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Opening soon at Joan B Mirviss LTD

above left to right: Akashi Ryōtarō (b.1971), Mi; Fruitful, 2023, Platinum glazed stoneware, 9 1/4 x 11 1/2 in.; Hattori Makiko (b. 1984), Kizashi; Sign, 2023, Unglazed porcelaneous stoneware, 11 3/8 x 15 3/4 in.

Coming to Life: Vernal Expressions in Clay
New Work by Hattori Makiko
International Solo Debut of Akashi Ryotaro

May 2, 2023 – June 16, 2023

This spring, two Japanese ceramic artists, still early in their careers, consider the timely themes of birth and growth in all new works created for Joan B Mirviss LTD. Artist Hattori Makiko presents her signature sculptural forms covered in painstakingly hand-applied bundled ribbons of clay, a very lengthy process.

Akashi Ryōtarō explores new techniques with platinum overglazes that catch and throw light over the precisely carved surfaces of his biomorphic forms. His newly developed technique that he calls hekikosai refers to the blue-green colors that are hidden and revealed by shifting lights.

After the past few years of isolation and uncertainty, both artists express through their latest work a sustained wonder at the miraculous and delicate nature of new life. Through extremely intricate textured surfaces, time-consuming to create, both artists engage in an act of meditation resulting in artwork that contemplates the mysteries that come to define spring.

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Ralph M. Chait Galleries, Inc. at The Philadelphia Show
C.C. Wang Book Launch

Chinese Blue and White Porcelain Saucer Dish, Shunzhi/ Early Kangxi Period, Ca: Mid-17th Century, Diameter: 13 3/4 inches (35 cm.)

The Philadelphia Show, Ralph M. Chait Galleries, Inc.

April 28-30
Opening Preview April 17, 6:00pm
The Philadelphia Show is held annually on the East Terrace of the Philadelphia Museum of Art. A wonderful array of fine art, Americana, furniture, folk art, ceramics, porcelain, silver, jewelry, textiles and decorative arts will be presented by over forty of America’s most outstanding antique dealers.

Read more, click here

C C Wang

C.C. Wang
Lines of Abstraction
Book Launch and Conversations

Saturday, April 29, 2023, 4:00-6:00pm

Bertha & Karl Leubsdorf Gallery
Hunter College West Building Lobby
132 E. 68th Street
New York, NY 10065

In concert with the exhibition C. C. Wang: Lines of Abstraction the Hunter College Art Galleries in collaboration with the Weisman Museum of Art at the University of Minnesota and Hirmer Publishers have produced the first retrospective monograph on the renowned artist, collector, and connoisseur C. C. Wang. To celebrate the launch of C. C. Wang: Lines of Abstraction the Hunter College Art Galleries have organized an afternoon of conversations hosted by the publication editors Hunter College Professor Wen-shing Chou and University of Minnesota Twin Cities Professor Daniel M. Greenberg with Arnold Chang, scholar, artist, and former student of C. C. Wang; Joseph Scheier-Dolberg, Oscar Tang and Agnes Hsu-Tang Associate Curator of Chinese Paintings at the MET; Elizabeth Hammer, Executive Director of the Hammond Museum and Japanese Stroll Garden; Lesley Ma, Ming Chu Hsu and Daniel Xu Associate Curator of Asian Art in the Department of Modern and Contemporary Art at the MET; Margaret Liu Clinton, Hunter College MA Art History candidate; and Jordan Homstad, University of Minnesota undergraduate alumni.

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Panta Rhei: Everything Flows
Works by Five Artists on Japanese Washi Paper

Yasue Maetake b. 1973, Printed Oxidation On Fiber Relief Xiii, 2018-2022, Verdigris on Boiled and Beaten Kozo, Gampi, Cotton Linter, H49 1/2 x W53 x D2 in
H125.7 x W134.6 x D5.1 cm, A25443, Copyright The Artist

April 27 – May 17, 2023

Ippodo Gallery presents selected washi artworks by five Japanese artists working with traditional paper in diverse modes. The exhibition unveils new perspectives in Japanese paper, transforming the medium into voluminous crafted planes. Washi is a medium in flux, intertwined with Japanese cultural memory and each artist’s sensibility.

Don’t miss the Artist Talk with Mami Kato and Yasue Maetake:  April 27, 5:00-6:00pm, followed by the Opening Reception, 6:00-8:00 pm

Washi (fibers of gampi, mulberry kozo and mitsumata, andthe hemp mashi, among many others) is treasured for its longevity, as the extraordinarily long, thin fibers—which are both durable and flexible—are slow to degrade. Japan’s paper tradition has maintained a broad and profound influence on art, culture, life, and architecture for a millennium.These five artists, working with the flat material in both two- and three-dimensions, demonstrate the beauty and tenaciousness of Japanese paper as a form of artistic expression.

