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TAI Modern Participating in EXPO CHICAGO 2025

TAIModern_ExpoChicago

Honma Hideaki, Flowing Pattern 2019, 2019, madake & nemagari bamboo, rattan, 39 x 22.5 x 9.25 in.

EXPO CHICAGO
Booth 120
April 24–27, 2025
Opening Night: Thursday, April 24 from 5-8pm
Fair Hours: Thursday, 12-5pm (by invitation only); Friday and Saturday, 11am-7pm; Sunday, 11am-6pm
Navy Pier’s Festival Hall, 600 E Grand Ave, Chicago

TAI Modern is thrilled to make its debut at EXPO CHICAGO 2025, taking place April 24–27!

Bamboo art in Japan is a long-overlooked tradition of creative vibrancy. Despite its rich history and astounding range of expression, it is still largely unknown. In its home country, it is often viewed as ancillary to the practices of tea ceremony and ikebana. Today there are less than 100 working bamboo artists in Japan. TAI Modern’s mission is to ensure a future for this art form.

At Expo Chicago, they will exhibit works that they feel represent the best of Japanese bamboo art today. Opening with two show-stoppers – the dynamic Flowing Pattern 2019 by Honma Hideaki and the diaphanous Infinite Sea by Morigami Jin. These works illustrate the dichotomous character of bamboo – strength and flexibility – that make it such a powerful medium for sculptural expression. They will also feature work by two Living National Treasures: a grouping of 3 Lacquered Bamboo Cylinders by Fujinuma Noboru and Fujitsuka Shosei’s 〇△□, an angular vessel from his illusionistic color-shifting series. Other works include the skyscraper-esque Creative City by rising young star Tanabe Chikuunsai IV, the elusive Uematsu Chikuyu’s Song of the Bird, and Torii Ippo’s Midair, part of his decades-long tribute to the flow and movement of water.

Displayed alongside these sculptures will be three abstract paintings by Monique van Genderen, an LA-based artist whose work shares a similar commitment to materiality and passionate engagement with medium.

They look forward to welcoming you to Booth 120!

To view the works, click here.

To learn more about the fair and purchase tickets, click here.

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Seizan Gallery Participating in EXPO CHICAGO 2025

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Danielle Winger, Crystal Deeps, 2025, oil on canvas, 60 x 48 in (152.4 x 121.9 cm); Photo by Stuart Snoddy

EXPO CHICAGO
Booth 125
April 24–27, 2025
Opening Night: Thursday, April 24 from 5-8pm
Fair Hours: Thursday, 12-5pm (by invitation only); Friday and Saturday, 11am-7pm; Sunday, 11am-6pm
Navy Pier’s Festival Hall, 600 E Grand Ave, Chicago

Seizan Gallery is thrilled to be participating in EXPO CHICAGO 2025, where they will present a dynamic group exhibition at Booth 125 featuring works by Hiroyoshi Asaka, Toshiyuki Kajioka, and Danielle Winger.  Each artist demonstrates extraordinary dedication to their chosen medium and subject, creating immersive encounters that invite viewers to contemplate time, process, and transcendence.

Hiroyoshi Asaka (b. 1977, Osaka, Japan) meticulously hand-carves marble – his sole chosen material – into uncanny sculptures resembling Styrofoam objects. By transforming a medium historically synonymous with permanence, power, and prestige into what appears as its disposable antithesis, Asaka creates a compelling dialogue between the monumental and the mundane. His KASHOUMON series prompts deeper questions about value, labor, and time.

Toshiyuki Kajioka (b. 1978, Tokyo, Japan) has devoted the past twenty years to painting a single subject: the surface of flowing rivers at night. Using only sumi ink and graphite pencil on Japanese paper, Kajioka captures water’s shifting states between wildness and tranquility, transforming fleeting moments into timeless, immersive experiences. For EXPO CHICAGO, Kajioka will present a monumental work from his signature “Waterscape” series.

Danielle Winger (b. 1986, Nevada, USA) creates contemplative landscapes with bold brushstrokes and striking colors that evoke both physical places and emotional states. Drawing inspiration from German Romantic traditions, she approaches landscape as both subject and metaphor—where mountains become paths to transcendence, deserts embody profound solitude, and moonlit forests take on human qualities. Her deeply personal meditative spaces invite viewers to explore themes of sublimity and the divine.

They look forward to seeing you in Chicago soon!

To learn more about the fair and purchase tickets, click here.

