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AWNY Preview: TAI Modern Presents From Timber to Tiger: The Many Bamboos of Japanese Bamboo Art

TAIModern_MarchTimbertoTiger

Yamamoto Chikuryusai II, Flower Container, 1938, Bakelite, rattan, 14 x 5.5 x 5.5 in.

From Timber to Tiger: The Many Bamboos of Japanese Bamboo Art
March 13 – 21, 2025
Opening Reception: Thursday, March 13, 5-8pm
Exhibiting at: Colnaghi, 23 East 67th Street, 4th Floor
Asia Week Hours: 11am-6pm, daily (otherwise by appointment)

TAI Modern is excited to return to this year’s Asia Week New York to exhibit From Timber to Tiger: The Many Bamboos of Japanese Bamboo Art. This exhibition, held at Colnaghi New York, showcases important historic and contemporary works with a particular emphasis on unusual materials, ranging from rare bamboo species to lotus root to Bakelite.

Highlighted in this show are pieces from master Yamamoto Chikuryusai II, a member of one of the most important bamboo lineages in Osaka. Flower Container (1938) blends the traditional shapes of sencha tea ceremony ikebana baskets and rattan knotting technique with what was new plastics technology at the time: Bakelite, a thermosetting resin that could be molded into any shape.

They are also proud to highlight pieces from modern master Tanabe Chikuunsai IV. Enso (2020) uses tiger bamboo, a particularly hardy bamboo spotted with green and brown marks that grows only on a single mountain in Kochi. Conversely, Stand (2024) employs a new technique pioneered by Tanabe, wherein he collects bamboo felled from previous seasons. While pliable, it is also incredibly fragile, and it’s that unpredictability that grounds the tangle of hobi and black bamboo.

As the world’s premier gallery for Japanese bamboo art, TAI Modern welcome this opportunity to provide education and guidance to established collectors and first-time viewers alike.

They look forward to celebrating Asia Week New York with you soon!

To learn more, click here.

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AWNY Preview: Takashi Seto: Moments of Arrival at Seizan Gallery

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Takashi Seto (b. 1974), Personality Poison, 2023, lacquer, silver leaf, gold leaf, artificial dye on silk mounted on wood panel, 39.4 x 110.2 x 1.2 in (100 x 280 x 3 cm)

Takashi Seto: Moments of Arrival
March 6 – May 3, 2025
Opening reception with Artist: Thursday, March 13, 6-8 pm
Asia Week Hours: March 13-15 & 18-21, 11am-6pm (otherwise by appointment)
525 West 26th Street

During Asia Week New York, Seizan Gallery is pleased to present Takashi Seto: Moments of Arrival, the artist’s first solo exhibition in New York, on view from March 6 through May 3, 2025. Showcasing fifteen recent works on canvas, the exhibition highlights Seto’s mastery of Yuzen fabric dyeing and Shippaku metal leaf techniques — the traditional craft methods he revives and reinterprets. Through this intricate process, Seto explores cultural heritage, symbolism, and the passage of time, transforming ephemeral materials into meditative, multi-layered works.

The centerpiece of the exhibition is the four-panel work Personality Poison (2023), Seto’s homage to Yuzen’s history and the artisans who have preserved its traditions. The work features Murasakitsuyukusa (Tradescantia), a flower historically used to extract blue ink for fabric outlines. Though synthetic alternatives exist, Seto insists on using the natural plant-based ink, sourced from a 90-year-old craftsman and the very last person still producing it. Ironically, the ink is ultimately washed away during the dyeing process. Alongside the ephemeral flower, Seto paints a vividly colored Poison Dart Frog. The creature is renown for its toxicity, which is not inherent but is a cumulative result of its diet over time. Seto playfully depicts the frog with five toes instead of four, subtly anthropomorphizing it and inviting deeper reflection on adaptation and identity.

Through his fusion of historical craft and contemporary themes, Seto challenges conventions and honors tradition, while navigating a delicate balance between preservation and transformation.

Seizan Gallery looks forward to celebrating the start of Asia Week with a reception with the artist on Thursday, March 13!