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World’s first retrospective of Fukuda Kodojin

Fukuda Kodōjin, Japanese, 1865-1944, Landscape after Mi Fu (detail), April 1918, Ink and color on silk, The Suzanne S. Roberts Fund for Asian Art 2012.71.3

Fukuda Kodojin: Japan’s Great Poet and Landscape Artist
Opens at Minneapolis Institute of Art

April 22-July 23, 2023

The exhibition is the first comprehensive retrospective of the work of Fukuda Kodojin (1865-1944) in the world. Kodōjin was among a handful of scholar-artists who continued the tradition of literati painting (nanga) after 1900. His painting style is characterized by bizarre mountain forms rendered in vivid color or monochromatic ink that often include a solitary scholar enjoying the expansive beauty of nature. In addition to painting, Kodōjin was also an accomplished poet and calligrapher with deep knowledge of Chinese literature. In the late 1920s, a group of prominent admirers that included the then-prime minister of Japan, members of parliament, industrialists, scholars, and educators created a society to honor Kodōjin and his poetry and paintings. However, following his death, the artist slipped into obscurity. Today his unique and unconventional style is better appreciated in the United States and Europe.

The exhibition, curated by Andreas Marks, PhD, Mary Griggs Burke Curator and Head of Japanese and Korean Art at Mia, is the culmination of 15 years of scholarly research and includes more than 50 paintings. Highlighting Kodōjin’s versatility, the paintings range from simple abstraction to highly detailed landscapes. This is a rare chance to see these astounding works and features items from Mia’s collection and loans from Japan, Europe, and the U.S.

Talk: Unveiled: Fukuda Kodōjin, Japan’s Great Poet and Landscape Artist
Sunday, April 23 at 2:00 pm

Pillsbury Auditorium

Dr. Andreas Marks, the curator of Fukuda Kodojin: Japan’s Great Poet and Landscape Artist, the result of fifteen years of extensive research into more than eight hundred works, will talk about Kodōjin's life and art.

Purchase tickets here.

 

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Dai Ichi Arts, Ltd. Opens a New Exhibition:
The Heart’s Eye In Search of Murata Gen

Murata Gen 村田 元 (1904-1988), Jar, Iron and Rice Husk Glaze 糠白黒釉扁壺, H8.5″ x W7.5″ x D6.5″, Stoneware, With Signed Wood Box

April 24- May 17, 2023

Dai Ichi Arts is delighted to present the first ever solo exhibition of the works of Mingei artist Murata Gen in North America. The show will explore the range of vessels and functional forms by Murata, with an emphasis on his sensitivity for painted clay surfaces.

Murata has been a favorite of Mingei collectors for decades, but his works have never received the recognition they deserve. Considered as the underdog of the Mingei folk-craft canon in the world of Japanese ceramics, Murata Gen’s works are underestimated yet influential, and this exhibition aims to celebrates him as an important part of Mashiko, Mingei, and the legacy of Japanese folk-craft.

The accompanying exhibition catalog includes an interview with Mingei collector Jeffrey Montgomery.

To see more examples of his work, click here

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Last call for three exhibitions

Terumasa Ikeda, b. 1987, “Labyrinth” incense container, 2023, Urushi lacquer, cypress, turbo snail pearl, mother-of-pearl, silver lip oyster, black lip oyster, gold, H0.82 x W2.24 x D2.24 in, H2.1 x W5.7 x D5.7 cm

Terumasa Ikeda: Iridescent lacquer
at Ippodo Gallery closes on April 20

Painted Clay: Wada Morihiro and Modern Ceramics of Japan
at Joan B Mirviss LTD ends on April 21

Mirvis Wada Morihiro

Wada Morihiro (1944-2008), Large standing vessel decorated with “Repeated Rectangular Pattern” (kanmonki), ca. 1991, Slip-glazed stoneware, 17 1/4 x 9 1/4 x 7 1/8 in.

Heated Colors, Hammered Forms: Female Metal Artists of Japan
at Onishi Gallery concludes on April 22

Otsuki Masako

Otsuki Masako (1943-2022), Silver Vase “Ko” (Sparkling Water), 2007, Silver metal carving with gold decoration, h. 11 7/8 x w. 13 x d. 8 1/4 in. (30.2 x 33 x 21 cm)

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Alchi: Visions of Enlightenment
Monumental Photographs by Peter Van Ham
at Tibet House US

Vasudhara Tara Portrait

April 20 – July 2, 2023

Opening April 20 at 6:30 pm
RSVP here: https://events.thus.org/programs/alchi-exhibition-opening-reception/?mc_cid=16d2361e47&mc_eid=9c780654f3

At an altitude of ten thousand feet nestled in a lush valley surrounded by the majestic Himalayas, the world-renowned Buddhist monastery complex of Alchi is a destination for art lovers and seekers alike. Mandalas and towering sculptures of Bodhisattvas adorn the walls, ceilings and doors of each temple and include scenes from the Buddha’s life as well as secular life from a period of tremendous cross-cultural activity in the region. Alchi holds some of the oldest surviving paintings in Ladakh.

