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Reminder to Join Us Tomorrow for a Special Webinar Four Centuries of Blue & White

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Oil Lamp & Cover on Fixed Stand, 18th/19th century, 7 1/2 inches wide; Courtesy Becky MacGuire

Zoom Webinar
Four Centuries of Blue & White
Wednesday, September 11 at 5pm EDT

There’s still time to join us for a special webinar with noted decorative arts expert Becky MacGuire, author of Four Centuries of Blue & White: The Frelinghuysen Collection of Chinese & Japanese Export Porcelain tomorrow afternoon!

Ms. MacGuire will delve into the evolving commercial and cultural exchanges between East and West, with a particular focus on the collection’s rare, unusual and little-studied material. The extraordinary Frelinghuysen collection, assembled carefully over 50 years, features an exceptionally wide array of Asian blue and white export porcelain—that most ubiquitous and influential of all ceramics. Ranging from rarities made at the height of the Ming dynasty, when Europeans first sailed to Asia, to commissions executed for the Thai royal court in the last decades of the Qing dynasty, the collection goes beyond iconic export classics to include pieces made for markets from Japan to the Islamic world. An intriguing counterpoint is provided by a full complement of Japanese export.

Moderated by Lark Mason, Jr., this engaging discussion will be held over Zoom, so be sure to sign up by clicking here.

Participant’s Biographies:

Becky MacGuire was the longtime senior specialist in Chinese export art at Christie’s and director of the firm’s New York Exceptional Sale. After graduating from the University of California at Berkeley with honors in art history, Ms. MacGuire completed the program of the Study Centre for the Fine and Decorative Arts at the Victoria and Albert Museum. A frequent lecturer, she was an original appraiser on “The Antiques Roadshow” and a founding partner of The Chinese Porcelain Company. Ms. MacGuire is the author of Four Centuries of Blue & White: The Frelinghuysen Collection of Chinese & Japanese Export Porcelain, published by Paul Holberton Books (October 2023).

Lark Mason, Jr., founder and CEO of iGavel Auctions, is renowned for his regular appearances on “The Antiques Roadshow” and his expertise in Chinese art. He established Lark Mason Associates, an auction house with locations in New Braunfels, Texas, and New York City, specializing in Asian, ethnographic, and ancient works of art.  Mason’s career includes serving as a General Appraiser from 1979 to 1985, and as a Senior Vice President and specialist in Chinese art at Sotheby’s from 1985 to 2003, where he also directed online auctions for Sothebys.com from 2000 to 2003. Additionally, he was a consulting curator at the Trammell and Margaret Crow Collection of Asian Art in Dallas from 2003 to 2009. He is a member of the Asia Week New York Planning Committee.

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iGavel Asia Week New York Autumn 2024 Auctions

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Group of 30 Chinese Famille Rose and Other Porcelain Bird Feeders and Water Containers, Lot 6847925, A Series of Three Online Auctions from a Round Top TX Ranch Chinese Works of Art Session 1, Sept 1-24

iGAVEL
Asia Week New York Auctions: Sep 10–Oct 11, 2024
Preview of Chinese and Other Asian Works of Art at 227 East 120th Street, NYC

iGAVEL is pleased to offer a fine selection of Asian Works of Art presented by Lark Mason Associates during this Autumn season. Please note that a preview of Chinese and Other Asian Works of Art auction will be exhibited during Asian Week from September 13-20, Monday-Saturday, 10am-4:30pm at the iGavel Salesroom Gallery at 227 East 120th Street.

Please find details of their online auctions below:

A Series of Three Online Auctions from a Round Top TX Ranch Chinese Works of Art
Presented by Lark Mason Associates
Online Auction: September 10–October 11
Session 1: Chinese Bird Feeders and Accessories from Sept 1-24
Session 2: Chinese Porcelain Spoons, Textiles, and Works of Art from Sept 19-Oct 3
Session 3: Brass Scientific Instruments, Jewelry, and Works of Art from Sept 26-Oct 11

In one of its most extensive sales to date, Lark Mason Associates is delighted to present the Estate of Ida Bess Howes–a conservationist rancher, world traveler, art collector, and arts advocate who resided in the Round Top, Texas community. The first of three online auctions now open for bidding on the iGavel Auctions platform during Asia Week New York. The specialized 106-lot auction features a rare collection of over 1,000 rare Chinese porcelain bird feeders and water containers, ranging from the Song Dynasty to Republic Period, with estimates projected to achieve between $100,000-200,000. This sale closes on September 24th.