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Chinese Export Porcelain Returns to Chateau-sur-Mer

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A Canton rose medallion covered tureen with stand

Chinese Export Porcelain Returns to Chateau-sur-Mer
Open daily, 9am-4pm
474 Bellevue Ave, Newport, RI

Visitors to the Preservation Society of Newport County’s Chateau-sur-Mer can now see something that’s been missing from the house for more than 50 years: a collection of approximately 70 pieces of Chinese export porcelain from the late 18th or early 19th centuries, brought back from Canton by William Shepard Wetmore during his time as a merchant in China.

The collection includes dishes and plates of all sizes, platters, covered tureens and bowls, a tea set, bulb pots, vases and more.

Wetmore kept these beautiful pieces at Chateau-sur-Mer, his Newport home, and there they stayed until 1969, when they were sold at auction along with a majority of the house’s contents. The buyer of the porcelains was tobacco heiress Doris Duke, who acquired them on behalf of the Newport Restoration Foundation as part of a new collection of Newport furniture and decorative arts first displayed at the Samuel Whitehorne House.

This past December, the Newport Restoration Foundation, which owns and operates Rough Point for tours, transferred these precious pieces to the Preservation Society free of charge. They once again display their vibrant colors in their original place, the Chateau-sur-Mer pantry. They are deeply grateful to the friends at NRF for their generosity.

Come visit Chateau-sur-Mer, a National Historic Landmark and a true treasure chest of Victorian antiques, open daily now through September 1!

To plan you visit, click here.

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Ralph M. Chait Galleries Exhibiting at the Philadelphia Show

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Pair of Chinese Famille Verte Porcelain Plates, Kangxi period, AD 1662-1722, diameter: 15 ¼ inches (39 cm)

The Philadelphia Show
Preview Party: Thursday, April 24, 6-9pm
April 24 – 27, 2025
Hours: Friday, Apr 25 (11am-7pm); Saturday, Apr 26 (11am-6pm); Sunday, Apr 27 (11am-5pm)
East Terrace of the Philadelphia Museum of Art

Ralph M. Chait Galleries is delighted to return to the Philadelphia Show later this month!  The Show opens with a preview on Thursday, April 24 and runs through Sunday, April 27.

In a world that often feels uncertain, it’s reassuring to return to traditions that endure. The Philadelphia Show is one such tradition—celebrating excellence in the arts with a rich array of beautiful objects spanning centuries, styles, and cultures. The gallery is proud to once again take part in this outstanding event and will be bringing an exceptional selection of Chinese porcelains and works of art.

The Philadelphia Show, held annually on the East Terrace of the Philadelphia Museum of Art, showcases an outstanding selection of collectible antiques, art and design presented by over forty of America’s leading dealers. Learn more about the joy of collecting through educational dealer talks, show tours or take part in a self-guided treasure hunt. Come experience the amazing array of fine art, Americana, furniture, folk art, ceramics, porcelain, silver, jewelry, textiles, decorative arts, and feel the thrill of the hunt.

As always, Ralph M. Chait Galleries look forward to welcoming you to their booth and are always delighted to hear from you.

To learn more about the show, click here.

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Exhibitions Closing Soon at Onishi Gallery

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Installation view, KOGEI and Art, Onishi Gallery

As two remarkable exhibitions draw to a close, Onishi Gallery invites visitors to experience the rich interplay between tradition and innovation in Japanese craftsmanship. KOGEI and Art at their new Upper East Side location showcases a diverse range of contemporary works rooted in traditional Japanese techniques—spanning metalwork, lacquerware, ceramics, screens, and paintings.  Simultaneously, a special collaboration with Bergdorf Goodman and Salon Art + Design brings KOGEI to the 7th floor of Bergdorf’s Home department, where collectible design meets fine art in an immersive showcase that redefines the boundaries of lifestyle, design, and culture.

KOGEI and Art
Closing Friday, April 11, 2025
16 East 79th Street

“KOGEI” refers to works made using materials and methods that have stood the test of time, reflecting uncompromising dedication to technical perfection and a search for new forms of expression. This exhibition highlights the growing role of KOGEI in contemporary Western lifestyle and global art and design. The title KOGEI and Art is given to reflect the unique character of KOGEI, not seen in other cultures, and to emphasize its separate but complementary status compared to “Art” in the conventional Western sense.

To learn more, click here.

