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Sotheby’s March 2025 Asia Week New York Auctions

SothebysHomage_March2025

Jagdish Swaminathan, Homage to Solzhenitsyn (Triptych), 1973, Lot 17, Estimate: US$1,000,000-2,000,000, Modern & Contemporary South Asian Art

This month, explore the rich legacy of Asian art at Sotheby’s, where tradition and innovation join in a stunning showcase. From ancient masterpieces to contemporary expressions, discover seven centuries of artistic excellence at their exhibition in their New York galleries from March 13-21, culminating with a series of live and online auctions that begin on March 17. Also be sure to join their Asian Art Lecture Series on Sunday afternoon, March 16!

Explore the full auction and lecture schedules below:

Gold, Jade, and Stone: Buddhist Art and Material Culture in Early China by Dr. Jin Xu
Lecture: Sunday, March 16, 2025 at 1pm EDT
1334 York Ave

A Room Within a Room, the Canopy Bed in Ming & Qing China by Nicholas Grindley
Lecture: Sunday, March 16, 2025 at 2pm EDT
1334 York Ave

Register here

Modern & Contemporary South Asian Art
Auction: Monday, March 17, 2025 at 11am EDT
Viewing: March 13–14, 10am-5pm; March 15, 10am-6pm; March 16, 1-5pm

This Modern & Contemporary South Asian auction brings a curated selection of paintings, sculptures and works on paper from the region’s most celebrated artists. The sale is led by a masterpiece by Jagdish Swaminathan titled Homage to Solzhenitsyn spanning 13.5 feet. Painted in 1973, this triptych is a spectacular vista of the artist’s cosmos, creating a true sense of joy and wonder.

From the Estate of Bhupen Khakhar comes two double-sided cutouts by Khakhar in collaboration with Vaman Rao Khaire depicting Amitabh Bachchan and Rekha, which are emblematic of Khakhar’s embeddedness in pop culture and his idiosyncratic painting style.

Another star lot of the sale is Journey of the Magi, a 1963 masterpiece by Jehangir Sabavala. Published across preeminent scholarship about the artist since 1966, this painting depicts an important symbol in Christianity and Zoroastrianism and is a key example of Sabavala’s expert handling of color and contour as he became interested in light and how to portray it.

Other highlights include masterworks by Francis Newton Souza, Maqbool Fida Husain, Ganesh Pyne, George Keyt and Zubeida Agha.

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SothebysMarch2025_Chinese

A rare celadon-glazed hu-form vase, Seal mark and period of Yongzheng, Lot 125, Estimate: US$600,000-800,000, Chinese Art

Chinese Art
Auction: Tuesday, March 18 and Wednesday, March 19, 2025 at 9am EDT (both days)
Viewing: March 13–14 & 17, 10am-5pm; March 15, 10am-6pm; March 16, 12-5pm

This March, Sotheby’s Chinese Art auction features a comprehensive presentation of Ming and Qing porcelains, early ceramics, jades, classical furniture and more. Leading this auction are important de-accessions from the Carnegie Museum of Art, the Newark Museum of Art, and the Montreal Museum of Fine Arts. The sale also features a selection of important Chinese Art from the Jane and Leopold Swergold Collection, Marchant Chinese jades, and an array of classical Chinese furnishings from an Important American Collection.

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Sothebys_IndianMarch2025
A magnificent large gilt copper alloy figure of Shakyamuni Buddha, Central Tibet, 14th c., overall height 27½ in (70 cm), Lot 563, Estimate: US$600,000-1,500,000, Indian and Himalayan Art

Indian and Himalayan Art
Auction: Thursday, March 20, 2025 at 10am EDT
Viewing: March 13–14 & 17–19, 10am-5pm; March 15, 10am-6pm; March 16, 1-5pm

The Indian and Himalayan Art auction is led by a magnificent large Central Tibetan 14th century gilt-copper alloy figure of Shakyamuni Buddha from a distinguished Dutch private collection, and includes several private collections of Indian and Himalayan paintings, sculpture and ritual objects.