The second auction–Chinese Porcelain Spoons, Textiles, and Works of Art–opens for bidding on September 19th and closes October 3rd.

And the third session in this series–Brass Scientific Instruments, Furniture and Works of Art– will run from September 26th to October 11th.

→ Learn more

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A Set of Eight Korean Painted Panels, late Joseon Dynasty (Estimate: $20,000-30,000), Chinese and Other Asian Works of Art, Oct 1-15

Chinese and Other Asian Works of Art
Presented by: Lark Mason Associates
Preview: September 13-20, Monday-Saturday, 
10am-4:30pm 
iGavel Salesroom Gallery: 227 East 120th Street
Online Auction: October 1–15, 2024 (between 2nd & 3rd Ave)

In advance of their current significant sale, Chinese and other Works of Art, which opens for bidding on October 1st through 15th, Lark Mason Associates will host a preview at the iGavel Auctions salesroom, at 227 East 120th Street, from September 13th to 20th with viewing hours Monday through Saturday, 10:00 a.m. to 4:30 p.m. Among the highlights are a set of eight Korean Painted Panels, late Joseon Dynasty (Estimate: $20,000-30,000); a Chinese Formal Court Robe, Chaofu,Qing Dynasty (Estimate: $10,000-15,000); and a gilt lacquer seated Lohan, Qing Dynasty (Estimate: $5,000-8,000).

→ Learn more

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Asia Week New York Autumn 2024 Museum Exhibition Guide

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Sakya School (Tibet, 16th century), Mandala of Hevajra, ink and color on cloth, 21 1/4 x 17 15/16 in.; The Metropolitan Museum of Art, New York, Gift of Henry and Louise Loeb, 1982 (1982.225); Courtesy The Metropolitan Museum of Art

In addition to all the tremendous exhibitions at our AWNY member galleries and auction houses during Asia Week Autumn 2024, our member museums are also opening exciting Asian Art exhibits in New York City and the surrounding areas. Below is a highlight of soon-to-be-opened and ongoing shows and events this month. Click on each museum heading for further information.

SHOWS OPENING SOON

CHARLES B. WANG CENTER AT STONY BROOK UNIVERSITY

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Courtesy Charles B. Wang Center

Yarnscapes: Mulyana’s Environmental Tapestries
Opens September 14, 2024
Opening Reception: Friday, September 13, 2024, 5-7pm (kindly RSVP)
Artist Lecture: October 23, 2-3pm

The Charles B. Wang Center proudly presents Yarnscapes: Mulyana’s Environmental Tapestries, an exhibition that offers a unique opportunity for the public to engage with the immersive and thought-provoking works of renowned Indonesian artist Mulyana. Yarnscapes celebrates the artist’s distinctive use of knitting and crocheting to create large-scale installations that showcase human endurance, creativity, and a profound connection to the divine and nature.

KOREA SOCIETY

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Courtesy Korea Society

Dyadic | Annette Hur & Hayoon Jay Lee
Opens September 12, 2024
Opening Reception: September 12, 5-7pm (kindly RSVP)

In this duo exhibition, two Korean-born artists based in New York present their own expositions and elucidations on abstract art. With her bold colors and brushstroke, Annette Hur deliberately positions her paintings in between abstraction and figuration, dealing with the conflicts of the real lived experience and how her body remembers and processes it. Hayoon Jay Lee uses rice as object, motif, metaphor and visceral biomorphic forms, meticulously and meditatively arranging individual grains of rice into a surface with modeling paste to create physical and emotional topographies.