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Installation view, Bergdorf Goodman

Exhibition at Bergdorf Goodman
Closing Sunday, April 13, 2025

754 5th Avenue, 7th Fl

This collaborative exhibition with Bergdorf Goodman—New York City’s most iconic luxury retailer—and Salon Art + Design, the premier platform for collectible design and art by Sanford L. Smith + Associates, showcases contemporary works that honor traditional craftsmanship while embracing innovation.

To learn more, click here.

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Asia Week Sales Results from Our Member Auction Houses

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Top Row (L-R): A rare celadon-glazed hu-form vase, seal mark and period of Yongzheng, the base with a six-character seal mark in underglaze blue, Chinese Art sale at Sotheby’s; Katsushika Hokusai (1760-1849), Under the Wave Off Kanagawa (The Great Wave) (detail), c.1831, Japanese Woodblock Prints from The Nelkin Collection Part III Signature® Auction #8191 sale at Heritage Auctions; A Rare Yixing Peach-Form ‘Figure’ Puzzle Cup with Impressed Seals ‘Chen’, ‘Mingyuan’ and Wood Stand, Asian Works of Art sale at Freeman’s|Hindman; Bottom Row (L-R): A Group of Qing Dynasty Hair Pins, Asian Works of Art sale at Doyle; Maqbool Fida Husain, Untitled (Gram Yatra) (detail), 1954, oil on canvas, South Asian Modern + Contemporary Art sale at Christie’s; A Rare and Important Blue and White and Copper-Red ‘Dragon’ Vase, Tianqiuping, Qianlong six-character seal mark and of the period, Chinese Ceramics and Works of Art including the Francine and Bernard Wald Collection of Fine Snuff Bottles, Part I sale at Bonhams

The annual Asia Week New York sales from our six member auction houses—Bonhams, Christie’s, Doyle, Freeman’s|Hindman, Heritage Auctions, and Sotheby’s—saw outstanding results across their live and online sales!

Bonhams’ Asia Week sales totaled $14 million, with the top lot of the week across all the Chinese Works of Art sales being a superbly painted vase with dragons amidst clouds from the Qianlong period (1736-1795) which sold for an astonishing $3.7 million—more than six times its estimate. Closing out the week, the Fine Japanese and Korean Art sale offered a range of works from rare pottery to a fine selection woodblock prints as well as a group of outstanding inrō from the collection of Alan and Simone Hartman. The sale was highlighted by a solid gold tea pot, crafted from a heritage collection of gold koban coins minted by the Shogunate government in the 18th c., which sold for $64,000.

Asia Week at Christie’s New York was also a resounding success, totaling $60,039,058 with 872 lots sold, 190% hammer above low estimate, and a 86% sell-through rate. A standout highlight was Maqbool Fida Husain’s Untitled (Gram Yatra), which sold to an unnamed institution for $13.75 million—the highest price ever achieved for a work of Modern Indian Art. Auction records were also set for several artists, including Sayed Haider Raza, Gulam Rasool Santosh, Sudhir Patwardhan, Jeram Patel, Ivan Peries, Senaka Senanayake, and B. Prabha. In The Important Chinese Furniture and Works of Art sale, other notable results included a huanghuali “official’s hat” armchair that achieved $3.26 million, and a blue-and-white iron-red “dragon” dish that sold for $2.77 million.

Private collections and estates took center stage at Doyle’s two-day spring Asian Works of Art sale. Bidders from around the globe competed for exceptional Chinese, Japanese, Himalayan, and other rare traditional Asian artworks. A standout highlight was the important and extensive collection of Qing Dynasty hair pins from the estate of the late New York fashion icon Iris Apfel. Comprising more than sixty rare pieces, the collection captivated bidders and soared to an impressive $60,800—more ten times its estimate. Another highlight was a A Large Chinese Celadon Jade Elephant and Amitabha that sold for $51,200, more than double its estimate.

Freeman’s|Hindman made quite the impression in their first appearance as an official auction house partner in Asia Week New York as their Asian Works of Art auction soaring past expectations to achieve a total of $1.7 million. The auction featured a remarkable array of Chinese ceramics, gold jewelry, jade, and textiles, alongside Japanese bronzes, Korean paintings, and Indian and Himalayan Buddhist figures, showcasing the richness and diversity of Asian art. The top highlight of the auction was a trio of extraordinary Yixing Zisha pottery pieces attributed to the renowned 17th-century master Chen Mingyuan. Following 15 minutes of spirited bidding in the room, the group realized a combined $636,500.

