha Hall and the Pagoda of the “Cloudy Cliff” Monastery, from Twelve Views of Tiger Hill, Suzhou, after 1490. Shen Zhou (Chinese, 1427–1509). Album leaf; ink on paper or ink and slight color on paper; image: 31.1 x 41 cm (12 1/4 x 16 1/8 in.); overall: 36.5 x 49.9 cm (14 3/8 x 19 5/8 in.). Courtesy The Cleveland Museum of Art, Leonard C. Hanna, Jr. Fund 1964.371.7

From a Land of Pestilential Vapors to Paradise on Earth: An introduction to Treasures from the Yangzi Delta at the Cleveland Museum of Art
Tuesday, November 14 at 5pm EST
Zoom Webinar

Join AWNY, in collaboration with The Cleveland Museum of Art, for the fascinating webinar, From a Land of Pestilential Vapors to Paradise on Earth, featuring guest speaker Dr. Clarissa Von Spee, the James and Donna Reid Curator of Chinese Art and Interim Curator of Islamic Art, Chair of Asian Art. Dr. von Spee will discuss her exhibition, China’s Southern Paradise: Treasures from the Lower Yangzi Delta currently on view at the museum through January 7, 2024.

Curated by Dr. von Spee, this is the first exhibition in the West to focus on the artistic production and cultural impact of a region called Jiangnan, located in the coastal area south of the Yangzi River. Dr. von Spee will explore how this region gained a leading role in China’s artistic production and how it succeeded in setting cultural standards and will present works of art from private and public collections and museums in the United States, Europe, China, and Japan. Jiangnan has throughout large parts of its history been one of the wealthiest, most populous, and most fertile lands. For millennia, it has been an area of rich agriculture, extensive trade, and influential artistic production. Art from Jiangnan—home to such great cities as Hangzhou, Suzhou, and Nanjing, as well as to hilly picturesque landscapes interspersed with rivers and lakes—has defined the image of traditional China for the world.

SPEAKER: Dr. Clarissa von Spee, the James and Donna Reid Curator of Chinese Art and Interim Curator of Islamic Art, Chair of Asian Art, Cleveland Museum of Art

MODERATOR: Dessa Goddard, Vice-President, US Head of the Asian Art Group at Bonhams and former Chairman of Asia Week New York.

To register, click here.

Participant’s Biographies:

Dr. Clarissa von Spee brings more than a decade of museum experience to the Cleveland Museum of Art. From 2008 until 2016, von Spee served as curator of the Chinese and Central Asian Collections, Department of Asia, at the British Museum in London. She organized exhibitions including The Printed Image in China from the 8th to the 21st Centuries (2010); Modern Chinese Ink Paintings (2012); and Gems of Chinese Painting: A Voyage along the Yangzi River (2014).

Dessa Goddard is the Vice-President, US Head of the Asian Art Group at Bonhams and former Chairman of Asia Week New York. She oversees all company specialists and consultants in the fields of Chinese, Japanese, Korean, Himalayan, Indian and Southeast Asian Art in North America at Bonhams and is the Senior North American Chinese Specialist in charge of acquiring consignments for the company’s auctions in New York, Los Angeles, and Hong Kong.

• • •

Special Talk at Ippodo Gallery Tonight

Ippodo Talk

Special Talk “The Accumulation of Time That Seeps into the Tea Bowl” hosted by Ippodo Gallery

Ippodo Gallery
The Accumulation of Time That Seeps into the Tea Bowl
November 9, 2023
7:00–8:00pm
Ticketed event

The chawan 茶碗 tea bowl is a special utensil used to drink matcha. The tea is prepared directly in the chawan, which we hold, almost cradle, with both hands when drinking. By feeling the earth that shapes the tea bowl, we merge with nature and refresh our spirit the moment we observe and drink the matcha. Meanwhile, the tea bowl transcends its function as a vessel for tea. It is a work of art embodying the concept of human harmony with nature. Over time, the teabowl’s color and texture gradually change in juxtaposition with the life of the user.

Ippodo Gallery owner Shoko Aono, who has been entranced by the tea bowl’s deep appeal, curates the annual Magic of the Teabowl exhibition as a highlight of her gallery calendar. For Chanoyu Week NYC 2023, she will discuss with collector Henry Whiting and tea master Yoshitsugu Nagano about their encounters with the tea bowl. Together they will explore what makes tea bowls fascinating and share their favorites.

To learn more and purchase tickets, click here.

