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AWNY Preview: What’s in a Title: Japanese Works of Art from Ancient to Modern at Carole Davenport

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Noh Mask of Ko-Omote, Edo Period, c. 18th century, wood with gesso and paint

What’s in a Title: Japanese Works of Art from Ancient to Modern
March 12 – 23, 2025
Opening Reception: Thursday, March 13 from 4-7pm
Exhibiting at: John Molloy Gallery, 49 East 78 Street, Suite 2B
Asia Week Hours: Mar 12, 3-6pm; Mar 13, 4-7pm; Mar 14, 3-6pm, Mar 15-23, 11am-5pm (otherwise by appointment)

Opening in just a few days, Carole Davenport is pleased to present an all encompassing show in various media highlighting objects from Japanese art history from the Tumulus period, 3rd to 6th centuries, through contemporary works by Hiroyuki Asano, stone sculptor from Tokyo, and Ted Kurahara, color painter born in Seattle, Washington during this season’s Asia Week New York.

Along the way, there are wooden sculptures from the Heian period, 9th to 12th centuries, and a Hotei of charming and welcoming gesture from the middle Edo period. A few scrolls of calligraphic nature by artist Nobuhiro of Konoe fame and Otagaki Rengetsu, the nun, poet and calligrapher from the late Edo period. Be prepared to be challenged by the variety and to appreciate Japanese style and design throughout the centuries. The Noh masks alone are confrontational.

To learn more, click here.

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Asia Week March 2025 Museum Exhibition Guide

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Installation view of Recasting the Past: The Art of Chinese Bronzes, 1100–1900 at The Metropolitan Museum of Art

In addition to all the extraordinary dealer shows and auction house viewings, start planning your Asia Week New York schedule with this highlighted list of Asian art museum exhibitions on view in New York City and surrounding areas. Many will have opening receptions or related programs that are also listed in our Online Calendar here.

ASIA SOCIETY MUSEUM

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Folio from a Bhagavata Purana Manuscript: Battle Between Krishna and the Fire-Headed Demon Mura (detail), about 1500-1540, India, Rajasthan or Uttar Pradesh, (Re)Generations: Rina Banerjee, Byron Kim, and Howardena Pindell amid the Mr. and Mrs. John D. Rockefeller 3rd Collection, Courtesy Asia Society

(Re)Generations: Rina Banerjee, Byron Kim, and Howardena Pindell amid the Mr. and Mrs. John D. Rockefeller 3rd Collection
March 4 – August 10, 2025

This exhibition reintroduces key works in Asia Society Museum’s Mr. and Mrs. John D. Rockefeller 3rd Collection of pre-modern Asian art through the lenses of three leading contemporary artists: Rina Banerjee, Byron Kim, and Howardena Pindell. Each artist has selected a number of works in the collection within which to situate their own new and existing works, creating dialogues that offer new insights and entry points into the collection.

Imperial Treasures: Chinese Ceramics of the Yuan and Ming Dynasties from the Mr. and Mrs. John D. Rockefeller 3rd Collection
February 18 – August 10, 2025

Known for exquisite porcelain production and trade, the Ming dynasty (1368–1644) represents a period of Chinese imperial rule between the fall of the Mongol Yuan dynasty (1271–1368) and the rise of the Manchu Qing dynasty (1644–1911). The approximately 20 works selected for this exhibition demonstrate how early Ming ceramics inherited the rich and culturally diverse legacy of the Mongol rulers by adopting foreign influences through vibrant trade with the Islamic and Central Asian worlds and combining them with indigenous Chinese traditions.

Yang Fudong: Seven Intellectuals in a Bamboo Forest
February 18 – August 10, 2025

Yang Fudong’s five-part moving image work, Seven Intellectuals in a Bamboo Forest, follows seven young men and women as they search for identity and an ideal life, reflecting China’s evolving urban, ideological, and economic landscape. Created sequentially from 2003, Yang spent a year on each part, originally filming in 35mm before transferring to DVD. Varying in length, the film runs a total of about four hours. Though it lacks a clear narrative, the film poses questions about the dissonance between men and women, individuals and society, the past and present, and reality and an ideal world. Premiering at the 2007 Venice Biennale, it received widespread acclaim.

Hiraki Sawa: Journeys in Place
March 4 – August 10, 2025

Japanese-born and London-based Hiraki Sawa creates video works that explore psychological landscapes, unexpected worlds, and the playful interweaving of domestic and imaginary spaces. Asia Society invited Sawa to frame his video trail (2005), held in the museum’s collection, with a selection of works from the Mr. and Mrs. John D. Rockefeller 3rd Collection, echoing the approach of the exhibition (Re)Generations in the museum’s 2nd- and 3rd-floor galleries.

BROOKLYN MUSEUM

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Unknown maker, Tea Caddy, ca. 1698, glazed earthenware, Brooklyn Museum, purchased with funds given by anonymous donors, 64.3.4a-b; Courtesy Brooklyn Museum 

Breaking the Mold: Brooklyn Museum at 200
February 28, 2025 – February 22, 2026

From groundbreaking early acquisitions to striking new additions, the Brooklyn Museum’s collection has always championed artists and artworks that catalyze imaginative storytelling and brave conversations. As they ring in their 200th anniversary, Breaking the Mold: Brooklyn Museum at 200 celebrates this unique legacy. Comprising three chapters that boast both longtime favorites and brand-new standouts, the exhibition brings fresh narratives to the fore while exploring the collection’s rich history and future evolution.

Solid Gold
November 16, 2024 – July 6, 2025

Behold the majesty of gold in a shimmering exhibition dedicated to the element that has inspired countless works of art, fashion, film, music, and design. As a material and a color, gold has symbolized beauty, honor, joy, ritual, spirituality, success, and wealth throughout history. It has also taken on myriad forms: from intricate Japanese screens to contemporary artwork and haute couture marvels. With a sweeping range of objects and a global perspective, this exhibition will trace the many odysseys of the metal that has influenced cultures and legacies worldwide.

