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China Institute Gallery Presents The Dancing Goddess: Mei Lanfang in America

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Courtesy China Institute Gallery

The Dancing Goddess: Mei Lanfang in America
March 12 – July 12, 2026
Curator’s Talk: Mar. 12, 6:30–8pm
Asia Week New York Open House: March 26, 2026, 10am-8pm (free admission with light refreshments)

China Institute Gallery is thrilled to present The Dancing Goddess: Mei Lanfang in America opening March 12 with an opening lecture by exhibition curator, Dr. Catherine V. Yeh (Boston University). The groundbreaking artistry of Mei Lanfang, the 20th century’s preeminent master of Peking opera and one of the most influential performers ever to grace the stage, is showcased in a dramatic display of his costumes, stage sets, props, paintings, rare photographs, videos, and archival materials.

Curated by the internationally renowned expert Dr. Catherine V. Yeh, the exhibition celebrates his triumphant 1930 American tour, organized by the newly established China Institute of America. A milestone of Sino-American cultural exchange, Mei Lanfang’s visit launched Peking opera to the world stage, captivating Broadway audiences with his original fusion of song, dance, and dramatic acting. Mei’s work inspired artists from Bertolt Brecht and Thornton Wilder to Konstantin Stanislavski. Through his powerful reimagining of feminine roles, he transformed a centuries-old art form, leaving an indelible mark on modern dance, fashion, film, and theater.

Presented in celebration of China Institute’s Centennial, the exhibition honors this defining chapter in their history and the enduring legacy of cross-cultural dialogue that Mei Lanfang inspired.

For more information, please contact Tracy Jiao at [email protected].

To learn more, click here.

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Don’t Miss the Final Days of Alisan Fine Arts’ Exhibitions

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Installation view, Cui Fei: Vermicular Calligraphy

Cui Fei: Vermicular Calligraphy
Chiang Yomei: Moon on the Water
Closing Saturday, March 7, 2026
120 East 65th Street, NYC

There’ still time to experience two concurrent solo exhibitions at Alisan Fine Arts before they close on March 7—Cui Fei: Vermicular Calligraphy and Chiang Yomei: Moon on the Water.

Vermicular Calligraphy presents a significant body of work by Cui Fei, representing the culmination of years of meticulous artistic development. The exhibition deepens his exploration of asemic writing, drawing inspiration from natural forms and organic movement. To learn more, click here.

Moon on the Water marks Chiang Yomei’s first solo exhibition in the United States. Featuring works from her ongoing Lotus and Waking Dream series, the exhibition reflects the artist’s engagement with Buddhist philosophy and psychological inquiry. To learn more, click here.

Take refuge from the cold and lose yourself in the beauty of these two poetic exhibitions!

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Sacred Paper: Korean Ritual Artsnju Seo at Charles B. Wang Center

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Sacred Paper: Korean Ritual Artsnju Seo
March 9 – May 24, 2026
Opening Reception: Monday, Mar 9, 5-7pm (kindly RSVP)
Lecture: Monday, Mar 9 at 4pm
Demonstrations: Monday, Mar 9 at 5:30pm

The Charles B. Wang Center is pleased to present Sacred Paper: Korean Ritual Artsnju Seo opening March 9. This exhibition explores Korea’s richly inventive ritual paper traditions, where humble mulberry paper is transformed into a material of remarkable expressive range. Sacred Paper highlights two distinct regional practices that elevate delicate fibers into intricate and compelling sculptural forms. In Chungcheongnam-do, the Seolwi Seolgyeong tradition creates intricate cut-paper structures that define and organize ceremonial space. The artist Jongseung Park demonstrates how paper can be shaped into protective architectural forms through precise cutting, layering, and assembly. Dr. Heera Shin presents folded flowers, lanterns, and ornaments that animate ritual settings along Korea’s East Sea coast with color and movement. Shown together, these works celebrate paper’s versatility, regional diversity, and enduring craftsmanship.

This exhibition is curated by Jinyoung Anna Jin, the director of Asian art and culture at the Charles B. Wang Center, and the Academic Center for K-Religions at Sogang University in Seoul.

To learn more, click here.

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Fu Qiumeng Fine Art Presents Contemplation / Meditation: Concepts and Cultures

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Contemplation / Meditation: Concepts and Cultures
March 5 – April 11, 2026
Opening Reception: Thursday, March 19, 5-8pm
Special AWNY Hours: March 19–17, 10am-6pm

Fu Qiumeng Fine Art is pleased to present Contemplation / Meditation: Concepts and Cultures, a co-curated exhibition by the gallery and Jeffrey Wechsler that explores how Eastern and Western artistic traditions have visualized inner stillness, reflection, and states of heightened awareness.

This presentation is made possible by the generous support of The Richard Pousette-Dart Foundation and Pace Gallery, whose collaboration has been indispensable to its realization.

Rooted in classical Chinese philosophy, the exhibition draws inspiration from Confucian, Daoist, and Buddhist thought, where inner cultivation and cosmic order are understood as deeply interconnected. From Confucian contemplation—emphasizing moral clarity, calm reflection, and self-perfection—to Daoist and Zen practices of meditation that quiet the mind, dissolve conceptual thinking, and release ego attachment, Eastern traditions have long approached art not as visual imitation, but as a conduit for spiritual resonance and embodied presence.