The auction opens with an important New York private collection of classical Indian paintings, many of which were acquired directly from the Ehrenfeld collection. Highlights include two folios from the Tehri Garhwal series of the Gita Govinda and an Imperial Mughal painting of mythical birds. The sale follows with twelve superb works of art from the collection of the financier and scholar Kevin R. Brine, including an important portrait of Thangpa Chenpo, commissioned for Taklung Monastery circa 1180-1210, and and a rare large 17th century silver figure of the Fifth Shamarpa Lama.

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ONLINE AUCTION

SothebysJapaneseSword_March2025

Important Japanese Swords and Armour from the Paul L. Davidson Collection
Auction: March 13–25, 2025 at 11am EDT
Viewing: March 13–14 & 17–21, 10am-5pm; March 15, 10am-6pm; March 16, 1-5pm

Sotheby’s is proud to present Important Japanese Swords from the Paul L. Davidson Collection this month. The collection comprises fine Japanese swords with examples registered as Tokubetsu Juyo [Exceptionally Important Sword], including an impressive katana attributed to the Yoshioka Ichimonji school, a tanto by Rai Kunitoshi and an early tachi blade attributed to Niji Kunitoshi. Armour and accoutrements of the samurai showcase the excellent craftmanship and quality associated with the warrior class from the Kamakura period through to the centuries of peace established by the Tokugawa shogunate until the late nineteenth century.

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To view more details on Asia Art at Sotheby’s, click here.

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AWNY Preview: Scholten Japanese Art Presents Landscape Escapes: Famous Views of the Floating World

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Utagawa Hiroshige (1797-1858), One Hundred Famous Views of Edo: Atagoshita and Yabu Lane (Meisho Edo hyakkei: Atagoshita Yabukoji), 1857, oban tate-e 14 x 9 5/8 in. (35.5 x 24.4 cm)

Landscape Escapes: Famous Views of the Floating World
March 13 – 21, 2025
Asia Week Hours: 11am-5pm (appointments appreciated)
145 West 58th Street, Suite 6D

Scholten Japanese Art is excited to announce their new exhibition, Landscape Escapes: Famous Views of the Floating World, opening on March 13, as part of Asia Week New York!

Landscape Escapes includes numerous works by the 19th century masters of the landscape genre, including Katsushika Hokusai, and Utagawa Hiroshige, as well as rare contributions by artists who are not as closely associated with the subject such as Keisai Eisen, and Yashima Gakutei. The show will also explore some of the earliest forms of landscape prints by artists of the Katsukawa School, including Katsukawa Shunsho, and his followers, Katsukawa Shunsen (Shunko II) and Katsukawa Shuntei.

They look forward to welcoming you to the gallery soon!  Until then, preview Part I of the exhibit by clicking here and preview Part II by clicking here.

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Landscapes by Arnold Chang: A Retrospective and Recent Acquisitions Opening at the Cleveland Museum of Art

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Arnold Chang (American, b. 1954), Secluded Valley in the Cold Mountains 寒山幽谷, 2008, handscroll; ink on paper, painting section: 23 5/8 x 136 5/8 in.(60 x 347 cm), John L. Severance Fund 2024.69 © Arnold Chang

Landscapes by Arnold Chang: A Retrospective and Recent Acquisitions 張洪山水畫回顧展
March 8 – November 9, 2025
240A Chinese Paintings and Calligraphy
Clara T. Rankin Suite of Chinese Art Galleries

Celebrate the remarkable career of Arnold Chang with the Cleveland Museum of Art’s latest exhibition, Landscapes by Arnold Chang: A Retrospective and Recent Acquisitions 張洪山水畫回顧展. The exhibit features the museum’s newly acquired Secluded Valley in the Cold Mountains, a pivotal work that marked his breakthrough as an international contemporary ink artist. Showcasing 18 works by the artist, plus the CMA’s Number 5, 1950 (1950) by Jackson Pollock, the exhibition explores Chang’s formative years, which eventually culminate in free and exploratory ways that include the use of photography and color.

To learn more, click here.