CHINA INSTITUTE GALLERY

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Celestial horse. Han dynasty, 1st-2nd century CE. Bronze, 44 7/8 x 34 1/2 x 14 1/2 in. (113.98 x 87.63 x 36.83 cm); Courtesy China Institute of America

Eternal Offerings: Chinese Ritual Bronzes from the Minneapolis Institute of Art
March 6 – July 13, 2025

Eternal Offerings: Chinese Ritual Bronzes from the Minneapolis Institute of Art showcases one of the world’s greatest collections of ancient Chinese bronzes outside of China from a crucial period in the history of human civilization. Traveling from the collection of the Minneapolis Institute of Art, the extraordinary Bronze Age vessels for food and wine as well as imaginative animal sculptures, are on view for the first time in New York City. Be sure to visit during their Asia Week Open House on Friday, March 14 for free admission.

JAPAN SOCIETY GALLERY

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School of Kano Motonobu, Phoenix and Peacock in a Landscape, Muromachi period (1392-1573), 16th century. Right screen from a pair of six-panel screens; ink, color, and brushed gold on paper. The Metropolitan Museum of Art, New York, Promised Gift of Rosemarie Longhi, in memory of Leighton Longhi, Courtesy Japan Society Gallery

Kotobuki: Auspicious Celebrations of Japanese Art from New York Private Collections
March 13 – May 11, 2025

Explore the auspicious theme of kotobuki, or “celebration,” through an inspired selection of paintings, calligraphy, surimono, textiles, ceramics, and baskets dating from the 12th-21st centuries. Curated by Dr. Miyeko Murase, Takeo and Itsuko Atsumi Professor Emerita of Japanese Art History at Columbia University, this joyful exhibition offers a unique opportunity to view important but rarely displayed works from significant private collections in the New York City area. They will also host JASA Members’ 2025 Annual Meeting and the special lecture, Birds, Diplomacy, and Painting in 16th-century Japan, on Friday, March 14.

THE KOREA SOCIETY

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Image courtesy of Cho In Ho and Korea Cultural Center New York

Cho In Ho | In the Manner of Magnificence
January 23 – April 18, 2025

Firmly rooted in the tradition of ink painting, Cho In Ho reinterprets and reiterates the landscape from multiple and moving perspectives. Painting the recognizable locations in present-day Korea using only muk (black ink), Cho reconstructs and transforms what he learned from nature, offering a visual journey through space and time. Be sure to also join their talk on the history of ink painting in Korea on Tuesday, March 18.

KOREA GALLERY AT KCCNY

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Choong Sup Lim: (b.1941), Hangeul, 2020, Courtesy Korean Cultural Center NY

Choong Sup Lim: In Between
February 19 – April 12, 2025

The Korean Cultural Center New York is proud to present 사 잇 In Between, an exhibition celebrating the profound artistic legacy of Choong Sup Lim (b. 1941). Lim’s work transcends the boundaries of nature and civilization, tradition and modernity, Korea and New York, illuminating the transformative potential of the liminal spaces where these realms converge. Central to Lim’s work is the use of found objects, which serve as vessels of memory and time. His recent installations, marked by intricate craftsmanship, merge Korean sensibilities with contemporary relevance, offering a profound meditation on cultural duality and artistic reinvention.

THE METROPOLITAN MUSEUM OF ART

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Incense burner in the shape of a goose, Ming dynasty (1368–1644), copper alloy, H. 14 1/2 in. (36.8 cm); W. 18 3/4 in. (47 6 cm); Purchase, The Vincent Astor Foundation Gift, 2020, object No. 2020.335a, b; Courtesy The Metropolitan Museum of Art

In addition to their many Asian art exhibitions on view, join their Annual Distinguished Lecture on the Arts of South and Southeast Asia on Friday, March 14.

Recasting the Past: The Art of Chinese Bronzes, 1100–1900
February 28 – September 28, 2025

From important bronzes to a complementary selection of works including painting, calligraphy, ceramics, lacquers, and jades, the exhibition draws on an international array of loans to redress the previous misunderstanding of later Chinese bronzes.  Some 100 pieces from The Met collection is augmented by nearly 100 loans from major institutions in China, Japan, Korea, Germany, France, the United Kingdom, and the United States to present the most comprehensive narrative of the ongoing importance of bronzes as an art medium throughout China’s long history.

Samurai Splendor: Sword Fittings from Edo Japan
Through March 23, 2025

This installation explores the luxurious aspects of Edo-period sword fashion, a fascinating form of arms and armor rarely featured in exhibitions outside Japan. It presents a selection of exquisite sword mountings, fittings, and related objects, including maker’s sketchbooks—all drawn from The Met collection and many rarely or never exhibited before.

The Great Hall Commission: Tong Yang-Tze, Dialogue
Through April 8, 2025

For the 2024 Great Hall Commission, we were thrilled to invite Taiwanese artist Tong Yang-Tze to create two monumental Chinese calligraphy works for the Museum’s historic space. Tong is one of the most celebrated figures in contemporary Chinese calligraphy. Renowned for her monumental-scale works, she brings Chinese characters into dialogue with three-dimensional space, pushing the conceptual and compositional boundaries of the art form while staying true to calligraphy’s essence as the art of writing.

Ink and Ivory: Indian Drawings and Photographs Selected with James Ivory
Through May 4, 2025

This focused exhibition presents a selection of superlative drawings from the courts and centers of India and Pakistan (with a few related Persian works) dating from the late sixteenth to the twentieth century. These works are mainly selected from The Met collection in partnership with film director James Ivory, whose recent gift to the Museum of nineteenth-century photograph albums will also be featured in an upcoming exhibition.

Ganesha: Lord of New Beginnings
Through June 15, 2025

Ganesha, the son of Shiva and Parvati, is a Brahmanical (Hindu) diety known to clear a path to the gods and remove obstacles in everyday life. The 7th to 21st century works in this exhibition trace his depiction across the Indian subcontinent, the Himalayas, and Southeast Asia. Featuring 24 works across sculptures, paintings, musical instruments, ritual implements, and photography, the exhibition emphasizes the vitality and exuberance of Ganesha as the bringer of new beginnings.

The Three Perfections: Japanese Poetry, Calligraphy, and Painting from the Mary and Cheney Cowles Collection
Through August 3, 2025

This exhibition presents over 160 rare and precious works—all created in Japan over the course of nearly a millennium—that showcase the power and complexity of the three forms of art. Examples include folding screens with poems brushed on sumptuous decorated papers, dynamic calligraphy by Zen monks of medieval Kyoto, ceramics used for tea gatherings, and much more. The majority of the works are among the more than 250 examples of Japanese painting and calligraphy donated or promised to The Met by Mary and Cheney Cowles, whose collection is one of the finest and most comprehensive assemblages of Japanese art outside Japan.