In contrast and dialogue, the exhibition also considers Western artists who, whether intuitively or through direct engagement with Eastern philosophy, pursued similar contemplative states. Featuring works that range from classical and modern East Asian art to modern and contemporary American painting, Contemplation / Meditation presents images that are sometimes representational, often abstract, and always oriented toward inducing clarity, calmness, or mental acuity.

Through restrained brushwork, expansive emptiness, spontaneous gesture, and subtle fields of color, the exhibition reveals how different cultural frameworks converge in a shared pursuit: using art to access states of stillness, insight, and presence.

The exhibition includes works by Arnold Chang, Michael Cherney, Duxi Chen, Hisao Hanafusa, Zhang Xiaoli, Brandon Sadler, Luo Min, Fung Ming Chip, Tang Ke, Wang Mansheng, Yau Wingfung, Sal Sirugo, and Rollin Crampton, among others.

To learn more, click here.

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Early Press Coverage of Asia Week New York

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Detail from Apollo February 2026 print issue with image of work, The Mahant Bagvan playing a vina (c. 1780–90; detail), Kangra, Pahari Hills, courtesy of Oliver Forge and Brendan Lynch, Ltd.; Courtesy Apollo 

With Asia Week around the corner, we are thrilled to be featured in several prominent press outlets.

On February 2, Apollo magazine—both in print and online—highlighted the exceptional quality and breadth of works presented by our distinguished member dealers, auction houses and partnered museums. The feature praised not only the diversity of the exhibitions, but also our steadfast “commitment to connoisseurship,” as articulated by our chairperson, Margaret Gristina. With exhibitions that reveal the depth and richness of Asian art across cultures and centuries, the article reaffirmed Asia Week New York’s standing as a premier destination for collectors, scholars, and enthusiasts alike. It also highlighted our year-round presence as a vital “cultural platform” and an “anchor” for research and scholarship in the field of Asian art. As Gristina notes, our mission is to underscore the importance of Asian art within the cultural landscape—a commitment that extends well beyond the celebratory week and remains at the heart of our work year-round.

 

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Detail of Asian Art Newspaper online article issue with image of work, Passing Rain (1917) by Ito Shinsui (1898-1972) courtesy of Scholten Japanese Art; Courtesy Asian Art Newspaper

Additional coverage of Asia Week New York has been featured in Asian Art Newspaper,  Elite Lifestyle Magazine and Business of Home.

To view all these articles in full, click here to see all our press coverage in our Press Room section on the website!

• • •

Setting the Stage for Asia Week New York: Artists in Conversation

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Thanh Hoa Whiteware Bowl, Ly-Tran Dynasty, 13th-14th c., Vietnam, 60 x 120 cm. Copyright Eric J. Zetterquist, 2021

Asia Week New York x Sigma Foundation Present
The Art and Craft of Photography: From Asian Traditions to Contemporary Practice
Thursday, March 12 at 6:30pm (ET)
Seizan Gallery
525 West 26th Street
Free and open to all

Get a first look at Asia Week New York! In colloration with Sigma Foundation, join us for an exclusive preview event that kicks off the celebrations and sets the stage for an extraordinary week of art, culture, and inspiration!

Join us for an engaging discussion on the evolution of photographic practice—from its historical foundations to today’s bold contemporary innovations. This panel brings together artists, a curator, and an industry expert to explore how photography has developed over time, highlighting the influence of Japanese and Asian traditions on modern work and its role in a global context today.

Panelists will delve into the interplay of tradition and experimentation, the impact of photographic technology on artistic vision, and the curatorial opportunities and challenges of presenting Japanese photography to international audiences. From postwar photo narratives to contemporary abstraction, this lively conversation will illuminate the enduring dialogue between history, craft, and creative reinvention.

Start the celebration of Asia Week New York with us!

 

The Distinguished Panel of Experts Include:

Gen Aihara, Artist
Aihara is a Japanese photographer whose work explores the relationship between materiality, light, and abstraction. In his earliest works with photograms, one of the earliest photographic processes, Aihara created images by placing and manipulating elements such as water directly onto photosensitive paper and exposing them to light. Rooted in historic photographic techniques, his practice bridges past and present, transforming analog methods into a contemporary visual language. In addition to his own artistic practice, Aihara serves as production and installation manager for Hiroshi Sugimoto. This dual perspective informs his work, blending deep technical expertise with a visionary approach to contemporary photography.

Maggie Mustard, Assistant Curator of Photography, Miriam and Ira D. Wallach Division of Art, Prints and Photographs, The New York Public Library
Maggie is an educator, curator, and art historian specializing on the history of photography. She earned her PhD in Art History and Archaeology from Columbia University, where her dissertation focused on questions of memory and photographic representation in the work of Japanese postwar photographer Kawada Kikuji. Previously, she served as Chief Curatorial Advisor for The Incomplete Araki: Sex, Life, and Death in the Works of Nobuyoshi Araki, was the Marcia Tucker Senior Research Fellow at the New Museum of Contemporary Art, and Visiting Assistant Professor at Wesleyan University. Her recent curated exhibitions at NYPL include New York Subways 1977: Alen MacWeeney and The Awe of the Arctic: A Visual History.