Also opening soon are two new gallery rotations, Indian Painting of the 1500s: Continuities and Transformations and Juxtaposition and Juncture in Korean Modern and Contemporary Art, offering fresh perspectives on significant works from the museum’s renowned collections.

To learn more, click here.

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AWNY Preview: Masterpieces of Japanese Art: A Timeless Dialogue at Shibunkaku

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Inoue Yuichi (Japanese, 1916-1985), Hin (poverty, the naked state of birth, in Zen philosophy), 1974, ink on Japanese paper, 107 × 126 cm (image); 109 × 128 cm (overall)

Masterpieces of Japanese Art: A Timeless Dialogue
March 14 – 21, 2025
Exhibiting at: Joan B Mirviss LTD, 39 East 78th Street, Suite 401
Asia Week Hours: March 14 & 17-21, 11am-6pm; March 15, 11am-5pm; March 16, 12-5pm (otherwise by appointment)

Shibunkaku is delighted to present Masterpieces of Japanese Art: A Timeless Dialogue, an exhibition showcasing the richness of Japanese artistry, from classical ink paintings to avant-garde expressions during this season’s Asia Week New York. Featuring masterpieces such as Hakuin Ekaku’s Edo-period Zen scrolls, Munakata Shikō’s dynamic woodcut prints, and Inoue Yuichi’s powerful single-character calligraphy, this collection highlights the enduring interplay between tradition and innovation, celebrating the timeless beauty of Japanese artistic expression.

They look forward to welcoming you to their exhibition in New York soon!

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Bonhams March 2025 Asia Week New York Auctions

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A RARE AND IMPORTANT BLUE AND WHITE AND COPPER-RED ‘DRAGON’ VASE, TIANQIUPING, Qianlong six-character seal mark and of the period, Lot 24, Estimate: US$400,000-600,000, Chinese Ceramics and Works of Art including the Francine and Bernard Wald Collection of Fine Snuff Bottles, Part I

Discover Asia Week at Bonhams, featuring a slate of eight auctions celebrating expertly crafted works of art from across Asia, including four live sales – Chinese Ceramics and Works of Art including the Bernard and Francine Wald Collection of Snuff Bottles, Part I; Classical and Modern Chinese Paintings; Indian and Himalayan Art; and Fine Japanese and Korean Art.

Explore the full auction schedule below:

Chinese Ceramics and Works of Art including the Francine and Bernard Wald Collection of Fine Snuff Bottles, Part I
Auction: March 17, 2025 at 9am EDT
Viewing: March 12–16, 10am-5pm

A rare and important blue and white copper-red ‘dragon’ tianqiuping vase, Qianlong seal mark and of the period (1736-1795), is the highlight of the Chinese Ceramics and Works of Art sale on March 17. Estimated at US$400,000–600,000, this celestial sphere vase with a slightly compressed body and long straight neck represents the antiquarian movement in the early Qing dynasty, paying homage to the high style and technological achievement of the 15th century Ming dynasty imperial porcelains. The painterly ‘dragon and cloud’ motif was derived from the Song dynasty (960-1279) ink paintings in the Qing Court Collection. A true masterpiece of its type, the only known comparable work is in the collection of the Beijing Palace Museum.

The sale will also feature a curated selection of huanghuali furniture from private collections, as well as an outstanding selection of ceramics from the Tang to the Qing dynasties. The standout from the private Connecticut collection is an 18th century huanghuali square table, estimated at US$60,000–80,000. The highlights from an important private collection include a rare Kangxi imperial Falangcai bowl, decorated with stylized flowers and leafy foliage over a yellow ground, estimated at US$120,000–180,000 and a magnificent set of eight famille rose Buddhist emblems, estimated at US$350,000–500,000.