A Passion for Jade: The Bishop Collection
Through January 4, 2026

More than a hundred remarkable objects from the Heber Bishop collection, including carvings of jade, the most esteemed stone in China, and many other hardstones, are on view in this focused presentation.  Also on view are a set of Chinese stone-working tools and illustrations of jade workshops, which introduces the traditional method of working jade.

Embracing Color: Enamel in Chinese Decorative Arts, 1300-1900
Through January 4, 2026

Enamel decoration is a significant element of Chinese decorative arts that has long been overlooked. This exhibition reveals the aesthetic, technical, and cultural achievement of Chinese enamel wares by demonstrating the transformative role of enamel during the Ming (1368–1644) and Qing (1644–1911) dynasties. The more than 100 objects on view are drawn mainly from The Met collection.

Celebrating the Year of the Snake
Through February 10, 2026

Celebrating the Year of the Snake presents a remarkable selection of works drawn from the Museum’s collection illustrating the significant role that the snake plays in Chinese culture, including a 3,000-year-old bronze ritual vessel with a spout formed by joined snakes’ heads, a 13th-century pottery figure of a mischievously smiling snake, and an 18th-century exquisitely painted porcelain cup portraying a scene from the “Legend of the White Snake,” a popular folktale of love and romance between humans and fantastic creatures.

Colorful Korea: The Lea R. Sneider Collection
Through February 16, 2026

Over the course of forty years, Lea R. Sneider (1925–2020) formed a significant collection of Korean art that challenged established norms. This exhibition features a substantial gift and loans from the Lea R. Sneider Collection, featuring approximately 100 works spanning the fifth century to the present. Through paintings, ceramics, furniture, textiles, and funerary and ritual objects, the exhibition explores the enduring presence of auspicious symbolism and the understated dynamism that define Korean art.

CHARLES B. WANG CENTER AT STONY BROOK UNIVERSITY

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Sunkoo Yuh, Can you hear me?, 2007, glazed porcelain, 27 x 22, 17 in., Courtesy Charles B. Wang Center

Cycles of Clay: The Ceramic Narratives of Sunkoo Yuh
March 7 – May 24, 2025

Cycles of Clay explores the profound creativity of Sunkoo Yuh, an artist who navigates the intersections of cultural heritage and contemporary expression. Yuh’s ceramic sculptures combine bold colors, evocative imagery, and intricate figures layered vertically to evoke histories and community connection. Through experimental glazing and unpredictable firing techniques, Yuh captures the tension between order and chaos to create visually compelling sculptures that explore life’s beauty, fragility, and complexity.

PHILADELPHIA MUSEUM OF ART

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Jar with a Mythical Qilin, Lion, and Elephant, Artist/maker unknown. Jingdezhen, Jiangxi Province, China, Asian. Qing Dynasty (1644-1911). Porcelain with underglaze blue, polychrome enamel, and gilt decoration (Jingdezhen ware). 22 1/8 x 12 3/8 inches (56.2 x 31.4 cm); Courtesy Philadelphia Museum of Art

Mythical Creatures: China and the World
Through June 1, 2025

This exhibition explores the theme of diversity by bringing together mythical creatures from China as well as across Asia and Europe. Representations of paintings, prints, sculptures, ceramics, textiles, and contemporary toy bricks, dating from the 1000s to today illustrate how these fantastical beasts, although sometimes perceived as the same, are quite different.

Naoto Fukasawa: Things in Themselves
Through April 20, 2025

With an approach to functional design that prioritizes ease of use, aesthetic simplicity, and close attention to the ways that mundane objects and environments record our everyday habits, Tokyo-based product designer Naoto Fukasawa, best-known for his prior work as design director of MUJI, has been a hugely influential force in design for more than two decades. This exhibit offers a rare opportunity to explore Fukasawa’s design ethos and creative process, marking the first major solo presentation of Fukasawa’s work at a U.S. museum.

Firing the Imagination: Japanese Influence on French Ceramics, 1860-1910
Through May 26, 2025

This exhibition brings together notable examples of French ceramics that demonstrate tremendous innovation in the field of artistic pottery from the 1860s to 1910s. European artists during this period were deeply influenced by Japanese art, including woodblock prints, ceramics, textiles, and lacquerwares, which poured into Europe following the forced reopening of Japan’s ports to foreign trade in the 1850s.

Mythical, Divine, Demonic: Animal Imagery in South Asian Art
Ongoing

This exhibition explores how single animals are interpreted in myriad ways across various regions and cultures with different representations serving an array of artistic and symbolic functions.  Works in the exhibition are clustered into four groups that broadly focus on the lion, the serpent, the man-eagle, and composite beings who are a mixture of animals or part human and part animal. Through examining these objects, audiences will gain a deeper understanding of how animals play a complex role in world cultures.

Collecting Japanese Art in Philadelphia
Ongoing

The 1876 Centennial Exhibition in Philadelphia was the first world’s fair held in the United States and also the beginning of Japanese art collection at the Philadelphia Museum of Art. Over nearly 150 years that followed, the museum’s Japanese art collection expanded and diversified.  The selection in this installation—ranging from ceramics, metalwork, painting, lacquerware, to contemporary bamboo art—showcase the breadth of Japanese art, and also spotlight the people—collectors, donors, curators—who were instrumental in shaping the collection.

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Christie’s March 2025 Asia Week New York Auctions

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An Important White Porcelain Moon Jar, Joseon Dynasty (18th c.), 17 ¼ in (45 cm) high; 17 7⁄8 in (45.5cm) wide, Lot 333, Estimate: US$1,800,000-2,500,000, Japanese and Korean Art

Celebrating the evolution and diversity of the arts of East and South Asia, Asian Art Week in New York brings together ancient, modern and contemporary art from some of the world’s most vibrant cultures. With rare works such as a magnificent huanghuali ‘official’s hat’ armchair, a breath-taking Joseon dynasty moon jar, a published group of Gandharan sculptures, a curated selection of Chinese paintings and calligraphy, and exciting fresh-to-market pieces by artists like Maqbool Fida Husain and Sayed Haider Raza – Christie’s auctions span dynasties and traditions, showcasing the full breadth of Asian art. In addition to previewing these auctions in person at their New York galleries from March 14-19, join insightful tours and lectures beginning on March 14!