KOREAN CULTURAL CENTER NY

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Courtesy Korean Cultural Center New York

Ik-Joong Kang: We are Connected
Opens September 26, 2024

Ik-Joong Kang bridges East and West through his evocative art. This exhibition reflects his artistic world weaving diverse elements into a harmonious tapestry to illustrate the interconnectedness of our global community. Kang’s art invites reflection on our own journeys, our connections with others, and the beautiful complexity of the world we inhabit.

THE METROPOLITAN MUSEUM OF ART

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Chemchok Heruka Mandala (detail), Tibet, second half 12th century, mineral pigments on cotton, 38 × 32 in. (96.5 × 81.3 cm), Michael J. and Beata McCormick Collection; Courtesy The Met

Mandalas: Mapping the Buddhist Art of Tibet
Opens September 19, 2024
Mandalas—An In-Depth Look Discussion
Sunday, September 22, 2–3:30pm
Met Expert Talks—Mandalas: Mapping the Buddhist Art of Tibet
Thursday, September 26, 3–3:45pm

A mandala is a diagram of the universe—a map of true reality that in Tibet is used to conceptualize a rapid path to enlightenment. This exhibition explores the imagery of the Himalayan Buddhist devotional art through over 100 paintings, sculptures, textiles, instruments, and an array of ritual objects, mostly dating between the 12th and 15th centuries. This dazzling visual experience provides a roadmap for understanding Himalayan Buddhist worship through early masterworks, juxtaposed with a newly commissioned contemporary installation by Tibetan artist Tenzing Rigdol.

NATIONAL MUSEUM OF ASIAN ART

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Iskandar and the talking tree (detail), folio from the Great Mongol Shahnama (Book of kings), Iran, probably Tabriz, Ilkhanid dynasty, ca. 1330, ink, color, and gold on paper, National Museum of Asian Art, Smithsonian Institution, Freer Collection, Purchase—Charles Lang Freer Endowment, F1935.23; Courtesy National Museum of Asian Art

An Epic of Kings: The Great Mongol Shahnama 
Opens September 21, 2024
Zoom Webinar: Sneak Peek | Exhibiting a Book like No Other: The Great Mongol Shahnama
Tuesday, September 17, 12-12:40pm

Monumental in size and boldly illustrated, the Great Mongol Shahnama is one of the most celebrated of all medieval Persian manuscripts. An Epic of Kings offers a once-in-a-lifetime opportunity to see twenty-five folios from this now dismantled manuscript. It is also the first exhibition to present paintings from the Great Mongol Shahnama alongside contemporaneous works from China, the Mediterranean, and the Latin West. Experience this unique historical moment of cultural exchange across Eurasia—where commodities, people, and ideas circulated like never before—with Iran at its center.

Join curator Simon Rettig for a Zoom talk on September 17 as he offers a sneak peak into this exhibit and introduce the intricate text-image relationship in this copy of Iran’s national epic.

To learn more and sign up, click here.

 

ONGOING SHOWS

BROOKLYN MUSEUM

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Kondō Takahiro (Japanese, born 1958), Reflection: TK Self Portrait, 2010., glazed porcelain, 19 1/16 × 6 3/16 in. (48.5 × 15.7 cm); Carol and Jeffrey Horvitz Collection, © Kondō Takahiro. (Photo: Richard P. Goodbody and John Morgan); Courtesy Brooklyn Museum

Museum Spotlight: Porcelains in the Mist: The Kondō Family of Ceramicists
Through December 8, 2024

Porcelains in the Mist brings together sixty-one pieces that celebrate the Kondō family’s innovations and talents. Their early creations range from freehand-painted vases to pure-white jars. Most of the works on view are by  Kondō Takahiro, who often pairs his “mist,” which he describes as “water born from fire,” with dramatic shapes and textures. For the last one hundred years, Kondō Takahiro and his father Kondō Hiroshi (1936–2012), grandfather Kondō Yūzō (1902–1985), and uncle Kondō Yutaka (1932–1983) have broken free of centuries-old traditions to pursue original, individual expression.