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BonhamsClassical Chinese_March2025
AI QIMENG (IGNAZ SICHELBART) (1708-1780) AND JIN TINGBIAO (Active 1757-1767), Portrait of a First-Rank Imperial Guard in the East Turkestan Campaign, 1763-1764, Lot 852, Estimate: US$400,000-600,000, Classical and Modern Chinese Paintings  

Classical and Modern Chinese Paintings
Auction: March 18, 2025 at 9am EDT
Viewing: March 12–17, 10am-5pm

This sale will explore the dynamic history of this great tradition with paintings and calligraphy that span centuries. One highlight of the sale is Portrait of an Imperial Guard painted circa 1760 attributed to Ai Qimeng (Ignaz Sichelbart, 1708-1780) and Jin Tingbiao (Active 1757-1767), a European and Chinese court artist working collaboratively in the Qianlong Imperial atelier, estimated at US$400,000-600,000. Depicted on silk, the subject of the painting was one of a hundred brave warriors and exemplary officials whose portraits once lined the walls of Ziguang Ge (Hall of Purple Brightness), the Qianlong Emperor’s military hall of valor in the Zhongnanhai compound in Beijing.

Accompanying the Imperial Guard, several other lots dating from the Ming and Qing dynasties (1368-1911) further explore the evolution of portraiture in Chinese painting. From a rare pair of Ming dynasty ancestor portraits of a Military officer and his wife, estimated at US$25,000-40,000, to a Portrait of Seated Manchu Confucian Scholar Leisurely Reading from the 17th/18th century, estimated at US$25,000-40,000, the paintings not only carefully capture the sitters’ visage, but the rich tapestry of material culture and fineries of the day that surround them. Additionally, Portrait of a Distinguished Feline attributed to the Ming Dynasty master Qiu Ying (1494-1552), estimated at US$10,000-15,000, illustrates humanity’s perpetual fondness for animal friends.

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BonhamsIndianArtMarch2025
A Gilt Copper Alloy Figure of Mahachakravajrapani, central Tibet, 15th c., Lot 308, Estimate: US$500,000-$700,000, Indian, Himalayan & Southeast Asian Art

Indian, Himalayan & Southeast Asian Art
Auction: March 19, 2025 at 10am EDT
Viewing: March 14–18, 10am-5pm

A 15th century gilt copper alloy figure of Mahachakra Vajrapani will lead an impressive group of statues and thangkas depicting deities and teachers of Tibetan Buddhism which will be offered in the Indian and Himalayan Art sale on March 19. This three-faced, six-armed depiction of Mahachakra Vajrapani embracing his consort gained prominence in 15th-century Central Tibet, a period marked by a heightened interest in more erotic and fierce representations of tantric deities. As the largest known sculptural example of its kind, it serves as a significant testament to the evolution of tantric Buddhism in Tibet. The figure is estimated at US$500,000-700,000.

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BonhamsJapanese_March2025

AFTER OGATA KENZAN (1663-1743), A Deep-Rimmed Rectangular Dish with Design of Narcissus, Edo period (1615-1868), 18th c., Lot 730, Estimate: US$1,000-1,500, Fine Japanese and Korean Art, including the Alan and Simone Hartman Collection of Japanese Art

Fine Japanese and Korean Art, including the Alan and Simone Hartman Collection of Japanese Art
Auction: March 20, 2025 at 9am EDT
Viewing: March 12–18, 10am-5pm; March 19, 10am-3pm

Closing out the week, the Fine Japanese and Korean Art sale will offer a range of works from rare pottery to a fine selection woodblock prints as well as a group of outstanding inrō (medicine case) from the collection of Alan and Simone Hartman. The sale also features works from the modern era with a fine assortment of contemporary ceramics by forerunners in the field such as Kakurezaki Ryuichi (b. 1950) and Kato Yasukage (1964-2012). The top lot in the sale is a large Joseon-dynasty white porcelain jar painted with landscape roundels in cobalt blue, estimated at US$200,000-300,000.

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Beginning March 10, be sure to check out the following Online Sales of impressive works of art:

The Arts of the Samurai
Online Auction: March 10–21, 2025 starting at 12pm EDT

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Arts of India, Southeast Asia and The Himalayas Online
Online Auction: March 14–21, 2025 starting at 12pm EDT

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Chinese Ceramics and Works of Art Online
Online Auction: March 16–26, 2025 starting at 12pm EDT

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Chinese Paintings and Hardstone Seals Online
Online Auction: March 17–27, 2025 starting at 12pm EDT

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For full details, click here.