Explore the tour, lecture, preview and auction schedules below:

GUIDED TOURS

Friday, March 14, 2025 at 11am EDT
Monday, March 17, 2025 at 11am EDT
Meet at Front Reception Desk

Join the  guided tours of the Asian Art Week galleries with Robert D. Mowry, Christie’s senior consultant and the Alan J. Dworsky Curator of Chinese Art Emeritus at the Harvard Art Museums. Learn insights on the history and provenance behind this season’s collection of fascinating works.

LECTURES ON SATURDAY, MARCH 15, 2025

10am: Ancient Chinese Ritual Bronzes from the Minneapolis Institute of Art with Dr Liu Yang, Chair of Asian Art and Curator of Chinese Art, Minneapolis Institute of Art

1pm: Landscapes by Arnold Chang: A Retrospective and Recent Acquisitions at the Cleveland Museum of Art with Sophia Zhou, Specialist, Chinese Paintings

3pm: Design in Dialogue: Ming/Modern Classical Chinese Furniture and Design in Contemporary Spaces with panelists Susan Yun, AIA, Founder & Principal, YUN Architecture; Felix Ade, AIA, Principal, YUN Architecture; Penelope August, Interest Designer, Penelope August Studio and moderators: Michelle Cheng, Senior Specialist Chinese Works of Art; Victoria Tudor, Specialist, Head of Sale, 20th Century Design

For more information, contact: [email protected]

LIVE AUCTIONS

Japanese and Korean Art
Auction: Tuesday, March 18, 2025 at 10am EDT
Viewing: March 14, 15–17, 10am-5pm & March 16, 1-5pm

This season’s Japanese and Korean Art sale is led by a magnificent Moon Jar, Katsushika Hokusai’s masterpiece Great Wave and an important Heian period Dainichi Nyorai sculpture. The auction also features a fine selection of Goryeo dyansty celadon from the David and Nayda Collection, examples of rare Joseon period porcelains, a beautiful painting by Ito Jakuchu and a curated selection of lacquer works, metalworks, modern and contemporary art, sculptures, ceramics and much more.

→ Learn more

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Sayad Haider Raza (1922-2016), Black Sun (Le Soleil Noir), 1953, gouache on paper, 18 ¼ x 18 7⁄8 in. (46.4 x 47.9 cm), Lot 704, Estimate: US$300,000-500,000, South Asian Modern + Contemporary Art Sale

South Asian Modern + Contemporary Art
Auction: Wednesday, March 19, 2025 at 10am EDT
Viewing: March 14, 15–17 & 18, 10am-5pm & March 16, 1-5pm

This season, Christie’s live auction of South Asian Modern + Contemporary Art will be held on 19 March during Asian Art Week in New York. The sale celebrates the evolution and diversity of the arts of South Asia and its diaspora by showcasing seminal works by the most iconic South Asian artists practicing in the 20th and 21st centuries. The live auction is complemented by the South Asian Modern + Contemporary Art Online auction, running from 12 to 25 March.

The auction is led by an exceptional group of early works by members of the Progressive Artists’ Group and their associates, which are completely fresh to the market. This selection includes a seminal formative painting by Maqbool Fida Husain from 1954, unexhibited since it was purchased in the year it was painted, Sayed Haider Raza’s iconic 1953 gouache, Black Sun, from the esteemed collection of Madame and Monsieur Jacques Lassaigne, and Akbar Padamsee’s monumental Untitled, a significant landscape from 1969 acquired more than 50 years ago by the pioneering collectors Bilwa and Lore Chowdhury. The catalogue also features other significant early paintings by Raza and Husain, and important works by Francis Newton Souza, Krishnaji Howlaji Ara, Krishen Khanna, Zainul Abedin, Gulam Rasool Santosh, Zarina and Sudhir Patwardhan.

Accompanying these masterpieces is a group of works by the forerunners of modernism in South Asia, including Jamini Roy, Walter Langhammer and George Keyt and the itinerant American artist Edwin Lord Weeks. Another important group of works in the catalogue celebrates the legacy of the Baroda Group of artists and the Faculty of Fine Arts at Maharaja Sayajirao University. Coming from various collections including that of the visionary architect B.V. Doshi and his family, this section of the sale comprises paintings, works on paper, prints and sculptures by artists like Bhupen Khakhar, K.G. Subramanyan, Jeram Patel, Sankho Chowdhury and Gulammohammed Sheikh.

→ Learn more

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A Magnificent and Extremely Rare Huanghuali ‘Official’s Hat’ Armchair, 17th century, 47 ¾ in. (121.3 cm) high, 29 in. (73.7 cm) wide, 23 ¾ in. (60.3 cm) deep, Lot 809, Estimate: $800,000-1,200,000, Important Chinese Furniture and Works of Art Sale

Important Chinese Furniture and Works of Art
Auction: Thursday, March 20 & Friday, March 21, 2025 at 9am EDT (both days)
Viewing: March 14–15, 17–18, 10am-5pm & March 16, 1-5pm & March 19, 10am-2pm

Important Chinese Furniture and Works of Art is led by two superb private collections of Chinese furniture including a group from Ming/Modern: Classical Chinese Furniture from a Distinguished Family Collection and a group from a distinguished American private collection. Highlights include a magnificent and extremely rare huanghuali ‘official’s hat’ armchair dated to the 17th century and a rare 12-panel huanghuali folding screen, dated to the 17th-18th century. The sale also features an exceptional selection of Ming and Qing ceramics, including a magnificent Qianlong mark-and-period (1736–95) blue and white and iron-red ‘dragon’ dish, a very rare and exceptional Yongzheng mark-and-period (1723–35) famille rose ‘daylily’ cup and a large and rare blue and white ‘chrysanthemum’ dish from the Yongle period (1403–25). Additional highlights include archaic bronze ritual vessels, imperial jade carvings and works from private collections including ceramics and works of art from Centuries of Taste: A Legacy of a Private Collection; early Chinese jades and works of art from the Collection of Dr. Ralph C. Marcove; a selection of Chinese ceramics from the Xiao Meng Lou Collection; a group of fine ceramics from the collection of Mineo Hata; and ceramics from a distinguished Japanese collection acquired from Mayuyama & Co., Ltd., between 1940 and 1990.