To learn more, click here.

 

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Our Special Panel Discussion with The Winter Show Now Online

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Panel Discussion with The Winter Show, Art and the Great Expositions: The Worldwide Web of Taste, 1876-1904, Courtesy The Winter Show

If you missed our special live panel discussion, Art and the Great Expositions: The World Wide Web of Taste, 1876–1904 at The Winter Show in January, you can watch it now on our site!

Our esteemed panel of experts assessed the long-term aesthetic impact that World Fairs had on American decorative art and painting during the Gilded Age and on early twentieth century decorative arts and paintings, including the part played by Japanese art and crafts.

With a focus on works displayed in Philadelphia, Paris, Chicago, and St. Louis, the distinguished experts on the panel–moderated by Dessa Goddard, U.S. Head of the Asian Art Group, Senior Vice President of Bonhams–discussed the influence of Paris on American painting, the impact of Japanese arts and crafts on American decorative arts, especially Tiffany, and how the expositions served as a background for the transformation in 19th century painting.

Panelists:

Annette Blaugrund, Curator and former director (and first woman director) of the National Academy Museum and School of Fine Arts (1997-2007)

Joe Earle, Global Senior Consultant for Japanese Art at Bonhams

Medill Harvey, Ruth Bigelow Wriston Curator of American Decorative Arts and Manager of the Henry R. Luce Center for the Study of American Art at The Metropolitan Museum of Art

Mark D. Mitchell, Holcombe T. Green Curator of American Paintings and Sculpture at the Yale University Art Gallery

Moderate by Dessa Goddard, U.S. Head of the Asian Art Group, Senior Vice President and Head, Business Strategy for Chinese Paintings, and Senior Specialist for Chinese Art at Bonhams

Watch this insightful discussion here!

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Heritage March 2025 Asia Week New York Auctions

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Katsushika Hokusai (1760-1849), Under the Wave Off Kanagawa (The Great Wave) (Kanagawa oki nami ura), from the series Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei), c. 1831, woodblock print embellished with light mica powder, 9-7/8 x 14-5/8 in (25.1 x 37.1 cm) (sheet, ōban), signed: Hokusai aratame Iitsu hitsu, published by Nishimuraya Yohachi (Eijudō), Lot #78015, Estimate: US$100,000-150,000, Japanese Woodblock Prints from The Nelkin Collection Part III Signature® Auction #8191  

Heritage Auctions is thrilled to celebrate New York Asia Week with two unmissable auctions featuring masterpieces of Japanese and Asian Art. The March 20-21 events are led by Hokusai’s The Great Wave from the Nelkin Collection, rare Japanese woodblock prints and exceptional Chinese, Korean and Himalayan treasures. Be sure to view highlights of the sales at their New York City showroom from March 13-20!

Explore the auction schedules below:

Japanese Woodblock Prints from The Nelkin Collection Part III Signature® Auction #8191
NYC Highlights Viewing: March 13–15 & 17–20, 10am-5pm at 445 Park Avenue, NYC (by appointment)
Auction: Thursday, March 20, 2025 at 10am and 2pm CT at 2801 W. Airport Freeway Dallas 

Few images in art history have captivated the world like Under the Wave Off Kanagawa, more commonly known as The Great Wave. Created by Katsushika Hokusai in the early 1830s, this masterpiece of Japanese woodblock printing has become a global icon, influencing artists and collectors for nearly two centuries. Heritage Auctions is honored to offer a rare, early impression of The Great Wave as a centerpiece of their March 20 auction.

This auction marks the final installment of the highly successful Nelkin Collection series, following two record-setting Asian Art sales in June and September 2024, which together set more than 60 world-record prices. This concluding sale presents an expertly curated selection of works by Japan’s most renowned printmakers, including Suzuki Harunobu, Utagawa Hiroshige I, Utagawa Hiroshige II, Tsukioka Yoshitoshi, Totoya Hokkei, Keisai Eisen, Kawase Hasui and Yoshida Hiroshi.