Kazuto Yamaki, CEO, Sigma Corporation, and Founder, Sigma Foundation
Yamaki is CEO of Sigma Corporation, a family-owned Japanese manufacturer of cameras and lenses. Appointed CEO in February 2012, he has led the company for more than a decade, overseeing the development of major new products, global growth, and numerous international design awards. In 2025, he established the Sigma Foundation, a philanthropic initiative dedicated to supporting photography as an art form and fostering new platforms for photographic expression.

Eric Zetterquist, Artist
Zetterquist draws on a millennium-old Chinese tradition of painting portraits of art objects to celebrate their beauty and the accomplishments of collectors. Following this practice, he creates portraits of Asian ceramics dating from 2500 B.C. to 1400 A.D., isolating forms and emphasizing the negative space they create. His large-scale, black-and-white images with “painterly” edges and matte textured surfaces evoke Asian calligraphy and offer what he calls “warm minimalist” abstractions. Not merely photographs of objects, Zetterquist’s work challenge their viewers to explore concepts of form and negative space in both ancient and contemporary contexts, and remind us that we are part of a human chain that stretches back through the millennia, whose core values of beauty and artistic integrity are stalwart.

Moderated by Alice Teng, Executive Director, Asia Week New York

 

About Sigma Foundation
The Sigma Foundation is a philanthropic initiative dedicated to advancing photography as an art form. The Foundation collaborates with artists worldwide to produce and present their work – regardless of whether they use Sigma products. Through its Photobook Project, the Sigma Foundation commissions and publishes long-form, artist-driven books. The inaugural artists in the series – Sølve Sundsbø, Julia Hetta, Stephen Gill, and Anders Petersen – reflect the Foundation’s commitment to craftsmanship, creative independence, and the enduring power of the printed image. To learn more, click here.

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The Frick Collection Presents a Chinese Porcelain Lecture

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(From left to right): Vase, probably 19th century, Famille noire porcelain, 27 x 10 1/2 in., Henry Clay Frick Bequest @ The Frick Collection; Dragon Jars with Cover (Pair), Qing Dynasty (1644−1911), Kangxi Period (1662−1722), Hard-paste porcelain with underglaze blue, 3 3/8 x 3 9/16 in. Bequest of Childs Frick in memory of Frances Dixon Frick, 1965 @ The Frick Collection; Vase, Qing Dynasty (1644–1911), Qianlong Period (1735-1796), Hard-paste porcelain with polychrome overglaze and underglaze blue, 21 x 10 1/2″ @The Frick Pittsburgh

Looking East from Fifth Avenue: Chinese Porcelain at The Frick Collection
Friday, March 20, 2026 from 6–7pm
Stephen A. Schwarzman Auditorium
Free with registration

Join Yifu Liu, Anne L. Poulet Curatorial Fellow, for an illuminating lecture tracing the evolution of Chinese porcelain at The Frick Collection—from Henry Clay Frick’s earliest acquisitions to the museum’s most recent additions. Alongside the famille noire vases, polychrome enameled jars, and mounted wares that Frick cherished, the lecture will introduce lesser-known yet highly valuable imperial porcelain from the Yongzheng and Qianlong reigns; blue-and-white wares from the sixteenth to the nineteenth century; and Kangxi export dishes produced for European markets. Liu will examine the historical circumstances surrounding the formation of Frick’s porcelain collection, reevaluate its cultural relevance today, and explore its relationship with the European art for which the museum is best known.

Speaker bio:
Yifu Liu is the 2024–26 Anne L. Poulet Curatorial Fellow at The Frick Collection and a PhD candidate in the Department of Art and Archaeology at Princeton University. His research explores cultural exchange and the hybridization of artistic practices between Europe and China in the eighteenth century. At the Frick, he is organizing an exhibition on eighteenth-century French fashion plates, Ruffles & Ribbons: Fashion Plates from the Time of Marie Antoinette, opening April 1, 2026. He is also conducting research on Chinese porcelain in the Frick’s permanent collection. Independently, Liu has curated shows in contemporary art galleries with a focus on Chinese art in a global context.

Don’t miss out and register here for this enlightening talk today!

 

• • •

Asia Week New York: 2026 Edition Highlights

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Vilaval Ragaputra, Son of Bhairava, India, circa 1690-1710, ink, opaque watercolor, and gold on paper, courtesy Art Passages

As global fascination with historical Asian art reaches new heights, Asia Week New York (AWNY) returns in spectacular fashion for its 17th anniversary, March 19–27, 2026—once again transforming New York City into the epicenter of Asian art in the United States. The 2026 celebration brings together 23 world-class galleries from across the globe—traveling from Santa Fe and London to Kyoto (online-only)—alongside 27 leading museums and cultural institutions. Six powerhouse auction houses—Bonhams, Christie’s, Doyle, Freeman’s, Heritage Auctions, and Sotheby’s—anchor the week with exceptional sales and events.