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ANWY Preview: Classical Art from India and the Himalayas at Carlton Rochell Asian Art

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Kalacakra, Tibet, 18th c., gilt-copper alloy with pigment, h:13 3/8 in. (34 cm)

Classical Art from India and the Himalayas
March 13 – 21, 2025
Exhibiting at: Adam Williams Fine Art, 24 East 80th Street
Asia Week Hours: March 13-15 & 17-21, 10am-6pm; March 16, 11am-5pm (otherwise by appointment)

Carlton Rochell Asian Art is delighted to present Classical Art from India and the Himalayas, featuring several notable works from Tibet in this year’s Asia Week exhibition. From an American private collection is a rare image of the Buddhist divinity Kalacakra, beautifully cast in copper alloy and sumptuously gilded. It dates to the 18th century and shares some stylistic influences from the finest Qianlong period sculptures from China.

Another exquisite work is a painting depicting the Second Taklung Abbot Kuyalwa, commissioned for the Riwoche Monastery in Tibet and dating to c.1297-1366. This regal portrait has survived in remarkable condition with its vibrant mineral-based color palette of rich reds, blues, and yellows. The intricate details of his robe, throne and surrounding lineage figures are drawn in extremely-fine detail.

Finally, there is an elegant standing figure of the Bodhisattva Avalokitesvara hailing from the renowned Zimmerman Collection. One of the most popular bodhisattvas in the Buddhist pantheon, Avalokitesvara’s elegant tribhanga pose and right hand in a mudra bestowing charity reinforce his divine countenance. This work, which dates from the 15th century, has been published numerously in many exhibition catalogs.

They look forward to welcoming you soon to their exhibition!

To learn more, click here.

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ANWY Preview: Onishi Presenting KOGEI and Art

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David Stanley Hewett, The Instant, 2024, acrylic and gold leaf on canvas, 60 H × 24 W × 1.5 D in (152.4 × 61 × 3.8 cm)

KOGEI and Art
March 13 – April 11, 2025
Opening Reception: Thursday March 13, 6-8pm
Asia Week Hours: March 13–-21, 10am-5pm, daily (otherwise by appointment)
16 East 79th Street

During this season’s Asia Week New York, Onishi Gallery is thrilled to showcase contemporary works that celebrate Japanese traditional craftsmanship and innovation at their newly established Upper East Side location.  KOGEI and Art features artworks that vary in mediums and categories of KOGEI, including metalwork, lacquerware, ceramic, screen and painting.

“KOGEI” refers to works made using materials and methods that have stood the test of time, reflecting uncompromising dedication to technical perfection and a search for new forms of expression. This exhibition highlights the growing role of KOGEI in contemporary Western lifestyle and global art and design. The title KOGEI and Art is given to reflect the unique character of KOGEI, not seen in other cultures, and to emphasize its separate but complementary status compared to “Art” in the conventional Western sense.

They look forward to seeing you soon in New York!

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Cycles of Clay: The Ceramic Narratives of Sunkoo Yuh at Charles B. Wang Center

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Courtesy Charles B. Wang Center

Cycles of Clay: The Ceramic Narratives of Sunkoo Yuh
March 7 – May 24, 2025
Artist lecture: Friday, March 7, 2025, 4-5pm in Theatre

Opening reception: Friday, March 7, 2025, 5-7pm in Skylight Gallery

Charles B. Wang Center is delighted to present Cycles of Clay: The Ceramic Narratives of Sunkoo Yuh, an exhibition exploring the profound creativity of Sunkoo Yuh, an artist who navigates the intersections of cultural heritage and contemporary expression. Yuh’s ceramic sculptures combine bold colors, evocative imagery, and intricate figures layered vertically to evoke histories and community connection. Themes of Buddhist cycles, Confucian ideals, and sociopolitical commentary permeate his works, which includes monumental pieces like Long Beach Summer and Athens Winter. Through experimental glazing and unpredictable firing techniques, Yuh captures the tension between order and chaos to create visually compelling sculptures that explore life’s beauty, fragility, and complexity.