CHINA INSTITUTE GALLERY

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Courtesy China Institute

Gold from Dragon City: Masterpieces of Three Yan From Liaoning, 337–436
Through January 5, 2025
International Symposium: October 19, 9:30am-5:30pm
DCTA Gallery Tour & Workshop: September 5, 2024-January 5, 2025

Nearly 70 years of archeological excavations in the capital of the three Yan states — Dragon City (longcheng), today’s Chaoyang in Liaoning province — have revealed extraordinary treasures. This landmark exhibition presents these precious artworks and cultural objects for the first time in the United States featuring such objects as sculptures, bronze mirrors, inkstones, imperial seals, and ceramic vessels, with highlights of gold ornaments and equestrian objects. This exhibition attempts to illustrate and revive the faded history of ethnic integration and cultural exchange along the Steppe-Silk Road that transformed northern China more than 1,600 years ago.

THE METROPOLITAN MUSEUM OF ART

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Courtesy The Metropolitan Museum of Art

Collecting Inspiration: Edward C. Moore at Tiffany & Co.
Through October 20, 2024
Met Expert Talks—Collecting Inspiration: Edward C. Moore at Tiffany & Co.
Tuesday, October 1 at 3 pm

This exhibition feature more than 180 extraordinary examples from the personal collection of Edward C. Moore, the creative force who led Tiffany & Co. to unparalleled originality and success during the second half of the 19th century. 70 magnificent silver objects designed and created at Tiffany & Co. under his direction and drawn primarily from the holdings of The Met are also exhibited along with seldom seen examples from a dozen private and public lenders.

THE PHILADELPHIA MUSEUM OF ART

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Views of Mount Fuji (Fugaku sanjūrokkei), c. 1831, Katsushika Hokusai (Japanese, 1760–1849), 1958-49-5; Courtesy The Philadelphia Museum of Art

Visions of the Land in Edo Japan
Through January 13, 2025

Pictorial representations of the land blossomed in Japan during the Edo period (1615–1868), an era of peace and prosperity.  Featuring recent acquisitions and choice examples from museum’s collection, this exhibition invites you to explore the three modes of landscape presented—poetic, iconic, and panoramic. Together, these visions of the land manifest the dynamism of Edo Japan.

THE RUBIN MUSEUM OF ART

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Meena Kayastha, Goddess Varahi, 2023, traditional Nepali door, papier-mache, pliers, nails, coins, keys, jewelry, bell, discarded vehicle metal parts, 58 x 28 x 9 in.; photo courtesy of Meena Kayastha, Bhaktapur, Nepal; Roshan Pradhan, New World, 2021, acrylic on canvas, 183 x 152.5 cm; photo courtesy of Sangeeta Thapa, Founder Director Siddhartha Art Gallery, Kathmandu, Nepal; Shushank Shrestha, Male Guardian Lion Dog (one of a pair from Two Guardian Lion Dogs), 2023, ceramic, in glaze lustre; 52 × 27 × 44 in.; photo courtesy of Shuhank Shrestha, Massachusetts, USA; Courtesy The Rubin Museum of Art

Reimagine: Himalayan Art Now
Through October 6, 2024

Before the Museum closes their physical galleries on 17th Street on October 6, be sure to check out their groundbreaking exhibitions and events, including this Museum-wide exhibition of artworks by over 30 contemporary artists, many from the Himalayan region and diaspora and others inspired by Himalayan art and cultures. Reimagine: Himalayan Art Now transforms the entire Museum with new commissions, some site-specific, and existing works juxtaposed with objects from the Museum’s collection, inviting new ways of encountering traditional Himalayan art.