→ Learn more

Heritage_ChineseIronRedVaseMarch2025

A Chinese Iron-Red-Ground Gilt-Decorated Double Beast Handled Vase, Daoguang period, marks: Shendetang Mark, 8-1/4 x 5-1/4 x 5-1/4 in (21.0 x 13.3 x 13.3 cm), Lot #78065, Estimate: US$1,000-1,500, Fine & Decorative Asian Art Signature® Auction #8192 

Fine & Decorative Asian Art Signature® Auction #8192
NYC Highlights Viewing: March 13–15 & 17–20, 10am-5pm at 445 Park Avenue, NYC (by appointment)
Auction: Friday, March 21, 2025, 10am and 2pm CT at 2801 W. Airport Freeway Dallas 

The celebration of Asia Week continues on March 21 with their Asian Art Signature® Auction featuring an exquisite array of Chinese, Japanese, Korean, Indian, Himalayan and Southeast Asian treasures. From Song dynasty ceramics to Ming dynasty jades and Qing dynasty porcelains, paintings and textiles, this auction brings together significant works from prestigious private collections, including that of the family of Yen Sheng-Po, a founding member of Hong Kong’s Kau Chi Society of Chinese Art and a close associate of Zhang Daqian. The auction offers porcelains, paintings, jades, and other scholar’s objects from the collection, including this dramatic dragon-starring, beast-handled vase and a Ming dynasty jade duck enriched with skillfully carved and incised featherwork.

→ Learn more

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New Exhibition Opening at San Antonio Museum of Art

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Maa Laxmi, From the Darshan Series, 2011, Manjari Sharma (b. Mumbai, India, lives and works in California), archival inkjet print in brass-embossed frame, Collection of the Birmingham Museum of Art; Museum purchase, 2020.48.2a-b, Photography credit: Manjari Sharma, © Manjari Sharma

Envisioning the Hindu Divine: Expanding Darshan and Manjari Sharma
March 7 – July 6, 2025
Lecture: Friday, March 7 from 6-7pm (in-person and live-streamed)
Exhibition Tours: Beginning Sunday, March 9 (times vary)
Free Spring Break Family Day: Tuesday, March 11, 10am-7pm

The San Antonio Museum of Art is pleased to open Envisioning the Hindu Divine: Expanding Darshan and Manjari Sharma, an exhibition features forty historical objects from India and Southeast Asia and nine photographs by global contemporary artist Manjari Sharma. Bringing together the striking work of the rising contemporary art star with the historic collections of the Birmingham Museum of Art, this exhibition showcases nine of the most significant deities of the Hindu pantheon and their contemporary relevance in art and faith. These works serve as a gateway to the concept of darshan—seeing and being seen by the divine, a profound spiritual exchange of glances experienced through consecrated images of gods. The vibrant, varied, and sometimes contradictory stories of these gods—as well as their familial relationships with each other—are shared through the works in this exhibition.

Contemporary artist Manjari Sharma makes work that is rooted in portraiture and addresses issues of identity, multiculturalism, and personal mythology. Beginning as a multiyear, crowdfunded project on Kickstarter, Sharma’s Darshan series of photographs aimed to recreate the experience of encountering the nine Hindu deities. An extraordinary aspect of Sharma’s work is her commitment to creating each scene without digital manipulation. All items visible in the images were present when photographed, not digitally added later.

Be sure to catch an evening lecture on opening day, Meeting Some Gods: Contemporary and Classic Visions of Hinduism, with curator Katherine Anne Paul. Explore the rich diversity of Hindu art through Manjari Sharma’s striking portraits of nine major deities, alongside historic depictions from the Birmingham Museum of Art and SAMA. This illustrated lecture examines Sharma’s work in dialogue with traditional representations of Ganesha, Lakshmi, Saraswati, and others, highlighting India’s artistic influence across Cambodia, Indonesia, Nepal, and Thailand.

To learn more and view all the related programs, click here.