Heritage Auction’s Asia Week sales reached a strong total of $2,890,355, led by a rare early impression of Katsushika Hokusai’s iconic Under the Wave Off Kanagawa (The Great Wave) (Kanagawa oki nami ura), which achieved $425,000 in their Japanese Woodblock Prints from The Nelkin Collection Part III Signature® Auction #8191. The sale also marked a milestone for the market, setting new artist records for Choensai Eishin (active 1795–1817) and Katsukawa Shunsen (active 1780–1800), and establishing more than 40 world auction records for individual prints—many of them by Kawase Hasui.

The Asian Art sales at Sotheby’s totaled an impressive $40.9 million, marking one of the highest totals in the sale series’ history. Demonstrating strong resilience amid a dynamic market environment, the sales saw standout results across Chinese, Indian, and Japanese art. The Modern & Contemporary South Asian Art sale led the series, with $16.8 million in sales, achieving a 95.7% sell-through rate, and 94.3% of works selling at or above their high estimates. The auction also set new benchmarks for prominent female artists, including Madhvi Parekh and Nelly Sethna, reflecting the growing recognition of women in the art world. Another highlight came from the Chinese Art sales, where works consigned by major institutions—including the Carnegie Museum of Art, the Newark Museum of Art, and the Montreal Museum of Fine Arts—achieved a 100% sell-through rate, totaling $5.9 million.

 

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Yale University Upcoming Gallery Talks

YaleTalk2025

Flask with the Royal Arms of Spain, China, Ming dynasty, 1610–20, porcelain with cobalt blue under clear glaze, Yale University Art Gallery, Robert Hatfield Ellsworth Fund

Blue, White, and Wonderful: Seventeenth-Century Chinese Porcelain
Wednesday, April 16, 2025, 12:30-1:30pm
Free; Meet by the central column in the Gallery lobby

Highlighting a recently acquired Chinese porcelain flask, Denise Patry Leidy, the Ruth and Bruce Dayton Curator of Asian Art at Yale University Art Gallery, discusses a fascinating moment in global ceramic history, when Chinese kilns began producing works specifically for the European market.

European trade with China flourished in the early 17th century, after the famed Portuguese explorer Vasco di Gama opened sea trade between Europe and Asia by sailing around the African coast. In response to political and economic turmoil and the subsequent need for new markets, the kilns at the great complex in Jingdezhen began to diversify by producing ceramics for the court, for the domestic market, and for trade to Japan as well as to India and other parts of the greater Islamic world. Within the coat of arms on the front of the flask, the two rampant lions and two castles indicate that the object was made for the Spanish court. The reverse is painted with a scene of a Chinese scholar resting in a landscape, while the shape of the flask is derived from Islamic metalwork.

To learn more, click here.

Yale_SaraSzeTalk
Photo credit: Vincente de Paolo

Artist Talk: Sarah Sze
Thursday, April 17, 2025, 5:30-6:30pm
Free

Since the late 1990s, Sarah Sze has developed a signature visual language that challenges the static nature of sculpture and painting. Sze draws from Modernist traditions of the found object, dismantling their authority with dynamic constellations of materials that are charged with flux, transformation, and fragility. Captured in this suspension, her immersive and intricate works question the value society places on objects and images and how objects and images ascribe meaning to the places and times we inhabit.

Coinciding with the explosion of information of the 21st century, Sze’s work simultaneously models and navigates the ceaseless proliferation of information and imagery in contemporary life. Her encyclopedic installations and paintings unfold like a series of experiments that construct intimate systems of order—precarious ecologies in which material conveys meaning and a sense of loss. In this talk, Sze discusses her artistic practice.

To learn more, click here.

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Light and Abundance: Gold in Japanese Art Closing Soon at Ippodo Gallery

IppodoAWInstall

Installation view, Light and Abundance: Gold in Japanese Art

Light and Abundance: Gold in Japanese Art
Closing Thursday, April 17, 2025
35 N Moore Street

This is the final week of Ippodo Gallery’s captivating exhibition, Light and Abundance: Gold in Japanese Art, before it closes on April 17! Celebrating the immutable beauty of gold, this group show features new works by master artists working in lacquer, metal, Nihonga painting, and ceramics.