Across nine extraordinary days, collectors, curators, scholars, and enthusiasts will experience an ambitious lineup of exhibitions, auctions, curator-led tours, lectures, and exclusive gatherings. From the refined elegance of Chinese ceramics and the spiritual power of Himalayan sculpture to the masterworks of Japanese, Korean, Indian, and Southeast Asian traditions, Asia Week offers a sweeping journey through more than a millennium of artistic achievement.

Operating at the dynamic crossroads of scholarship, museum collaboration, and the global art market, Asia Week New York is more than an event—it is a convergence of expertise, passion, and discovery. For one unforgettable week, the world of Asian art comes alive in New York.

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Left: Maitreya in Tushita Heaven. Pakistan, ancient region of Gandhara, Circa 3rd century. Schist. Courtesy of Carlton Rochell Asian Art. Right: The Demon Bhasmasura Dances for Mohini. From a Bhasmasura series. India, Uttarakhand, Tehri-Garhwal, circa 1830. Ink, opaque watercolor, and gold on paper. Courtesy of Art Passages.

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Left: Kiyoshi Hamada, Sand Dancing in the Sky in Spring, 2005. Oil on paper (byōbu screen, four panels). Courtesy of Seizan Gallery. Right: Yasuhara Kimei (1906–1980), Group of three works. Courtesy of Dai Ichi Arts, Ltd

This year’s presentations underscore Asia Week’s remarkable breadth, spanning ancient Buddhist sculpture and Ming dynasty ceramics to Edo-period printmaking and contemporary Korean painting—tracing the evolution of visual culture across centuries. The works on view explore a wide range of subjects, from the role of cats in Japanese culture, to the natural world and landscapes, to philosophy, meditation, and the passage of time, as well as showcasing artworks across various mediums such as Japanese Bamboo Art, Indian Classical Paintings and courtly objects, fine and rare Chinese ceramics from the Ming and Qing Dynasties, ukiyo-e woodblock prints, pottery from Kyoto, and ancient Buddhist relief panels, among others. A renewed appreciation for material tradition and artisanal practice is evident throughout, from masterworks of bamboo and lacquer to rare woodblock prints and classical furniture, reflecting a moment of renewed global interest in craft and material tradition.

Visitors can expect to see works from celebrated artists across the Asian Diaspora such as Katsushika Hokusai (Japanese, 1760-1849), Kawase Hasui (Japanese, 1883-1957), Yoshio Okada (Japanese, b. 1977), Fu Xiatong (Chinese, b. 1976), the late Suki Seokyeong Kang (Korea, 1977-2025), Wang Tiande (Chinese, b. 1960), Tanaka Sajirō (Japanese, b. 1937), Kim Guiline (Korean, 1936-2021), as well as ancient artifacts, objects, and classical furniture.

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Left: Wang Tiande 王天德 (b. 1960 Shanghai). Ancient Trees Imprinted in Water, 2025. Xuan paper, ink, burn marks, and rubbing. Courtesy of Alisan Fine Arts. Right: Tanabe Chikuunsai I. Kanchiku Flower Basket, early 1900s. kanchiku bamboo, bamboo root, rattan. Courtesy of TAI Modern

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Left: Kawase Hasui (1883-1957), Souvenirs of Travel, Second Series. Evening Shower at Teradomari, 1921. Woodblock print. Courtesy of Scholten Japanese Art. Right: Suki Seokyeong Kang, Mountain — hours #21-07, 2020-2021. Aluminum, hanging components (wire, bolts, painted steel) Courtesy of the artist’s estate and Tina Kim Gallery. Photo by Sangtae Kim.

“The artworks and treasures that will be exhibited this year for the 17th edition of Asia Week New York are truly spectacular,” said Margaret (Margi) Gristina, Chairperson of Asia Week New York. “From ancient artifacts to contemporary practice, this year’s edition highlights the resilience and vitality of the field.”

The 17th edition of Asia Week New York celebrates the legacy and importance of Asian art through robust programming, including exhibitions and auction house viewings, curatorial talks and lectures at top museums and societies, and auctions, culminating in an Open House Weekend, March 21-22.

In a period of recalibration across segments of the global art market, Asia Week’s 2026 edition signals continued strength in historical Asian art categories, particularly Japanese prints and South Asian works, reflecting both scholarly engagement and sustained collector interest.

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Left: Nine Bend Bridge and Teahouse, Yuyuan Garden, Shanghai, Unidentified Photographer, 1880s, Courtesy of Loewentheil Photography of China Collection. Right: Yoshio Okada (b. 1977), “Swimming” Box with Sprinkled Design of Jellyfish, 2020, Japan. Maki-e gold lacquer on a wood base. Courtesy of Thomsen Gallery

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Tamamoto Kenkichi (1886-1963). Iro-e platter with floral patterning, 1936. Porcelain with enamel overglaze. Courtesy of Joan B Mirviss LTD. Right: Hishikawa Moronobu, The Pleasure of Edo, (1618?–1694). Handscroll (detail). Courtesy of Sebastian Izzard LLC.