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Sotheby’s March 2025 Asia Week New York Auctions

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Jagdish Swaminathan, Homage to Solzhenitsyn (Triptych), 1973, Lot 17, Estimate: US$1,000,000-2,000,000, Modern & Contemporary South Asian Art

This month, explore the rich legacy of Asian art at Sotheby’s, where tradition and innovation join in a stunning showcase. From ancient masterpieces to contemporary expressions, discover seven centuries of artistic excellence at their exhibition in their New York galleries from March 13-21, culminating with a series of live and online auctions that begin on March 17. Also be sure to join their Asian Art Lecture Series on Sunday afternoon, March 16!

Explore the full auction and lecture schedules below:

Gold, Jade, and Stone: Buddhist Art and Material Culture in Early China by Dr. Jin Xu
Lecture: Sunday, March 16, 2025 at 1pm EDT
1334 York Ave

A Room Within a Room, the Canopy Bed in Ming & Qing China by Nicholas Grindley
Lecture: Sunday, March 16, 2025 at 2pm EDT
1334 York Ave

Register here

Modern & Contemporary South Asian Art
Auction: Monday, March 17, 2025 at 11am EDT
Viewing: March 13–14, 10am-5pm; March 15, 10am-6pm; March 16, 1-5pm

This Modern & Contemporary South Asian auction brings a curated selection of paintings, sculptures and works on paper from the region’s most celebrated artists. The sale is led by a masterpiece by Jagdish Swaminathan titled Homage to Solzhenitsyn spanning 13.5 feet. Painted in 1973, this triptych is a spectacular vista of the artist’s cosmos, creating a true sense of joy and wonder.

From the Estate of Bhupen Khakhar comes two double-sided cutouts by Khakhar in collaboration with Vaman Rao Khaire depicting Amitabh Bachchan and Rekha, which are emblematic of Khakhar’s embeddedness in pop culture and his idiosyncratic painting style.

Another star lot of the sale is Journey of the Magi, a 1963 masterpiece by Jehangir Sabavala. Published across preeminent scholarship about the artist since 1966, this painting depicts an important symbol in Christianity and Zoroastrianism and is a key example of Sabavala’s expert handling of color and contour as he became interested in light and how to portray it.

Other highlights include masterworks by Francis Newton Souza, Maqbool Fida Husain, Ganesh Pyne, George Keyt and Zubeida Agha.

Learn more

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A rare celadon-glazed hu-form vase, Seal mark and period of Yongzheng, Lot 125, Estimate: US$600,000-800,000, Chinese Art

Chinese Art
Auction: Tuesday, March 18 and Wednesday, March 19, 2025 at 9am EDT (both days)
Viewing: March 13–14 & 17, 10am-5pm; March 15, 10am-6pm; March 16, 12-5pm

This March, Sotheby’s Chinese Art auction features a comprehensive presentation of Ming and Qing porcelains, early ceramics, jades, classical furniture and more. Leading this auction are important de-accessions from the Carnegie Museum of Art, the Newark Museum of Art, and the Montreal Museum of Fine Arts. The sale also features a selection of important Chinese Art from the Jane and Leopold Swergold Collection, Marchant Chinese jades, and an array of classical Chinese furnishings from an Important American Collection.

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A magnificent large gilt copper alloy figure of Shakyamuni Buddha, Central Tibet, 14th c., overall height 27½ in (70 cm), Lot 563, Estimate: US$600,000-1,500,000, Indian and Himalayan Art

Indian and Himalayan Art
Auction: Thursday, March 20, 2025 at 10am EDT
Viewing: March 13–14 & 17–19, 10am-5pm; March 15, 10am-6pm; March 16, 1-5pm

The Indian and Himalayan Art auction is led by a magnificent large Central Tibetan 14th century gilt-copper alloy figure of Shakyamuni Buddha from a distinguished Dutch private collection, and includes several private collections of Indian and Himalayan paintings, sculpture and ritual objects.