The pure material, never to tarnish nor rust, is the object of fascination and admiration for more than a thousand years in Japan. Gold represents divinity, the eternal, and symbolizes spiritual enlightenment since ancient times, serving to cover statues of Buddha, temples like Kinkaku-ji in Kyoto, and the feudal lord Hideyoshi Toyotomi’s famous Gold Tea Room. Under shadows the gold leaf adorned folding byobu screen thrives; “in the darkness, where sunlight never penetrates, gold leaf will pick up a distant glimmer, then suddenly send forth an ethereal glow, a faint golden light like the horizon at sunset” (Jun’ichirō Tanizaki, In Praise of Shadows). ‘Zipangu, the Land of Gold’ as Marco Polo named the archipelago more than five-hundred years ago, reminds how the country was once the foremost global producer of gold, which empowered the development of a distinct Japanese visual culture. While modern minimalist and wabisabi philosophies rise, flamboyance remains a quintessential element of Japanese aesthetics.

Don’t miss this incredible opportunity to experience top emerging Japanese artists in contemporary kogei, for whom gold remains a medium of innovation and virtue.

To learn more, click here.

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Rubin Museum’s About Time: A Four-Part Conversation Series with Laurie Anderson Now Online

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Laurie Anderson, courtesy Rubin Museum of Himalayan Art

Do you feel like you’re running out of time? Which way is it going? Are you able to stop time? If so, how? Many objects in the Rubin’s collection of Himalayan art reflect the Buddhist concept of time, including the interconnected nature of the past and future. About Time aims to reframe our perspective on time and its impact on our lives.

In this four-part series, performance artist, electronic music pioneer, and filmmaker Laurie Anderson tackles the big questions about time with poet Jane Hirshfield, novelist Tom McCarthy, philosopher Venerable Tenzin Priyadarshi, and writer Benjamín Labatut.

These conversations took place in-person at the Rubin’s former 150 West 17th Street building in 2024.

To listen to them all, click here.

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Alisan Fine Arts Participating in Dallas Art Fair

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Kelly Wang, Red Lotus 3, 2024, 76 x 76 cm, ink, pigment, xuan paper and resin on aluminum

Dallas Art Fair
April 10 – 13, 2025
Preview Party: Thursday, April 10 from 5-9pm (Tickets required)
Booth C11

Fashion Industry Gallery, 1807 Ross Avenue, Dallas, TX

Alisan Fine Arts is excited to exhibit the work of six Asian Diasporic artists for the 2025 Dallas Art Fair: Julie Chang, Mimi Chen Ting, Fu Xiaotong, Myeongsoo Kim, Ren Light Pan, and Kelly Wang.

Julie Chang is a San Francisco based artist whose work investigates how identities are constructed and how (mis) understandings of both self and other might be resisted, subverted, and reimagined. Her paintings use ancient and contemporary cultural symbols to make visible hidden histories and illustrate the cultural hybridity inherent in the world.

Ren Light Pan is a Chinese American transgender artist living and working in New York. Her work engages with biographical issues dealing with hybridized and transgressive cultural and gender identities. Working between Eastern and Western art history, her use of traditional Chinese ink against modes of contemporary painting—namely readymade or anti-gestures, deconstruction as well as techniques influenced by photographic, filmic and printmaking processes—opened a space for contentious harmony.

Kelly Wang combines contemporary and traditional materials and approaches to create paintings, sculptures, and works that exist somewhere between two and three dimensions. Wang has been exposed to Chinese art since early childhood, and has been studying calligraphy and traditional Chinese painting since 2010 while developing her own contemporary artistic practice.

Myeongsoo Kim is a photographer and sculptor based in Brooklyn, NY. He received his BFA in Sculpture + Extended Media from Virginia Commonwealth University in 2009, and his MFA in Sculpture from Yale University in 2011. Recent exhibitions include Space City: Art in the Age of Artemis at the Asia Society Houston in 2024; in the 2019 BRIC in Brooklyn, NY, and the Brave New World Photo Festival at the Seoul Museum of Art in Seoul, Korea.

Mimi Chen Ting (1946-2022), was a Chinese-American painter, printmaker, and performance artist whose high-spirited practice fused Eastern and Western aesthetics. She was active in the artist communities of the Bay Area of San Francisco, CA, and Taos, NM.

Fu Xiaotong is known for her intricate paper pinhole creations of “traditional” landscape compositions. She graduated from the Oil Painting Department of the Tianjin Academy of Fine Arts in 2000 and later obtained a Master’s degree in Experimental Art from the Central Academy of Fine Arts in Beijing in 2013. Fu currently teaches at the School of Arts at North China University of Technology and resides in Germany.

To learn more about the fair, click here.

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