→ Learn more

 

ONLINE AUCTIONS

South Asian Modern + Contemporary Art Online
Auction: March 12 –25, 2025 at 10am EDT
Viewing: March 14–15, 17–18, 10am-5pm & March 16, 1-5pm

Christie’s annual South Asian Modern + Contemporary Art Online auction, taking place from 12 to 25 March, complements their live auction of works from this category, to be held in New York on 19 March. This season, the online auction features a diverse selection of the artistic practices from the 20th and 21st centuries that represent South Asia and its diaspora on the international stage.

The sale offers works across a variety of genres and media at accessible estimates for both new and seasoned collectors, including a strong selection of lots by founders of the Progressive Artists’ Group, Maqbool Fida Husain and Francis Newton Souza. Other highlights include paintings by Eric Bowen, Mohan Samant, Achuthan Kudallur, Sadequain, Zubeida Agha and Avinash Chandra, and notable works on paper and prints by Jagdish Swaminathan, Ivan Peries, Satish Gujral, Gulammohammed Sheikh and Bhupen Khakhar among other artists. Rounding out the catalogue is a selection of works by significant contemporary artists Zarina, Shahzia Sikander, Rina Banerjee, Nalini Malani, Bani Abidi, Nataraj Sharma and Jagannath Panda.

→ Learn more

Indian, Himalayan and Southeast Asian Works of Art
Auction: March 12 –26, 2025 at 10am EDT
Viewing: March 14, 17–18, 10am-5pm & March 15–16, 1-5pm

This season’s sale brings together a superb selection of Indian, Himalayan and Southeast Asian Works of Art. Headlining the sale is a large and well-provenanced Tibetan gilt bronze figure of Maitreya. Additional highlights include a large painting of Buddha Shakyamuni from Xumi Fushou, a rare post-Gupta period image of Buddha, a variety of fine Indian miniature paintings and a published group of Gandharan sculpture.

→ Learn more

Arts of Asia Online
Auction: March 12 –27, 2025 at 10am EDT
Viewing: March 14–15, 17–18, 10am-5pm; March 16, 1-5pm; March 19, 10am-12pm

This March, Arts of Asia Online presents a curated selection spanning across China, Korea and Japan. Our diverse offering includes ceramics, jade carvings, furniture, lacquerwares, metalwork, sculptures, prints, paintings, and more. Highlights from the sale include a rare calligraphy by the Chinese monk Xutang Zhiyu (1185–1269), a fine selection of 20th-century Japanese prints and a pair of beautiful Huanghuali horseshoe-back armchairs from the Collection of Dorothy Tapper Goldman. With a wide range of estimates, Arts of Asia Online offers opportunities for both burgeoning and established collectors of Asian art.

→ Learn more

 

For an overview of all these auctions, click here.

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Asia Week New York March 2025 Events Guide

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Kitao Masayoshi (1764–1824), Evening Cool at Ryōgoku in Edo (Edo Ryōgoku yūsuzumi no kei), color woodblock, print: dai-ōban yoko-e, 12¼ x 17½ in. (31.1 x 44.5 cm), ca. 1780, signed: Kitao Masayoshi ga, censor’s seal: kiwame (approved), publisher: Senkakudō (Tsuruya Kinsuke) of Tori-abura chō; Courtesy Sebastian Izzard LLC Asian Art

With Asia Week New York just around the corner, let us help you make the most of this extraordinary nine-day celebration with our comprehensive Events Guide. Beyond the stunning gallery, auction house, and museum exhibitions, explore a dynamic lineup of events where you can admire remarkable artworks, gain valuable insights, practice meditation, and reconnect with friends—both old and new. From must-attend openings and exclusive tours to engaging lectures and special programs, this essential guide ensures you won’t miss a moment of this vibrant cultural experience!

EXHIBITION RECEPTIONS:
Thursday, March 13: Alisan Fine ArtsDai Ichi Arts, Ltd.Carole Davenport, Oliver Forge & Brendan Lynch LtdIppodo Gallery (by RSVP only)Onishi Gallery (with Artist Talk), Seizan Gallery, and TAI Modern

Friday, March 14: Fu Qiumeng Fine Art and China Institute Open House

Tuesday, March 18: Loewentheil Photography of China Collection

Thursday, March 20: Happy Hour at Asia Society

GALLERY TOURS:
Christie’s: Asian Art Week galleries, Robert D. Mowry, Friday, March 14 and Monday, March 17, both at 11am (meet at front counter)

LECTURES:
Japanese Art Society of America (JASA): Birds, Diplomacy, and Painting in 16th century Japan, Dr. Matthew McKelway, Friday, March 14 at 5pm at Japan Society Auditorium

Metropolitan Museum of Art: Annual Distinguished Lecture on the Arts of South and Southeast Asia—Sri Lanka and the Re-discovery of Knowledge: A.K. Coomaraswamy’s Medieval Sinhalese Art, Janice Leoshko, Friday, March 14 at 6pm

Christie’s: All on Saturday, March 15 – Ancient Chinese Ritual Bronzes from the Minneapolis Institute of Art with Dr Liu Yang at 10am and Landscapes by Arnold Chang: A Retrospective and Recent Acquisitions at the Cleveland Museum of Art with artist Arnold Chang at 1pm and Design in Dialogue: Ming/Modern Classical Chinese Furniture and Design in Contemporary Spaces with Susan Yun, Felix Ade, Penelope August; moderated by Michelle Cheng and Victoria Tudor at 3pm

Sotheby’s: Both on Sunday, March 16 – Gold, Jade, and Stone: Buddhist Art and Material Culture in Early China, Dr. Jin Xu at 1pm and A Room Within a Room, the Canopy Bed in Ming & Qing China, Nicholas Grindley at 2pm

Fu Qiumeng Fine Art: Ink Art: The Past in the Present, Tai Xiangzhou, Wang Mansheng, and Zhang Xiaoli, Monday, March 17 at 3pm and Tradition Across Borders: A Transcultural Exchange, Arnold Chang, Michael Cherney, and Brandon Sadler, Sunday, March 16 at 3pm

The Korean Society: The Flow of Ink and Color: A Journey of Korean Ink Painting by Sunglim Kim, Sunglim Kim, Tuesday, March 18 at 6:30pm

MEDITATION SESSIONS:
Rubin Museum: Mindful Meditation, Thursdays, March 13 & 20 at 1pm at New York Insight

MEETUPS:
China Institute: Calligraphy and Music Meetup, Friday, March 21 at 6pm

For more information and to stay up to date with all new events, click here for our Online Calendar.