The auction opens with an important New York private collection of classical Indian paintings, many of which were acquired directly from the Ehrenfeld collection. Highlights include two folios from the Tehri Garhwal series of the Gita Govinda and an Imperial Mughal painting of mythical birds. The sale follows with twelve superb works of art from the collection of the financier and scholar Kevin R. Brine, including an important portrait of Thangpa Chenpo, commissioned for Taklung Monastery circa 1180-1210, and and a rare large 17th century silver figure of the Fifth Shamarpa Lama.

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ONLINE AUCTION

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Important Japanese Swords and Armour from the Paul L. Davidson Collection
Auction: March 13–25, 2025 at 11am EDT
Viewing: March 13–14 & 17–21, 10am-5pm; March 15, 10am-6pm; March 16, 1-5pm

Sotheby’s is proud to present Important Japanese Swords from the Paul L. Davidson Collection this month. The collection comprises fine Japanese swords with examples registered as Tokubetsu Juyo [Exceptionally Important Sword], including an impressive katana attributed to the Yoshioka Ichimonji school, a tanto by Rai Kunitoshi and an early tachi blade attributed to Niji Kunitoshi. Armour and accoutrements of the samurai showcase the excellent craftmanship and quality associated with the warrior class from the Kamakura period through to the centuries of peace established by the Tokugawa shogunate until the late nineteenth century.

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To view more details on Asia Art at Sotheby’s, click here.

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AWNY Preview: Scholten Japanese Art Presents Landscape Escapes: Famous Views of the Floating World

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Utagawa Hiroshige (1797-1858), One Hundred Famous Views of Edo: Atagoshita and Yabu Lane (Meisho Edo hyakkei: Atagoshita Yabukoji), 1857, oban tate-e 14 x 9 5/8 in. (35.5 x 24.4 cm)

Landscape Escapes: Famous Views of the Floating World
March 13 – 21, 2025
Asia Week Hours: 11am-5pm (appointments appreciated)
145 West 58th Street, Suite 6D

Scholten Japanese Art is excited to announce their new exhibition, Landscape Escapes: Famous Views of the Floating World, opening on March 13, as part of Asia Week New York!

Landscape Escapes includes numerous works by the 19th century masters of the landscape genre, including Katsushika Hokusai, and Utagawa Hiroshige, as well as rare contributions by artists who are not as closely associated with the subject such as Keisai Eisen, and Yashima Gakutei. The show will also explore some of the earliest forms of landscape prints by artists of the Katsukawa School, including Katsukawa Shunsho, and his followers, Katsukawa Shunsen (Shunko II) and Katsukawa Shuntei.

They look forward to welcoming you to the gallery soon!  Until then, preview Part I of the exhibit by clicking here and preview Part II by clicking here.

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Landscapes by Arnold Chang: A Retrospective and Recent Acquisitions Opening at the Cleveland Museum of Art

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Arnold Chang (American, b. 1954), Secluded Valley in the Cold Mountains 寒山幽谷, 2008, handscroll; ink on paper, painting section: 23 5/8 x 136 5/8 in.(60 x 347 cm), John L. Severance Fund 2024.69 © Arnold Chang

Landscapes by Arnold Chang: A Retrospective and Recent Acquisitions 張洪山水畫回顧展
March 8 – November 9, 2025
240A Chinese Paintings and Calligraphy
Clara T. Rankin Suite of Chinese Art Galleries

Celebrate the remarkable career of Arnold Chang with the Cleveland Museum of Art’s latest exhibition, Landscapes by Arnold Chang: A Retrospective and Recent Acquisitions 張洪山水畫回顧展. The exhibit features the museum’s newly acquired Secluded Valley in the Cold Mountains, a pivotal work that marked his breakthrough as an international contemporary ink artist. Showcasing 18 works by the artist, plus the CMA’s Number 5, 1950 (1950) by Jackson Pollock, the exhibition explores Chang’s formative years, which eventually culminate in free and exploratory ways that include the use of photography and color.

To learn more, click here.

Also opening soon are two new gallery rotations, Indian Painting of the 1500s: Continuities and Transformations and Juxtaposition and Juncture in Korean Modern and Contemporary Art, offering fresh perspectives on significant works from the museum’s renowned collections.