Join The Wang Center for both the artist lecture and opening reception on Friday, March 7th. They look forward to welcoming you for engaging conversations over refreshments, good company, and art!

To learn more and RSVP for free, click here.

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ANWY Preview: Joan B Mirviss LTD Presents BEYOND THE SURFACE: The Unity of Form and Pattern in the Work of Wada Morihiro (1944-2008)

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Wada Morihiro (1944-2008), Yōmonki; Dancing Pattern Vessel, ca. 2007, glazed and slip-glazed stoneware, 14 1/2 x 8 7/8 x 7 3/8 in.; Kakugen jōmonki; Brilliance and Mystery Banded Pattern Vessel, ca. 2006, slip-glazed stoneware, 20 x 10 5/8 x 7 in; Hōenki II; Square and Round Vessel II, ca. 2006, slip-glazed stoneware with Oribe glazed interior, 11 3/4 x 21 1/4 x 11 5/8 in.

BEYOND THE SURFACE: The Unity of Form and Pattern in the Work of Wada Morihiro (1944-2008)
March 13 – 21, 2025
Asia Week Hours: March 13–14 & 17–21, 11am-6pm, March 15, 11am-5pm, March 16, 12-5pm
39 East 78th Street, Suite 401

Presented by Joan B Mirviss LTD, Beyond Surface: The Unity of Form and Pattern in the Work of Wada Morihiro (1944-2008), an exhibition fifteen years in the making, will be the first comprehensive retrospective for this seminal clay master during Asia Week New York. It will showcase seventy works, most acquired directly from the estate of the artist, representing nearly all of his diverse patterns on his ever-changing forms. Eleven of these works, including two unique entwining-vine patterned vessels previously unseen outside Japan, were intended for his 2008 solo exhibition at the gallery–– a show that would have been Wada’s first comprehensive retrospective–– had it not been for his untimely passing. Fortunately, the Wada family reserved these works and many others and then encouraged Joan B Mirviss LTD to host this important exhibition in New York. A bilingual, fully illustrated, scholarly book with essays by four leading Japanese scholars accompanies the exhibition and is now available for purchase.

They look forward to welcoming you soon to experience this exceptional exhibition.

To learn more, click here.

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ANWY Preview: Sun and Silver: Early Photographs of China by Lai Fong and John Thomson at Loewentheil Photography of China Collection

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Yuen Fu Rapids, John Thomson, carbon print, From Foochow and the River Min, c.1870

Sun and Silver: Early Photographs of China by Lai Fong and John Thomson
March 13 – 21, 2025
Opening Reception: Tuesday, March 18 from 6-8pm
Exhibiting at: 10 West 18th Street, 7th Floor
Asia Week Hours: By appointment from March 13-14 & 18-21, 10am-5pm; March 15, 11am-5pm

Loewentheil Photography of China Collection is thrilled to present Sun and Silver: Early Photographs of China by Lai Fong and John Thomson during this season’s Asia Week New York. This exhibition brings together masterpieces by two giants of 19th-century photography of China.  Lai Fong and John Thomson originated many of the most significant developments in the early art of photography in China. This show reveals the intricate and fascinating relationship between the works of the most famous early Chinese photographer and those of his leading foreign contemporary. The two photographers crossed paths, competed for patrons, and had a meaningful influence on one another and the art of photography.

This major exhibition gives viewers the opportunity to compare and contrast Lai Fong’s expressive artistry and technical ingenuity alongside Thomson’s stylistic virtuosity.

Sun and Silver: Early Photographs of China by Lai Fong and John Thomson spans the careers of both artists through the finest examples of vintage prints, all dating to the 1860s and 1870s. It also presents works by other 19th-century photography studios in China that share the themes and subjects of Lai Fong’s and Thomson’s photographs. The exhibition suggests new ways of looking at the origins of photography in China.

This exhibition of works by Lai Fong and John Thomson presents a tiny sliver of the holdings of the Loewentheil Collection, the most important collection of early China photographs in the world.

They look forward to welcoming you soon!

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