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AWNY Preview: Thomsen Gallery Presents Japanese Modern Masterpieces 1910–1940

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Inoue Hakuyō (1893-1969, Late Summer, 1920s, Japan, pair of two-panel folding screens; mineral pigments, shell powder and ink on hemp, size of each screen: 67 x 74¼ in. (170 x 188.5 cm)

Japanese Modern Masterpieces 1910–1940
March 13 – 21, 2025
9 East 63rd Street

Thomsen Gallery is delighted to present Japanese Modern Masterpieces 1910–1940 during this month’s Asia Week New York. This exhibition captures the dynamism of a transformative era, showcasing the breathtaking beauty of exquisite screens, contemplative hanging scrolls, meticulously crafted lacquered boxes, and the subtle artistry of bamboo baskets. Discover firsthand the artistic brilliance that defined this pivotal period in Japanese art.

They look forward to your visit during Asia Week New York kicking off on Thursday, March 13!

 

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AWNY Preview: A Selection of Japanese and Korean Art at Hiroshi Yanagi Oriental Art

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Kongo Rikishi Statue (Agyo), Height: 85 cm

A Selection of Japanese and Korean Art
March 13 – 18, 2025
Exhibiting at: Nicholas Hall, 17 East 76th Street, 4th Floor
Asia Week Hours: 10am-6pm, daily

Hiroshi Yanagi Oriental Art is thrilled to announce their participation in Asia Week New York with new acquisitions of Japanese and Korean art this month.

Among the remarkable treasures is this striking Kongo Rikishi (Nio) statue of Agyo, one half of the traditional guardian pair alongside Ungyo. Together, they stand as formidable protectors among the 28 guardian deities (Naraen Kengo O) in Japanese tradition. Agyo is depicted in his signature dynamic stance, raising his left hand while firmly gripping a Kongo pestle (weapon), with his right hand lowered and fingers splayed—an iconic contrast to his counterpart. The masterful craftsmanship of this piece is evident in the powerful musculature, the bulging veins that pulse with lifelike energy, and the fierce, wide-eyed expression. These striking details exemplify the intense realism and dynamic artistry that define the Kamakura period.

Be sure to visit Hiroshi Yanagi Oriental Art at Nicholas Hall to experience this artwork in person, along with other outstanding masterpieces.

They look forward to seeing you in New York when Asia Week kicks off on Thursday, March 13!

To learn more, click here.

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Asia Week March 2025 Auction Guide

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Top Row (L-R): Katsushika Hokusai (1760-1849), Under the Wave Off Kanagawa (The Great Wave) (detail), c.1831, Japanese Woodblock Prints from The Nelkin Collection Part III Signature® Auction #8191 at Heritage Auctions; A Rare and Important Blue and White and Copper-Red ‘Dragon’ Vase, Tianqiuping, Qianlong six-character seal mark and of the period, Chinese Ceramics and Works of Art including the Francine and Bernard Wald Collection of Fine Snuff Bottles, Part I at Bonhams; A Selection of Chinese Works of Art, Asian Works of Art at Freeman’s|Hindman; Bottom Row (L-R): An Important White Porcelain Moon Jar, Joseon Dynasty (18th c.), Japanese and Korean Art at Christie’s; A magnificent large gilt copper alloy figure of Shakyamuni Buddha, Central Tibet, 14th c., Indian and Himalayan Art at Sotheby’s; A Large Chinese Celadon Jade Elephant and Amitabha, Qing Dynasty, Asian Works of Art: Part II at Doyle

This year’s Asia Week New York brings together an exceptional collection of Asian works of art on offer from our member auction houses—Bonhams, Christie’s, Doyle, Freeman’s|Hindman, Heritage, and Sotheby’s. Be sure to mark your calendars for their viewings and sales!

Auction Viewing and Sale Schedule
Asia Week New York March 2025

Bonhams.2025.guide.Tianqiuping-updated
A RARE AND IMPORTANT BLUE AND WHITE AND COPPER-RED ‘DRAGON’ VASE, TIANQIUPING, Qianlong six-character seal mark and of the period, Lot 24, Estimate: US$400,000-600,000, Chinese Ceramics and Works of Art including the Francine and Bernard Wald Collection of Fine Snuff Bottles, Part I

BONHAMS
580 Madison Avenue

Chinese Ceramics and Works of Art including the Francine and Bernard Wald Collection of Fine Snuff Bottles, Part I
Auction: March 17, 2025 at 9am EDT
Viewing: March 12–16, 10am-5pm

Classical and Modern Chinese Paintings
Auction: March 18, 2025 at 9am EDT
Viewing: March 12–17, 10am-5pm

Indian, Himalayan & Southeast Asian Art
Auction: March 19, 2025 at 10am EDT
Viewing: March 14–18, 10am-5pm

Fine Japanese and Korean Art, including the Alan and Simone Hartman Collection of Japanese Art
Auction: March 20, 2025 at 9am EDT
Viewing: March 12–18, 10am-5pm; March 19, 10am-3pm

The Arts of the Samurai Online
Online Auction: March 10–21, 2025 starting at 12pm EDT

Arts of India, Southeast Asia and The Himalayas Online
Online Auction: March 14–21, 2025 starting at 12pm EDT

Chinese Ceramics and Works of Art Online
Online Auction: March 16–26, 2025 starting at 12pm EDT

Chinese Paintings and Hardstone Seals Online
Online Auction: March 17–27, 2025 starting at 12pm EDT

To learn more and for up-to-date information, click here.