To learn more, click here.

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AWNY Preview: Masterpieces of Japanese Art: A Timeless Dialogue at Shibunkaku

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Inoue Yuichi (Japanese, 1916-1985), Hin (poverty, the naked state of birth, in Zen philosophy), 1974, ink on Japanese paper, 107 × 126 cm (image); 109 × 128 cm (overall)

Masterpieces of Japanese Art: A Timeless Dialogue
March 14 – 21, 2025
Exhibiting at: Joan B Mirviss LTD, 39 East 78th Street, Suite 401
Asia Week Hours: March 14 & 17-21, 11am-6pm; March 15, 11am-5pm; March 16, 12-5pm (otherwise by appointment)

Shibunkaku is delighted to present Masterpieces of Japanese Art: A Timeless Dialogue, an exhibition showcasing the richness of Japanese artistry, from classical ink paintings to avant-garde expressions during this season’s Asia Week New York. Featuring masterpieces such as Hakuin Ekaku’s Edo-period Zen scrolls, Munakata Shikō’s dynamic woodcut prints, and Inoue Yuichi’s powerful single-character calligraphy, this collection highlights the enduring interplay between tradition and innovation, celebrating the timeless beauty of Japanese artistic expression.

They look forward to welcoming you to their exhibition in New York soon!

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Bonhams March 2025 Asia Week New York Auctions

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A RARE AND IMPORTANT BLUE AND WHITE AND COPPER-RED ‘DRAGON’ VASE, TIANQIUPING, Qianlong six-character seal mark and of the period, Lot 24, Estimate: US$400,000-600,000, Chinese Ceramics and Works of Art including the Francine and Bernard Wald Collection of Fine Snuff Bottles, Part I

Discover Asia Week at Bonhams, featuring a slate of eight auctions celebrating expertly crafted works of art from across Asia, including four live sales – Chinese Ceramics and Works of Art including the Bernard and Francine Wald Collection of Snuff Bottles, Part I; Classical and Modern Chinese Paintings; Indian and Himalayan Art; and Fine Japanese and Korean Art.

Explore the full auction schedule below:

Chinese Ceramics and Works of Art including the Francine and Bernard Wald Collection of Fine Snuff Bottles, Part I
Auction: March 17, 2025 at 9am EDT
Viewing: March 12–16, 10am-5pm

A rare and important blue and white copper-red ‘dragon’ tianqiuping vase, Qianlong seal mark and of the period (1736-1795), is the highlight of the Chinese Ceramics and Works of Art sale on March 17. Estimated at US$400,000–600,000, this celestial sphere vase with a slightly compressed body and long straight neck represents the antiquarian movement in the early Qing dynasty, paying homage to the high style and technological achievement of the 15th century Ming dynasty imperial porcelains. The painterly ‘dragon and cloud’ motif was derived from the Song dynasty (960-1279) ink paintings in the Qing Court Collection. A true masterpiece of its type, the only known comparable work is in the collection of the Beijing Palace Museum.

The sale will also feature a curated selection of huanghuali furniture from private collections, as well as an outstanding selection of ceramics from the Tang to the Qing dynasties. The standout from the private Connecticut collection is an 18th century huanghuali square table, estimated at US$60,000–80,000. The highlights from an important private collection include a rare Kangxi imperial Falangcai bowl, decorated with stylized flowers and leafy foliage over a yellow ground, estimated at US$120,000–180,000 and a magnificent set of eight famille rose Buddhist emblems, estimated at US$350,000–500,000.