Here’s a closer look at what each participating dealer will unveil this year:

Chinese and Vietnamese Art

Alisan Fine Arts (United States) | 120 E 65th Street, New York, NY 10065
Fu Xiaotong and Wang Tiande Two artists inspired by the Chinese landscape painting tradition, taking nature as their primary theme. Both are pioneers in material manipulation, pushing the boundaries of traditional Chinese ink and Xuan paper in contemporary art practice.

Ralph M. Chait Galleries, Inc. (United States) | 16 East 52nd Street, 10th Floor
Spring Exhibition of Chinese Porcelain & Works of Art Including a fine and rare Chinese Fahua glazed guan jar, a fine and rare Chinese export porcelain ‘hong’ bowl and carved jade petal dish.

Fu Qiumeng Fine Art (United States) | 65 East 80th Street, Ground Floor
Contemplation / Meditation: Concepts and Cultures
This co-curated exhibition by Fu Qiumeng and Jeffrey Wechsler explores how Eastern and Western artistic traditions have visualized inner stillness, reflection, and heightened states of awareness, featuring works from classical and modern East Asian art to modern and contemporary American painting.

Loewentheil Photography of China Collection (United States) | 10 West 18th Street, 7th Floor
Shanghai: A Century of Photography, 1850-1950
Tracing one hundred years of photographic art in Shanghai, from the city’s earliest paper photographs of the 1850s to its vernacular photography of the 1950s.

Zetterquist Galleries (United States) | 3 East 66th Street, Suite 2B
Chinese, Vietnamese, and Korean Ceramics
This exhibition features works from the Menke Family Collection, including a robust presentation of Vietnamese Ceramics from 14th–16th centuries influenced by Ming Dynasty wares.

Indian, Himalayan, and Southeast Asian Art

Art Passages (United States) | 115 East 72nd Street, #1B
Classical Indian Paintings and Courtly Objects
Highlights include a large painting on textile of Vishvarupa, Universal Form of Krishna, a painting on paper from an obscure Bhasmasura series, or the story of the ash demon, and another painting, presumably the last episode of Bhasmasura series, depicting Mohini, an enchantress form of Vishnu, coming to Shiva’s aid in handling Bhasmasura.

Carlton Rochell Asian Art (United States) | 24 East 80th Street
Objects of Veneration
Buddhist Art from India and the Himalayas, an exhibition of Himalayan and Indian art, featuring works distinguished by their rarity, craftsmanship, and scholarly significance.

Oliver Forge and Brendan Lynch Ltd. (United Kingdom) | 67 East 80th Street, Suite 2
Luminaries, Myth and Fantasy in Indian and Persian Painting
Over 40 court paintings from India and Persia dating from the seventeenth to the nineteenth century including an important group of large Mewar paintings and an early Qajar, eighteenth century oil painting.

Japanese Art

The Art of Japan (United States) | 25 East 77th Street, Suite 215

250 years of Japanese Woodblock Prints
Featuring a print from the infamous 36 Views of Mt. Fuji series from 1858.

Dai Ichi Arts, Ltd (United States) | 18 East 64th Street, Suite 1F
Ceramic Modernisms: New perspectives on 20th century Japanese Ceramics
This exhibition presents key works that trace the development of modern Japanese ceramics during the early 20th century, particularly between Tokyo and Kyoto. This exhibition shows works by three key artists: Yasuhara Kimei (1906–1980), Kusube Yaichi (1897–1984), and Miyanohara Ken (1898–1977).

Egenolf Gallery Japanese Prints (United States) | 25 East 77th Street
Captivated: Cats in Japanese Prints and Paintings
Japanese prints and paintings with cats, including 19th-century classical Ukiyo-e prints and drawings of beauties with cats as well as ink paintings and prints from the early 20th century that feature the felines as the primary subjects.

Hiroshi Yanagi Oriental Art (Japan) | Online Exhibition
Presents new acquisitions including a waterfall landscape by Soga Shōhaku from Japan’s Edo period.

Ippodo Gallery (United States) | 35 N. Moore Street

Banquet of Life: Nihonga Paintings by Daisuke Nakano
The Japanese painter’s long-awaited third New York solo exhibition, featuring eleven new works celebrating the natural world through glorious depictions of flora and fauna: blanketed in shimmering snow, at the turning point of the springtime thaw, and in full blooming colors.

Joan B Mirviss LTD (United States) | 39 East 78th Street, Suite 401

Six Celestials
Masterpieces by six artists, Tomimoto Kenkichi, Kawai Kanjirō, Ishiguro Munemaro, Kamoda Shōji, Okabe Mineo and Tanaka Sajirō, whose seminal careers established the foundations of contemporary Japanese clay art.

Onishi Gallery (United States) | 16 East 79th Street, Ground Floor
KOGEI Exhibition: Metalwork and Lacquerware
Works by leading Japanese artists including several designated as “Living National Treasures.”

Sebastian Izzard LLC Asian Art (United States) | 17 East 76th Street, Floor 3
Japanese Paintings and Prints, 1800−1860
Works that demonstrate the range and quality of ukiyo-e made through the end of the Edo period.