YALE UNIVERSITY ART GALLERY

YaleYearofDragon1200Attributed to Kaihō Yūshō, Pair of Screens with Dragons and Waves, Japan, Momoyama period (1573–1615), ca. 1600–1615. Ink on paper. Yale University Art Gallery, Gift of Rosemarie and Leighton R. Longhi, B.A. 1967; Courtesy Yale University Art Gallery

Year of the Dragon
Through November 10, 2024

This exhibition celebrates 2024, the Year of the Dragon, with a presentation of nearly 30 artworks spanning from the 17th century to the present day. The objects on view, which are largely drawn from the collection of the collection, feature dragons on folding screens, other paintings, textiles, ceramics, ivory, and woodblock prints. Taking inspiration from East Asian history, folklore, and myth, these works demonstrate a long, complex, and continuing artistic tradition around this fantastical creature.

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Transcultural Dialogues: The Journey of East Asian Art to the West Continues at Fu Qiumeng Fine Art

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Installation view Transcultural Dialogues: The Journey of East Asian Art to the West

Transcultural Dialogues: The Journey of East Asian Art to the West
Through October 19, 2024
65 East 80th Street

During Asia Week Autumn 2024, be sure to visit the dynamic group exhibit currently on view at Fu Qiumeng Fine Art! Exploring the artistic evolution of East Asian traditions as they spread to the Western art milieu, Transcultural Dialogues: The Journey of East Asian Art to the West focuses on the exchange and interaction of visual language and conceptual frameworks between traditional ink art and modern American art.

The exhibit showcases works by more than 15 artists, including classical and modern masters Bada Shanren (1626-1705), Qi Baishi (1864-1957) and C.C. Wang (1907-2003), alongside contemporary artists such as Michael Cherney, whose artist language bridges the gap between tradition and the present offering reflections on identity, cultural exchange and the ongoing dialogue between East and West.

With a vibrant mix of traditional East Asian paintings alongside contemporary pieces that honor and expand upon East Asian traditions, Transcultural Dialogues is sure to open your eyes to this fascinating interplay between classical Chinese artistry and edgy contemporary expressions!

To learn more, click here.

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Last Month to Visit The Rubin at 17th Street in NYC

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Installation view of The Tibetan Buddhist Shrine Room

The Rubin Museum of Art
150 West 17th St, NYC

Next month, The Rubin will say farewell to the galleries at 150 West 17th Street in New York City and welcome in a new chapter as a global museum. In their next incarnation, they are continuing to present Himalayan art through traveling exhibitions, digital experiences, and collaborations in the United States, Asia, Europe, and beyond.

Their mission remains the same: to bring greater understanding and appreciation of Himalayan art to as large and diverse an audience as possible.

Before their final day at 17th Street on October 6, 2024, they invite you to join them at the Museum to celebrate 20 years of transformative exhibitions and programming, some of which are listed below:

Reimagine Durational Performances by:
YESHE
FORBIDDEN SONGS
Live performances on Sept 8, 15 & 22
and
Sonam Tshedzom Tingkhye
Per(sever)e
Live performances on Sept 5–8 & 12–15

Mindfulness Meditation
Every Thursdays through Sept 26; continuing on at New York Insight Meditation Center on W 29th Street starting Oct 10
1:00–1:45pm

Family Sundays
Sundays through Sept 29
1:00–3:00pm

K2 Friday Nights
Fridays through Sept 20
6:00–10:00pm

Weekend Public Tours
Saturdays and Sundays through Sept 29
2:00–2:45pm

To learn more about their final programs, click here.

To learn more about their exhibitions, click here.

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Newly Opened and Ongoing Exhibitions at The Philadelphia Museum of Art

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Views of Mount Fuji (Fugaku sanjūrokkei), c. 1831, Katsushika Hokusai (Japanese, 1760–1849), 1958-49-5

Catch a wide selection of fantastic exhibitions, some newly opened and others ongoing, at The Philadelphia Museum of Art this Fall. From the serene landscapes of Japan’s Edo period to the varied animal imagery of South Asian art, this Asian Art season offers endless discoveries!

Visions of the Land in Edo Japan
Through January 13, 2025
Korman Galleries, 221-223

Pictorial representations of the land blossomed in Japan during the Edo period (1615–1868), an era of peace and prosperity. Landscape painters and printmakers created a large number of works with new ideas and techniques that had recently become available. Featuring recent acquisitions and choice examples from museum’s collection, this exhibition invites you to explore the three modes of landscape presented—poetic, iconic, and panoramic. Together, these visions of the land manifest the dynamism of Edo Japan.