For more information about the exhibition: Click Here

Don't miss two related programs:

Mandala: In Search Of Enlightenment | Peter Van Ham In Conversation With Matthew R. DeSantis
April 21, 2023 • 6:00pm
FREE • In-person at Tibet House US
Register Here

Earth Day: A Workshop On High-Altitude Photography | Preserving Cultural Heritage Sites
April 22, 2023 • 2:00pm
$10-50 • In-person at Tibet House US
Register Here

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New exhibition at Art Institute of Chicago

Farmland at Dawn (晓之⽥), 1962, Lui Shou-Kwan, Alisan Fine Arts © Helen Ting

Ink Play: Paintings by Lui Shou-Kwan
April 15-July 16, 2023

Lui Shou-Kwan 吕寿琨 (1919–1975) was one of the pioneers of the New Ink painting movement, which aimed to modernize traditional Chinese ink painting in Hong Kong in the 1950s–1970s.

Lui had extensive training in various traditional styles, including calligraphy and landscape painting, where the emphasis is on copying a master’s work. Moving to Hong Kong in 1948 when it was a British colony (which it remained until 1997), Lui also had exposure to Western modern art, including Abstract Expressionism. He came to believe that an artist should not merely copy an established style but should express themselves and develop their own unique approach to art.

Beginning in the late 1950s, Lui combined calligraphic brushwork with a modernist sensibility, creating a style characterized by spontaneous playfulness and splashing brushwork. Later, inspired by his experience with Buddhist meditation and Daoist philosophy, he began to experiment with abstraction and created his Zen paintings. By the 1970s, his innovative visual vocabulary had helped spark an international interest in Chinese traditions of ink painting and its contemporary interpretations. Both through his role and work in the New Ink movement and as a sought-after educator, Lui was extremely influential on the generation of artists who followed.

Jointly organized by the Art Institute of Chicago and the Chinese University of Hong Kong, the exhibition is curated by Tao Wang, Pritzker Chair of Asian art, curator of Chinese art, and executive director of initiatives in Asia, and Josh Yiu, director, Art Museum, The Chinese University of Hong Kong.

Sponsors
Support for Ink Play: Paintings by Lui Shou-Kwan is provided by Alisan Fine Arts, American Friends of the Shanghai Museum, the family of Lui Shou-Kwan, Lawrence Chu, Whang Shang Ying, and Jerry Yang.

For more information, click here.

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New exhibition at Onishi Gallery

Tokuda Yasokichi III (1933-2009), Living National Treasure, Flower Vase, 2005, Porcelain with vivid colored glaze (yôsai), h. 10 1/2 x dia. 5 1/4 in. (26.7 x 14.6 cm)

The Four Elements in Japanese Arts: Earth, Air, Fire and Water
April 5 – May 12, 2023

Hours: Wed & Fri: 1-5pm

Onishi Gallery is proud to present The Four Elements in Japanese Arts: Earth, Air, Fire and Water – a stunning exhibition that showcases the technical mastery of Contemporary Japanese Ceramic artists. For generations, Japanese people have appreciated and incorporated natural elements into their everyday lives. They have adorned the interiors of their homes with natural forms, designed spaces that capture the natural world in the frame of a garden, decorated art objects with subjects found in the wild, and penned haiku poetry about details of the natural environment. In this landmark exhibition, featured artists draw upon the four central elements of earth, air, fire, and water in porcelain creations to communicate core themes and creative visions that ground Japanese art and life.

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Artist Talk at China Institute

Saturday April 15th, 2 to 5 pm.
Admission: $20 for general, $10 for members.

At the PPT presentation hosted by Willow Weilan Hai 海蔚蓝, SVP, Director, and Chief Curator of the China Institute Gallery, three contemporary female artists will introduce their artworks and discuss their creations and relationship with nature and flower-and-bird painting, followed by a light reception.

Lu Youlan 陆友兰, in her talk My Father and I, will introduce the artworks of her father Lu Yifei 陆抑非 (1908-1997), a Chinese flower-and-bird painting master of the 20th century, and her own art practice.
Guo Zhen 郭桢 will give light to her approach from traditional to modern through the flower and bird painting subject.
Cui Fei 崔斐 will share her thoughts on using natural materials to build up her artworks and to reflect the nature.

Eventbrite Link

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