Scholten Japanese Art (United States) | 145 West 58th Street, Suite 6D
STERLING: 25 Years in New York
A celebration of the gallery’s ‘silver’ anniversary during Asia Week New York 2026. Having passed the quarter-century mark, this exhibition looks back on previous 90 exhibitions and 9 publications, presenting a selection of works reflecting Scholten Japanese Art’s continuing commitment to exploring the intertwining development of Japanese woodblock prints from the early to mid-20th century by artists who designed shin-hanga (lit. ‘new prints’) and sosaku hanga (lit. ‘creative prints’), while expanding their collective understanding of the art and artists who contributed to this field.

Seizan Gallery (United States) | 525 West 26th Street, Ground Floor
Spring Group Show
Showcasing a wide range of contemporary Japanese works—from Nihonga and sumi ink painting to ceramics—created by artists whose practices are deeply rooted in Japan’s traditions of artmaking and spirituality. Participating artists include Kiyoshi Hamada, Yasuko Hasumura, Noriyuki Saito, Tabuchi Taro, Shigemi Yasuhara, and others.

TAI Modern (United States) | 23 East 67th Street, 4th Floor
Japanese Bamboo Art: Tradition and Transformation
An exhibition exploring the enduring dialogue between historical tradition and contemporary innovation in Japanese bamboo art. Weaving together historic and contemporary pieces, this presentation brings together works by artists across generations, demonstrating how the medium continues to evolve while remaining deeply rooted in traditional techniques and philosophies.

Thomsen Gallery (United States) | 8 East 67th Street
Yoshio Okada and Modern Japanese Paintings
An artist recognized worldwide for his brilliance in harnessing the traditional Japanese craft of lacquer to contemporary modes of visual expression. The exhibition is centered around two of Okada’s most innovative series: “Celestial Phenomena” and “Jellyfish.”

Korean Art

HK Art & Antiques LLC (United States) | 8 East 67th Street, Ground Floor
Korean Ceramics and Paintings
Including a blue and white porcelain bottle from the 19th century.

Tina Kim Gallery (United States) | 525 West 21st Street
Suki Seokyeong Kang
A solo exhibition of the late Korean artist Suki Seokyeong Kang (1977–2025), on view from March 12 through April 25, 2026. Coinciding with the one-year anniversary of the artist’s untimely passing, this exhibition stands as both a memorial and a celebration of her singular artistic vision.

Space 776 (United States) | 37 Clinton Street, First Floor
Genealogies of Time: Korean Modern and Contemporary Art
This exhibition examines the present condition of South Korean contemporary art through the coexistence of multiple temporal layers. Rather than following a chronological narrative, the exhibition brings together works from different generations to reveal how artistic questions persist, shift, and reemerge over time.

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Preview Part III: Captivating Korean Works of Art and Japanese Objects Await

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Top Row (L-R):Guiline Kim, Inside and Outside, 2005, courtesy Space 776; Yoshio Okada (b. 1977), “Layered Clouds, Full Moon” Kanshitsu Box with Sprinkled Design of Celestial Phenomena, 2018, courtesy Thomsen Gallery; Torii Ippo, The Shore of the Tide Colors, 2007, courtesy TAI Modern; Miyanohara Ken 宮之原 謙 (1898-1977), Chrysanthemum Water Jar (Mizusashi), courtesy Dai Ichi Arts, Ltd.; Bottom Row (L-R): Kamoda Shōji, Vase, 1970s, courtesy Joan B Mirviss LTD; Nakagawa Mamoru, Vase “Rough Coast”, 2023, courtesy Onishi Gallery; Suki Seokyeong Kang, Jeong #06, 2023-2024, courtesy Tina Kim Gallery; A Blue and White Porcelain Bottle, 19th century, courtesy HK Art & Antiques LLC

Asia Week New York is almost here! Our third preview spotlights exceptional Korean works of art and Japanese objects presented by eight esteemed AWNY dealers. From refined ceramics and masterful sculptures to exquisitely crafted bamboo, this selection reflects the depth, elegance, and innovation of artistic traditions across centuries. Discover these remarkable works arriving next month as we prepare to welcome collectors, scholars, and enthusiasts from around the world.

Dai Ichi Arts, Ltd.
Ceramic Modernisms
March 19 – 27, 2026
Opening reception: March 19, 2026, 4-7pm
18 East 64th Street, Suite 1F

Showcasing the evolution of 20th-century Japanese ceramics, this exhibition traces the emergence of modern vessel expression in the wake of the Meiji, Taishō, and Shōwa eras—periods that reshaped Japan through rapid modernization. With works by Yasuhara Kimei, Kusube Yaichi, and Miyanohara Ken, it reveals Tokyo’s dynamic role—alongside Kyoto—as a leading center of ceramic innovation, where artists reimagined form, design, and beauty through the vessel.

HK Art & Antiques LLC
Korean Ceramics and Paintings
March 20 – 30, 2026
AWNY Hours: Mon-Sat, 11am–5:30pm (otherwise by appointment)
8 East 67th Street (Ground floor)

The gallery is pleased to present Korean Ceramics and Paintings, a focused exhibition celebrating the refinement and enduring beauty of Korea’s artistic traditions. Among the standout works is an exquisite 19th-century blue and white porcelain bottle, a masterful example of form, balance, and understated elegance.

