Kim Tschang-Yeul, Recurrence (detail), 2012, acrylic and oil on canvas, 63 3/8 x 51 1/8 in. (161 x 130 cm)

Kim Tschang-Yeul: Recurrence
November 5 – December 19, 2026
Opening Reception: Thursday, November 5, 6-8pm
525 West 21st Street

Tina Kim Gallery is pleased to present Kim Tschang-Yeul: Recurrence, their third solo exhibition of the Korean émigré painter who devoted five decades of his career to the sustained exploration of luminous, hyperrealistic waterdrops. Focusing on works from the 1980s through the 2010s, the exhibition traces the evolution of Kim’s mature practice as he embraced a more tactile materiality, experimented with varied surfaces and grounds, and began working on a larger scale. At its center is his Recurrence series, which emerged in the mid-1980s, shown alongside significant Waterdrop paintings from across these decades. Together, the works demonstrate the remarkable range Kim drew from a single motif, continually pushing its formal and conceptual possibilities.

The waterdrop motif emerged from a chance encounter with the material itself. While working in a makeshift studio outside Paris, Kim splashed water onto the back of his canvases. When the droplets caught the light, he was struck by their extraordinary appearance and began searching for a way to capture their fleeting presence through painting. Yet the waterdrop was never simply an exercise in illusionism—for Kim, its repeated depiction became a means of working through the memories of violence and loss he carried from the Korean War. As he wrote in a letter to the critic Lee Yil, “The act of painting waterdrops is to dissolve everything into an act of transparency, returning to nothingness… One seeks the expressive method, while aiming for the extinction of ego.” This conception of painting as repetition, purification, and ego-erasure was also informed by Kim’s engagement with Taoist and Zen Buddhist thought. The waterdrop thus became both subject and method: a transparent, ephemeral form through which Kim could contemplate impermanence in the repeated act of painting.

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