Christies_March2025_MoonJar
An Important White Porcelain Moon Jar, Joseon Dynasty (18th c.), 17 ¼ in (45 cm) high; 17 7⁄8 in (45.5cm) wide, Lot 333, Estimate: US$1,800,000-2,500,000, Japanese and Korean Art

CHRISTIE’S
20 Rockefeller Plaza

Japanese and Korean Art
Auction: Tuesday, March 18, 2025 at 10am EDT
Viewing: March 14, 15–17, 10am-5pm & March 16, 1-5pm

South Asian Modern + Contemporary Art 
Auction: Wednesday, March 19, 2025 at 10am EDT
Viewing: March 14, 15–17 & 18, 10am-5pm & March 16, 1-5pm

Important Chinese Furniture and Works of Art 
Auction: Thursday, March 20 & Friday, March 21, 2025 at 9am EDT (both days)
Viewing: March 14–15, 17–18, 10am-5pm & March 16, 1-5pm & March 19, 10am-2pm

South Asian Modern + Contemporary Art Online
Online Auction: March 12 –25, 2025 at 10am EDT
Viewing: March 14–15, 17–18, 10am-5pm & March 16, 1-5pm

Indian, Himalayan and Southeast Asian Works of Art
Online Auction: March 12 –26, 2025 at 10am EDT
Viewing: March 14, 17–18, 10am-5pm & March 15–16, 1-5pm

Arts of Asia Online
Auction: March 12 –27, 2025 at 10am EDT
Viewing: March 14–15, 17–18, 10am-5pm; March 16, 1-5pm; March 19, 10am-12pm

Guided Tours with Robert D. Mowry, Christie’s Senior Consultant & the Alan J. Dworsky Curator of Chinese Art Emeritus at the Harvard Art Museums (Meet at Front Reception Desk)

– Friday, March 14, 2025 at 11am
– Monday, March 17, 2025 at 11am

Lectures on Saturday, March 15, 2025

Ancient Chinese Ritual Bronzes from the Minneapolis Institute of Art with Dr Liu Yang, Chair of Asian Art and Curator of Chinese Art, Minneapolis Institute of Art at 10am

Landscapes by Arnold Chang: A Retrospective and Recent Acquisitions at the Cleveland Museum of Art with Sophia Zhou, Specialist, Chinese Paintings at 1pm

Design in Dialogue: Ming/Modern Classical Chinese Furniture and Design in Contemporary Spaces with panelists Susan Yun, AIA, Founder & Principal, YUN Architecture; Felix Ade, AIA, Principal, YUN Architecture; Penelope August, Interest Designer, Penelope August Studio and moderators: Michelle Cheng, Senior Specialist Chinese Works of Art; Victoria Tudor, Specialist, Head of Sale, 20th Century Design at 3pm

For more information, contact: [email protected]

To learn more and for up-to-date information, click here.


A Large Chinese Celadon Jade Elephant and Amitabha, Qing Dynasty, height of jade: 16 in., Est. US$15,000-25,000, Asian Works of Art: Part II

DOYLE
175 East 87th Street

Asian Works of Art Session I
Auction: Tuesday, March 18 at 10am EDT
Viewing: March 14 –17, 12-5pm

Asian Works of Art Session II
Auction: Wednesday, March 19 at 10am EDT
Viewing: March 14 –17, 12-5pm

To learn more and for up-to-date information, click here.

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Selection of Chinese Works of Art, Asian Works of Art

FREEMAN’S | HINDMAN
32 East 67th Street

Asian Works of Art
Auction: Friday, March 21, 2025 at 10am EDT
Viewing: March 13–15 & 17–20, 10am-5pm

To learn more and for up-to-date information, click here.

Heritage_HokusaiMarch2025
Katsushika Hokusai (1760-1849), Under the Wave Off Kanagawa (The Great Wave) (Kanagawa oki nami ura), from the series Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei), c. 1831, woodblock print embellished with light mica powder, 9-7/8 x 14-5/8 in (25.1 x 37.1 cm) (sheet, ōban), signed: Hokusai aratame Iitsu hitsu, published by Nishimuraya Yohachi (Eijudō), Lot #78015, Estimate: US$100,000-150,000, Japanese Woodblock Prints from The Nelkin Collection Part III Signature® Auction #8191  

HERITAGE AUCTIONS
445 Park Avenue

Japanese Woodblock Prints from The Nelkin Collection Part III Signature® Auction #8191
NYC Highlights Viewing: March 13–15 & 17–20, 10am-5pm at 445 Park Avenue, NYC (By Appointment Only)
Auction: Thursday, March 20, 2025 at 10am and 2pm CT at 2801 W. Airport Freeway Dallas

Fine & Decorative Asian Art Signature® Auction #8192
NYC Highlights Viewing: March 13–15 & 17–20, 10am-5pm at 445 Park Avenue, NYC (By Appointment Only)
Auction: Friday, March 21, 2025, 10am and 2pm CT at 2801 W. Airport Freeway Dallas

To learn more and for up-to-date information, click here.

Sothebys_IndianMarch2025
A magnificent large gilt copper alloy figure of Shakyamuni Buddha, Central Tibet, 14th c., overall height 27½ in (70 cm), Lot 563, Estimate US$600,000- US$1,500,000, Indian and Himalayan Art

SOTHEBY’S
1334 York Ave

Modern & Contemporary South Asian Art
Auction: Monday, March 17, 2025 at 11am EDT
Viewing: March 13–14, 10am-5pm; March 15, 10am-6pm; March 16, 1-5pm

Chinese Art
Auction: Tuesday, March 18 and Wednesday, March 19, 2025 at 9am EDT (both days)
Viewing: March 13–14 & 17, 10am-5pm; March 15, 10am-6pm; March 16, 12-5pm

Indian & Himalayan Art
Auction: Thursday, March 20, 2025 at 10am EDT
Viewing: March 13–14 & 17–19, 10am-5pm; March 15, 10am-6pm; March 16, 1-5pm

Important Japanese Swords and Armour from the Paul L. Davidson Collection Online
Online Auction: March 13–25, 2025 at 11am EDT
Viewing: March 13–14 & 17–21, 10am-5pm; March 15, 10am-6pm; March 16, 1-5pm

Asian Art Lecture Series
– Gold, Jade, and Stone: Buddhist Art and Material Culture in Early China by Dr. Jin Xu
Lecture: Sunday, March 16, 2025 at 1pm EDT

– A Room Within a Room, the Canopy Bed in Ming & Qing China by Nicholas Grindley
Lecture: Sunday, March 16, 2025 at 2pm EDT

To learn more and for up-to-date information, click here.