Tina Kim Gallery
Suki Seokyeong Kang: Our Spring
March 12 – April 25, 2026
Opening: Thursday, March 12, 6-8pm
AWNY Hours: Tues-Sat, 11am–6pm
525 West 21st Street

The gallery is honored to present Our Spring, a solo exhibition of the late Korean artist Suki Seokyeong Kang (1977–2025), on view during Asia Week New York. Marking the one-year anniversary of the artist’s untimely passing, the exhibition serves as both a memorial and a celebration of her singular vision. Bringing together significant sculptural and two-dimensional works from the final decade of her life, Our Spring also introduces to New York audiences key works from some of Kang’s most influential series.

Joan B Mirviss LTD
Six Celestials
ISHIGURO, KAMODA, KAWAI, OKABE, TANAKA S & TOMIMOTO
March 19 – April 24, 2026
AWNY Hours: Mar 19, 11am-8pm, Mar 20–21 & Mar 23–27, 11am-6pm & Mar 22, 12-5pm
39 East 78th Street, Suite 401

The gallery is thrilled to present Six Celestials, an exhibition featuring masterpieces by six artists whose seminal careers established the foundations of contemporary Japanese clay art. By placing their diverse bodies of work in conversation, the exhibition highlights the ways in which each of these twentieth-century icons helped pave the way for the emergence of Japanese ceramics as it exists today—one of the most dynamic and exciting fields of contemporary art.

Onishi Gallery
KOGEI Exhibition: Metalwork and Lacquerware
March 19 – April 3, 2026
Opening Reception: Thursday, March 19, 5-8pm
AWNY Hours: Mar 19–27, 10am–5pm (otherwise by appointment)
16 East 79th Street

Featuring works by leading Japanese artists, including several designated as “Living National Treasures,” the exhibition presents contemporary masterpieces deeply rooted in centuries of tradition. Visitors will be treated to an extraordinary display of two of Japan’s most distinguished craft disciplines: metalwork and lacquerware, ofgering a rare chance to experience the enduring elegance of kogei, a living artistic heritage that continues to inspire contemporary design and enrich global culture.

Space 776
Genealogies of Time: Korean Modern and Contemporary Art
March 6 – 31, 2026
Opening Reception: Friday, March 20, 5–9pm
AWNY Hours: Wed–Sun, 12–6pm (otherwise by appointment)
37-39 Clinton Street

Genealogies of Time traces South Korean modern and contemporary art across generations, highlighting how past practices inform present-day creativity. The exhibition features Jeoung Keun Chan, Hyeongsoo Kim, and Hak Il Kim, whose works explore form, materiality, and perception, alongside Kim Guiline’s paintings (1936–2021), creating a dialogue between history and contemporary innovation that underscores continuity and transformation in Korean art.

TAI Modern
Japanese Bamboo Art: Tradition and Transformation
March 19 – 23, 2026
Opening Reception: Thursday Mar 19, 5-7pm
AWNY Hours: Thur-Mon, 11am-5pm (otherwise by appointment)
Colnaghi, 23 East 67th Street, Fourth Floor

The gallery is thrilled to return to Asia Week, this time with Japanese Bamboo Art: Tradition and Transformation, an exhibition exploring the enduring dialogue between historical tradition and contemporary innovation in Japanese bamboo art. Weaving together historic and contemporary pieces, this presentation brings together works by artists across generations, demonstrating how the medium continues to evolve while remaining deeply rooted in traditional techniques and philosophies.

Thomsen Gallery
Yoshio Okada and Modern Japanese Paintings
March 19 – 27, 2026
Opening Reception: Tuesday, Mar 24, 5:30-7:30pm
AWNY Hours: Daily, 11am-5pm (otherwise by appointment)
8 East 67th Street

Thomsen Gallery is delighted to present Yoshio Okada and Modern Japanese Paintings, celebrating the internationally renowned artist acclaimed for transforming the traditional craft of Japanese lacquer into contemporary visual poetry. The exhibition highlights two of Okada’s most inventive series, Celestial Phenomena and Jellyfish, revealing his mastery of form, texture, and expressive imagination.

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Preview Part II: Encounter Japanese Prints and Paintings at Asia Week New York

March-2026-Part-ii

Top Row (L-R): Kiyoshi Hamada, Sand Dancing in the Sky in Spring (detail), 2005, Courtesy Seizan Gallery; Utagawa Kuniyoshi, Ouch! That hurts! (Oo, itai おお,いたい), 1852, courtesy Egenolf Gallery Japanese Prints; Hiroshige, 100 Views of Edo, Fukagawa and Jumantsubo, 1857, courtesy The Art of Japan; Soga Shōhaku, Waterfall Landscape, Edo period 18th c., courtesy Hiroshi Yanagi Oriental Art. Bottom Row (L-R): Daisuke Nakano, Purple Magnolia “Awakening of Spring,” 2025, courtesy Ippodo Gallery; Ito Shinsui, Twelve Images of Modern Beauties: Cotton Kimono (Shin bijin juni sugata: Yukata), 1922, courtesy Scholten Japanese Art; Keisai Eisen, Beauty Sharing a Pipe, Bunsei era, ca. 1823, courtesy Sebastian Izzard LLC Asian Art