To learn more, click here.

Firing the Imagination: Japanese Influence on French Ceramics, 1860-1910
August 31, 2024 – May 26, 2025

This exhibition brings together notable examples of French ceramics that demonstrate tremendous innovation in the field of artistic pottery from the 1860s to 1910s. European artists during this period were deeply influenced by Japanese art, including woodblock prints, ceramics, textiles, and lacquerwares, which poured into Europe following the forced reopening of Japan’s ports to foreign trade in the 1850s. The works on view come from the collection of Larry A. Simms, a retired New Jersey public schoolteacher who amassed one of the most important private collections of “Japonisme” ceramics in the United States, many of which he has now donated to the Philadelphia Museum of Art.

To learn more, click here.

Mythical, Divine, Demonic: Animal Imagery in South Asian Art
Ongoing

Animals appear everywhere in the art of South Asia. One encounters them as gods with animal heads, powerful creatures that act as the mounts and companions of the gods, and fearsome beasts that spread destruction and chaos. Mythical, Divine, Demonic: Animal Imagery in South Asian Art, explores how single animals are interpreted in myriad ways across various regions and cultures. Different representations show how animals serve an array of artistic and symbolic functions. Through examining these objects, audiences will gain a deeper understanding of how animals play a complex role in world cultures.

To learn more, click here.

To view all the exhibitions on view at The Philadelphia Museum of Art, click here.

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September JASA Sponsored Events

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Katsushika Hokusai (1760-1849), Kanagawa-oki nami-ura (Under the Wave off Kanagawa), commonly referred to as The Great Wave, circa 1830-1831, Courtesy Bonhams

Bonhams Japanese Galleries
Saturday, September 14 at 2pm
580 Madison Avenue

JASA members are invited to a connoisseurship event hosted by Bonhams auction house in New York during Asia Week New York Autumn 2024. The Japanese Galleries event will focus on the appreciation of fine ukiyo-e woodblock prints, with Bonhams expert consultant Gary Levine, Head of Department Jeff Olson and specialist Philip Hafferty.

They will share with event participants a fine impression of Katsushika Hokusai’s iconic masterpiece Kanazawa oki nami ura (Under the Wave of Kanazawa) and his Sanka haku-u (White Rain Below the Mountain), more commonly known as The Great Wave and Black Fuji.

Other prints in this collection come from famed ukiyo-e artists Tōshūsai Sharaku, Kitagawa Utamaro and Utagawa Hiroshige. A special feature are several watercolors by Kawase Hasui, where viewers can see similarities and differences between these original paintings and several of his famous print designs.

Participants are also welcome to explore other artworks being offered at auction in all of Bonhams New York Asian Art Week sales, on view before and after the event. No fee or registration is required.

To learn more, click here.

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Paul Binnie Courtesy JASA

Pigments of the Imagination
Wednesday, September 25 at 5 pm EDT
Zoom Webinar

Join JASA online for a live Zoom presentation by Scottish multidisciplinary artist Paul Binnie, who works in the tradition of Japanese woodblock printing, particularly shin-hanga, later this month. Paul will speak about his early training as a painter in Scotland and then as a woodblock printmaker in Japan in the 1990s and expand upon the influences on his work and the direction his work has followed over a career of more than thirty years.

To register for the Zoom event, click here.

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Nihonga: Japanese Pre-War Paintings Opening at Thomsen Gallery

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Girl with Flowering Plum Branches, Nihonga artist, 1920s, Japan, hanging scroll; ink and mineral colors on silk, overall size: 93¼ x 37 in.