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AWNY Preview: Zetterquist Galleries Presents Green Glazed Ceramics from China, Japan, Korea and Vietnam

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Large Koryo Celadon Inlaid Tile, Goryeo Dynasty, 12th-13th c. AD, Korea, h:23.3 cm x w:30.5 cm, in a wood and glass viewing case

Green Glazed Ceramics from China, Japan, Korea and Vietnam
March 13 – 21, 2025
Asia Week Hours: 11am-6pm, daily (by appointment)
3 East 66th Street, Suite 2B

Zetterquist Galleries is delighted to present an extraordinary exhibition of green glazed ceramics from China, Japan, Korea and Vietnam during Asia Week New York this month. Green Glazed Wares from China, Korea, Japan and Vietnam illustrates the evolution of celadons and other green glazes from their nexus in China to their adaption in other parts of Asia over 1400 years, and offers viewers a rare and valuable mini-course in these fields.

Nearly half of the objects are exquisite examples of Goryeo Dynasty (11th – 13th c.) Korean celadons, offering a rare opportunity to learn about this under-appreciated field. The star of this group is a large tile from the 12th – 13th century with inlaid black and white scrolling floral and flying crane decoration, all under an ideally realized sweet blueish green celadon glaze. It comes from a Japanese collection, with only five other known examples of this type outside of Korea. Other examples from Korea include large pear-shaped vases, bowls and plates with varied decorative techniques and glaze tones.

Chinese pieces offer the greatest range of age, from the 5th century through the 18th century, most from old American and Japanese collections. The glaze types range from early Yue-ware examples to an 18th century “tea dust” glazed scholar’s object, with examples from several Northern and Southern Chinese kilns. A highlight of this group is a small “Yen-Yen”, otherwise known as “Phoenix Tail” shaped vase from the Yuan Dynasty, with applied decoration of scrolling flowers above a deeply carved band of elongated lotus petals, all beneath a ridged trumpet neck. Used as devotional flower vases, these pieces were often exported to Japan and Southeast Asia in the 14th century. This example is presented with double boxes and tea silks.

There are three examples of Vietnamese celadons, all from the 14th and 15th centuries, both from important American collections.

Another star of the show is a large Japanese “Ao-Oribe” indented bowl from the late 16th – early 17th century. The corners are dipped in an dark grassy green glaze, framing a central diagonal field of brown playful scrolling tendril decoration. The other Japanese entry is a 13th – 14th century Ko-Seto ewer with streaming translucent ash glaze.

They look forward to welcoming you to their gallery soon!

Until then, preview the online catalog here.

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AWNY Preview: TAI Modern Presents From Timber to Tiger: The Many Bamboos of Japanese Bamboo Art

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Yamamoto Chikuryusai II, Flower Container, 1938, Bakelite, rattan, 14 x 5.5 x 5.5 in.

From Timber to Tiger: The Many Bamboos of Japanese Bamboo Art
March 13 – 21, 2025
Opening Reception: Thursday, March 13, 5-8pm
Exhibiting at: Colnaghi, 23 East 67th Street, 4th Floor
Asia Week Hours: 11am-6pm, daily (otherwise by appointment)

TAI Modern is excited to return to this year’s Asia Week New York to exhibit From Timber to Tiger: The Many Bamboos of Japanese Bamboo Art. This exhibition, held at Colnaghi New York, showcases important historic and contemporary works with a particular emphasis on unusual materials, ranging from rare bamboo species to lotus root to Bakelite.

Highlighted in this show are pieces from master Yamamoto Chikuryusai II, a member of one of the most important bamboo lineages in Osaka. Flower Container (1938) blends the traditional shapes of sencha tea ceremony ikebana baskets and rattan knotting technique with what was new plastics technology at the time: Bakelite, a thermosetting resin that could be molded into any shape.

They are also proud to highlight pieces from modern master Tanabe Chikuunsai IV. Enso (2020) uses tiger bamboo, a particularly hardy bamboo spotted with green and brown marks that grows only on a single mountain in Kochi. Conversely, Stand (2024) employs a new technique pioneered by Tanabe, wherein he collects bamboo felled from previous seasons. While pliable, it is also incredibly fragile, and it’s that unpredictability that grounds the tangle of hobi and black bamboo.

As the world’s premier gallery for Japanese bamboo art, TAI Modern welcome this opportunity to provide education and guidance to established collectors and first-time viewers alike.

They look forward to celebrating Asia Week New York with you soon!

To learn more, click here.

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AWNY Preview: Takashi Seto: Moments of Arrival at Seizan Gallery

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Takashi Seto (b. 1974), Personality Poison, 2023, lacquer, silver leaf, gold leaf, artificial dye on silk mounted on wood panel, 39.4 x 110.2 x 1.2 in (100 x 280 x 3 cm)

Takashi Seto: Moments of Arrival
March 6 – May 3, 2025
Opening reception with Artist: Thursday, March 13, 6-8 pm
Asia Week Hours: March 13-15 & 18-21, 11am-6pm (otherwise by appointment)
525 West 26th Street

During Asia Week New York, Seizan Gallery is pleased to present Takashi Seto: Moments of Arrival, the artist’s first solo exhibition in New York, on view from March 6 through May 3, 2025. Showcasing fifteen recent works on canvas, the exhibition highlights Seto’s mastery of Yuzen fabric dyeing and Shippaku metal leaf techniques — the traditional craft methods he revives and reinterprets. Through this intricate process, Seto explores cultural heritage, symbolism, and the passage of time, transforming ephemeral materials into meditative, multi-layered works.

The centerpiece of the exhibition is the four-panel work Personality Poison (2023), Seto’s homage to Yuzen’s history and the artisans who have preserved its traditions. The work features Murasakitsuyukusa (Tradescantia), a flower historically used to extract blue ink for fabric outlines. Though synthetic alternatives exist, Seto insists on using the natural plant-based ink, sourced from a 90-year-old craftsman and the very last person still producing it. Ironically, the ink is ultimately washed away during the dyeing process. Alongside the ephemeral flower, Seto paints a vividly colored Poison Dart Frog. The creature is renown for its toxicity, which is not inherent but is a cumulative result of its diet over time. Seto playfully depicts the frog with five toes instead of four, subtly anthropomorphizing it and inviting deeper reflection on adaptation and identity.

Through his fusion of historical craft and contemporary themes, Seto challenges conventions and honors tradition, while navigating a delicate balance between preservation and transformation.

Seizan Gallery looks forward to celebrating the start of Asia Week with a reception with the artist on Thursday, March 13!

To learn more, click here.

 

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