Learn more

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AI QIMENG (IGNAZ SICHELBART) (1708-1780) AND JIN TINGBIAO (Active 1757-1767), Portrait of a First-Rank Imperial Guard in the East Turkestan Campaign, 1763-1764, Lot 852, Estimate: US$400,000-600,000, Classical and Modern Chinese Paintings  

Classical and Modern Chinese Paintings
Auction: March 18, 2025 at 9am EDT
Viewing: March 12–17, 10am-5pm

This sale will explore the dynamic history of this great tradition with paintings and calligraphy that span centuries. One highlight of the sale is Portrait of an Imperial Guard painted circa 1760 attributed to Ai Qimeng (Ignaz Sichelbart, 1708-1780) and Jin Tingbiao (Active 1757-1767), a European and Chinese court artist working collaboratively in the Qianlong Imperial atelier, estimated at US$400,000-600,000. Depicted on silk, the subject of the painting was one of a hundred brave warriors and exemplary officials whose portraits once lined the walls of Ziguang Ge (Hall of Purple Brightness), the Qianlong Emperor’s military hall of valor in the Zhongnanhai compound in Beijing.

Accompanying the Imperial Guard, several other lots dating from the Ming and Qing dynasties (1368-1911) further explore the evolution of portraiture in Chinese painting. From a rare pair of Ming dynasty ancestor portraits of a Military officer and his wife, estimated at US$25,000-40,000, to a Portrait of Seated Manchu Confucian Scholar Leisurely Reading from the 17th/18th century, estimated at US$25,000-40,000, the paintings not only carefully capture the sitters’ visage, but the rich tapestry of material culture and fineries of the day that surround them. Additionally, Portrait of a Distinguished Feline attributed to the Ming Dynasty master Qiu Ying (1494-1552), estimated at US$10,000-15,000, illustrates humanity’s perpetual fondness for animal friends.

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BonhamsIndianArtMarch2025
A Gilt Copper Alloy Figure of Mahachakravajrapani, central Tibet, 15th c., Lot 308, Estimate: US$500,000-$700,000, Indian, Himalayan & Southeast Asian Art

Indian, Himalayan & Southeast Asian Art
Auction: March 19, 2025 at 10am EDT
Viewing: March 14–18, 10am-5pm

A 15th century gilt copper alloy figure of Mahachakra Vajrapani will lead an impressive group of statues and thangkas depicting deities and teachers of Tibetan Buddhism which will be offered in the Indian and Himalayan Art sale on March 19. This three-faced, six-armed depiction of Mahachakra Vajrapani embracing his consort gained prominence in 15th-century Central Tibet, a period marked by a heightened interest in more erotic and fierce representations of tantric deities. As the largest known sculptural example of its kind, it serves as a significant testament to the evolution of tantric Buddhism in Tibet. The figure is estimated at US$500,000-700,000.

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BonhamsJapanese_March2025

AFTER OGATA KENZAN (1663-1743), A Deep-Rimmed Rectangular Dish with Design of Narcissus, Edo period (1615-1868), 18th c., Lot 730, Estimate: US$1,000-1,500, Fine Japanese and Korean Art, including the Alan and Simone Hartman Collection of Japanese Art

Fine Japanese and Korean Art, including the Alan and Simone Hartman Collection of Japanese Art
Auction: March 20, 2025 at 9am EDT
Viewing: March 12–18, 10am-5pm; March 19, 10am-3pm

Closing out the week, the Fine Japanese and Korean Art sale will offer a range of works from rare pottery to a fine selection woodblock prints as well as a group of outstanding inrō (medicine case) from the collection of Alan and Simone Hartman. The sale also features works from the modern era with a fine assortment of contemporary ceramics by forerunners in the field such as Kakurezaki Ryuichi (b. 1950) and Kato Yasukage (1964-2012). The top lot in the sale is a large Joseon-dynasty white porcelain jar painted with landscape roundels in cobalt blue, estimated at US$200,000-300,000.

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Beginning March 10, be sure to check out the following Online Sales of impressive works of art:

The Arts of the Samurai
Online Auction: March 10–21, 2025 starting at 12pm EDT

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Arts of India, Southeast Asia and The Himalayas Online
Online Auction: March 14–21, 2025 starting at 12pm EDT

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Chinese Ceramics and Works of Art Online
Online Auction: March 16–26, 2025 starting at 12pm EDT

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Chinese Paintings and Hardstone Seals Online
Online Auction: March 17–27, 2025 starting at 12pm EDT

Learn more

 

For full details, click here.

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