• • •

Music and Tea Ceremony at Fu Qiumeng Fine Art

Fu Qiumeng Music Event

Fu Qiumeng Fine Art
Reunion Between the Tunes of Guqin and the Ritual of Matcha
November 12, 2023
1st Session: 1:00–1:45pm; 2nd Session: 3:00–3:45pm
Tickets: $30

Fu Qiumeng Fine Art, in proud collaboration with Chanoyu Week NYC 2023, is thrilled to present a unique rendezvous of tradition and harmony: “Reunion Between the Tunes of Guqin and the Ritual of Matcha.” Conducted in two sessions, dive into the ethereal sounds of the ancient Guqin, a seven-stringed Chinese musical instrument, and be captivated by the serene beauty of the traditional Japanese tea ceremony.

They are honored to have Liu Li, celebrated Guqin maestro and the esteemed president of the New York Guqin Association, serenade their guests. Complementing this musical experience, Yoshitsugu Nagano, master of the Ueda Soko-ryu samurai tea ceremony, will immerse you in the tranquil world of Matcha.

Journey back to the Northern Song Dynasty (960-1127) as they pay homage to the timeless bond between the Guqin and tea ceremony. It was Emperor Huizong (1082-1135), a titan of Chinese artistry, who intertwined these two passions in the annals of history. His masterwork, the “Da Guan Tea Classic,” and his portrayal in the painting Listening to Guqin at the Beijing Palace Museum, vividly encapsulate the emperor’s artistry.

Lose yourself in the enchanting melodies of the Guqin and let the aromatic allure of Matcha whisk you away to a time when literati masters defined the pinnacle of art and culture.

To learn more and purchase tickets for either session, click here.

• • •

The Met Opens New Show and Events at Charles B. Wang Center

Gourd-shaped ewer decorated with waterfowl and reeds, early 12th century, stoneware with carved and incised design under celadon glaze, h. 10 1/2 in.(26.7 cm); w. 7 7/8 in. (20 cm), Fletcher Fund, 1927; Courtesy The Metropolitan Museum of Art

Check out the events happening this week at The Met and Charles B. Wang Center.

The Metropolitan Museum of Art
Lineages: Korean Art at The Met
November 7, 2023 – October 20, 2024

In celebration of the twenty-fifth anniversary of The Met’s Arts of Korea gallery, their new exhibition, Lineages: Korean Art at The Met, opens today highlighting the Museum’s collection paired with important international loans of Korean modern and contemporary art. This juxtaposition of historic and contemporary artworks—from twelfth- and thirteenth-century celadons to futuristic cyborg sculptures made in the 2000s—displays the history of Korean art in broad strokes through four intertwined themes—lines, people, places, and things. Featuring thirty objects, this exhibition fosters a dialogue of ideas that have resonated across time and bound artists together.

To learn more, click here.

Wang Events

Charles B. Wang Center Events This Week

Guided Gallery Tour by Sungsook Hong Setton
Wednesday, November 8, 2023 from 12:00–12:30pm

Learn more about the world of contemporary ink painting in this free guided gallery tour of their featured exhibition, Park Dae Sung: Ink Reimagined, hosted by acclaimed local ink painter Sungsook Hong Setton.

Lecture and Book Signing: Photography and Korea
Thursday, November 9, 2023 from 1:00–2:00pm

Dr. Jeehey Kim, a historian of photography, will present an enthralling lecture on her newly published book Photography and Korea and recount the historical development of Korean photography, its milestones, and its key figures.

The Art of Ink: Line Drawing Workshop
Friday, November 10, 2023 from 2:00–4:00pm
Limited to 30 people; Advance reservation is required

Join in this immersive, hands-on experience and explore the versatility of line-drawing techniques using the timeless medium of ink with New York–based calligrapher Aram Yoo Sung Lee. All skill levels welcome.

To learn more and sign up, click here.

• • •

Last Lecture on The Celestial City: Newport and China at Rosecliff

Chin Too family with unidentified Chinese consular official, unknown location in Rhode Island (private collection)

The Preservation Society of Newport County Fall Lecture Series
Exclusion, Rhode Island, Kinship: Making Your Own Chinese Family
Thursday, November 9, 2023
6:00pm – 7:00pm EDT
Live at Rosecliff and via Zoom Video Conference

In conjunction with The Celestial City: Newport and China exhibit at Rosecliff, this Fall Lecture Series explores different aspects of the Chinese-American experience and the many ways life in Newport and America was influenced and enriched by people of Chinese heritage.

This last lecture of the series invites Dr. John Eng-Wong, Visiting Scholar in American Studies at Brown University, to speak about the Chinese Exclusion Act of 1882, the first time that people of a specific heritage were banned from immigrating into America. He will discuss how laws and social practices impacted Chinese family formation and reunification during this period and beyond. Drawing from adoption archives, Chinese Exclusion era documents, memoirs, articles and interviews with descendants, Dr. Eng-Wong will describe how exclusion unfolded in Rhode Island and illustrate how several Chinese-descent families from Providence and Newport negotiated these impacts. Almost everyone begins in a family. These chronicles explore the complications when the road forward from birth is disrupted, or not.