The countdown to Asia Week New York continues! Our second preview spotlights exceptional Japanese prints and paintings, showcasing the extraordinary collections from our seven premier AWNY member dealers. Discover these rare and stunning works arriving next month:

The Art of Japan
250 Years of Japanese Woodblock Prints
March 20–22, 2026
AWNY Hours: Mar 20-22, 11am-6pm (otherwise by appointment)
The Mark Hotel, 25 East 77th Street, Suite 215

Exhibiting a remarkable selection of new acquisitions spanning the mid-18th to early 20th centuries, this elegant presentation showcases masterworks by Hokusai, Suzuki Harunobu, Eishi, Kitagawa Utamaro, Utagawa Hiroshige, Utagawa Kuniyoshi, Utagawa Kunisada, Utagawa Sadahide, Tsukioka Yoshitoshi, and more. In addition to these highlights, a broad array of Japanese prints from the gallery’s inventory will also be on view, both at the hotel and online. Don’t miss this chance to experience these exceptional works firsthand.

Egenolf Gallery Japanese Prints
Captivated: Cats in Japanese Prints and Paintings
March 21–22, 2026
AWNY Hours: Mar 21-22, 11am-6pm (otherwise by appointment)
The Mark Hotel, 25 East 77th Street, (Suite # at front desk and on website)

Japanese prints and paintings with cats have always held a special attraction, much like the alluring yet unknowable felines themselves. In Japan, cats historically held the roles of mouser, companion, muse and even monster. This group of works includes 19th century classical Ukiyo-e prints and drawings of beauties with cats as well as ink paintings and prints from the early 20th century that feature the felines as the primary subjects. Alongside these, a curated selection of 18th–20th century Japanese prints and drawings makes its only New York appearance this year, offering a rare opportunity to experience them in person.

Ippodo Gallery
Banquet of Life: Nihonga Paintings by Daisuke Nakano
March 19 – April 18, 2026
Opening Reception: Thursday, March 19, 6–8pm
AWNY Hours: Mar 19-21 & 23-27, 11am-6pm; Mar 22, 12-5pm (otherwise by appointment)
35 N. Moore Street

In his long-awaited third New York solo exhibition, Daisuke Nakano presents eleven new works capturing the delicate transition of the seasons. Through radiant depictions of flora and fauna—blanketed in shimmering snow, awakening in the spring thaw, or bursting in full bloom—Nakano celebrates the beauty and rhythm of the natural world.

Sebastian Izzard LLC Asian Art
Japanese Paintings & Prints, 1800-1860
March 20–27, 2026
Opening reception: Friday, March 20, 5–7pm
AWNY Hours: Mar 20-21 & 23-27, 11am-5pm; Mar 22, 1-5pm (otherwise by appointment)
17 East 76th Street, Floor 3

Experience a refined selection of 19th-century Japanese woodblock prints and Ukiyo-e paintings this Asia Week New York. Spanning the first decade of the 19th century through the close of the Edo period, these works reveal the rich range, technical mastery, and enduring beauty of Ukiyo-e from this remarkable era.

Scholten Japanese Art
STERLING: 25 Years in New York
March 19–27, 2026
AWNY Hours: open with appointments appreciated, 11–5pm (otherwise by appointment through April 3)
145 West 58th Street, Suite 6D

They are thrilled to celebrate their silver anniversary at Asia Week New York this year with an exhibition of early- to mid-20th-century Japanese woodblock prints, highlighting the groundbreaking innovations of shin-hanga (‘new prints’) and sosaku hanga (‘creative prints’). The show pairs rare masterpieces by celebrated artists with remarkable discoveries by lesser-known contemporaries, alongside paintings reflecting the period’s design and aesthetics, offering a vivid journey through the dynamic evolution of Japanese printmaking from the turn of the century through the post-war era.

Seizan Gallery
Spring Group Show
March 19 – May 9, 2026
Opening Reception: Thursday, March 19, 6-8pm
AWNY Hours: Mar 19-21 & 24-27, 11am-6pm (otherwise by appointment)
525 West 26th Street

Bringing together a dynamic selection of contemporary Japanese works, this exhibition spans Nihonga, sumi ink painting, and ceramics—each created by artists whose practices are profoundly grounded in Japan’s enduring artistic traditions and spiritual heritage. Participating artists include Kiyoshi Hamada, Yasuko Hasumura, Noriyuki Saito, Tabuchi Taro, Shigemi Yasuhara, among others—each offering a distinct yet resonant voice within the continuum of Japanese art.

Hiroshi Yanagi Oriental Art
New Acquisitions
Online

Among the new acquisitions at Hiroshi Yanagi Oriental Art, a standout is Waterfall Landscape, a scroll painting by Soga Shōhaku. Renowned for his bold, expressive brushwork and unconventional approach to Edo-period painting, Shōhaku captures the power and movement of nature in this dramatic scene, blending Chinese literati influences with a uniquely imaginative Japanese vision.

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