Nihonga: Japanese Pre-War Paintings
September 12 – 20, 2024
Opening hours: 11am-5pm, including Saturday September 14

9 East 63rd Street

Thomsen Gallery is pleased to present Nihonga: Japanese Pre-War Paintings during this season’s Asia Week New York Autumn 2024. The exhibition focuses on folding screens and hanging scroll paintings from the Taisho era (1912-26) and early Showa era (1926-1989), a time of great change for Japan and its arts. Superb works were created for the domestic market, in contrast to the export-oriented output during the preceding Meiji era (1868-1912). Though most painters of the Taisho and early Showa eras typically remained focused on traditional themes, they often experimented with new materials and perspectives. They shifted from stylized depictions of nature to naturalistic botanical studies. Making trips abroad, many painters incorporated foreign elements from their travels into their work.

Next to painting, bamboo baskets and intricate gold lacquer boxes from the Taisho and Showa eras will highlight the technical perfection in works of art that were executed in traditional formats and materials but explored new worlds of expression and design.

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Kaikodo LLC Online Exhibition Autumn’s Accessories Opens Soon

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A Kosometsuke Dish with Rabbit Decor 青花(古染付)兔紋瓷盤, d: 8 1/4 in., h: 1 1/2 in., late Ming dynasty, 17th century

Autumn’s Accessories
Live online: September 10, 2024

Kaikodo LLC is pleased to present Autumn’s Accessories during Asia Week New York Autumn 2024. Focusing on a selection of Chinese ceramics along with Chinese and Japanese paintings, this online exhibition includes early pieces such as a massive spouted early celadon jar representing the dominance of Yue wares in the south during the Six Dynasties period along with later pieces produced a millennium later, such as a late Ming-dynasty underglaze-blue decorated dish created by Chinese potters for Japanese clients who would have greatly appreciated the novel “half” zone composition. Among the paintings is a robust yet harmonious image of pine and blossoming plum by the 17th-century Chinese painter Xu You, while a wistful 18th-century Japanese beauty eyeing her playful cat strikes one as a most timely addition to this Autumn roster.

These categories are but a few of the numerous areas in Asian art in which Kaikodo has been immersed well before 1996 when they established their New York gallery and launched their Kaikodo Journal. The Journal has been available exclusively online since 2016 and since moving all operations to Hawai’i in 2020, it has been the primary venue for disseminating their research and the exclusive forum for their sales exhibitions. Please visit them there for this latest show onward from September 10th!

To view their online exhibit, click here.

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Yarnscapes: Mulyana’s Environmental Tapestries Opening at Charles B. Wang Center

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Courtesy Charles B. Wang Center

Yarnscapes: Mulyana’s Environmental Tapestries
September 14 – December 10, 2024

Opening Reception: Friday, September 13 from 5-7pm (kindly RSVP)
Artist Lecture: October 23, 2024, 2-3pm
Charles B. Wang Center Skylight Gallery

The Charles B. Wang Center at Stony Brook University proudly presents Yarnscapes: Mulyana’s Environmental Tapestries during this season of Asia Week New York Autumn 2024. This exhibit offers a unique opportunity for the public to engage with the immersive and thought-provoking works of renowned Indonesian artist Mulyana.

Yarnscapes delves into the imaginative and intricate world of Mulyana, celebrated for his distinctive use of knitting and crocheting to create large-scale installations. These works showcase human endurance, creativity, and a profound connection to the divine and nature. He transforms simple yarn into mesmerizing pieces of art, bringing to life colorful, whimsical installations through crochet, stitching, and knitting.

Mulyana’s passion for crochet was sparked when he attended Universitas Pendidikan Indonesia. He experiments with various techniques, materials, and ideas. Using durable and affordable materials like acrylic and polyester, often sourced from factory surplus, he creates intricate, modular pieces that combine to form larger, astounding artworks. Experience the mesmerizing coral worlds of Mulyana, where each piece is a testament to the beauty and fragility of our marine environments.

Curated by Jinyoung Jin, Yarnscapes promises a thought-provoking journey into Mulyana’s visionary world. All works in this exhibition are on loan from Sapar Contemporary, New York.

The Charles B. Wang Center is also pleased to host a lecture with Mulyana on October 23rd at 2pm.

To learn more and RSVP to the opening, click here.

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