To learn more and register, click here.

• • •

Ralph M. Chait Galleries Exhibiting at the Annual Delaware Antiques Show

Chinese Painted Pottery Equestrian Figure, Northern Wei Dynasty, AD 86-535, H:10 ¾ inches (27.3 cm)

Delaware Antiques Show
Chase Center on the Riverfront, Wilmington
Booth, No. 31

Dates and Hours:
Gala Preview Party: November 9 from 5-9pm
Public Dates: November 10-12, 2023
Hours: Friday and Saturday 11am-6pm; Sunday 11am-5pm

Ralph M. Chait Galleries is delighted to exhibit at this year’s Delaware Antiques Show as it celebrates its 60th Anniversary. They will bring a wonderful variety of fine Chinese porcelain, works of art, and export silver. Be sure to visit them at Booth, No. 31 located near the center of the main exhibition room.

To learn more, click here.

• • •

Symposium and Lecture this Weekend at the Cleveland Museum of Art

Portrait of Calligrapher Weng Dehong (翁德洪像) (detail), 1639; Zeng Jing (Chinese, c. 1564–1647), landscape by Cao Xizhi (Chinese, active 1600s), inscribed by Jin Ye (Chinese, active 1600s); Hanging scroll; ink and color on paper; painting: 118.7 x 41.3 cm; University of California, Berkeley Art Museum of Pacific Film Archive; Museum purchase, 1967.22

In conjunction with the recently opened exhibition, China’s Southern Paradise: Treasures from the Lower Yangzi Delta, the Cleveland Museum of Art presents a weekend of insightful events focusing on the artistic and cultural role of the Jiangnan region in China and beyond.

Symposium: Jiangnan—Objects in Focus
Saturday, November 4, 2023
10:00 am–6:00 pm

Jiangnan—Objects in Focus is an international one-day symposium featuring 15 scholars from the United States, Asia, and Europe, who will each give a talk spotlighting one exhibit in their respective area of expertise. The goal of the symposium is to discuss highlights of the exhibition and foster a better understanding of the Jiangnan region and its artistic and cultural role in China and beyond.

To view the full schedule and register for free tickets, click here.

Lecture: “Heaven Is High and the Emperor Is Far Away”: Jiangnan in Ming-Dynasty China
Sunday, November 5, 2023
2:00 pm

Although the Jiangnan region of China, meaning “south of the Yangtze,” was the site of the first Ming dynasty capital, the court relocated to the north of China half a century after the dynasty’s founding. From this time, emperors and their immediate families were largely absent from the culture of this prosperous and vibrant heartland. But many ties still linked the culture of Jiangnan’s “Southern Paradise” and that of the Ming court. This lecture focuses on what artworks, as well as literature, can tell us about the often-fraught relationship between Jiangnan, its people, and their distant rulers in the north.

To learn more and register for free tickets, click here.

• • •

New Bamboo Works at TAI Modern

(L-R): Honda Syoryu, Aurora II, 2023, madake bamboo, rattan, 8.75 x 12 x 10 in.; Shono Tokuzo, Setting Sun, 2023, madake bamboo, rattan, 36 x 29 x  25 in.; Kawano Shoko, Red Sky on the Morning of New Year’s Day, 2022, madake bamboo, rattan, 8 x 16.5 x 16.25 in.; Courtesy TAI Modern

A selection of new bamboo pieces has just arrived at TAI Modern by artists Honda Syoryu, Shono Tokuzo and Kawano Shoko.

Honda Syoryu began his career studying bamboo basket making for flower arranging but the limitations of this centuries-old genre constrained his creativity. He takes what are deceptively simple techniques, such as plait weaving and twining, and turns them into beautiful expressions of playfulness and agility. The sculptural form of Honda’s Aurora II is reminiscent of fabric folding, showing his mastery of organic movement in abstract shape.

Shono Tokuzo is meticulous in his artistic process and prefers to prepare the bamboo entirely by himself in order to have greater control over the medium. The bamboo is cut in the winter from a mountain grove and processed traditionally. He then lets the culms dry standing up for 100 days. Thus, the process of removing the oil and sugar through heat leaching is easier. The bamboo then goes into a special hot chamber and dries for another 20 days which gives it its final ivory color and luster. Finally, it is ready to be cut and prepared to be used in Shono’s works.

Kawano Shoko has exquisitely balanced his basket, Red Sky on the Morning of New Year’s Day, with an open ajiro technique for the inner wall with a line construction for the outer wall. Kawano says “I try to express my creativity mostly within the vessel form. However, I think sculpturally. My consciousness moves from lines to planes, from planes to three-dimensional forms, and from three-dimensional forms to space.”

To learn more, click here.

• • •