Yoshitoshi (1839-1892), Ichikawa Danjuro IX as Benkei in the Play Kanjincho (The Subscription List), 1890, woodblock print, 14.50 x 29.25 in (36.83 x 74.30 cm)

We are thrilled to shine our Gallery Spotlight on The Art of Japan, a gallery dedicated to showcasing exceptional Japanese prints and paintings. With over 75 years of combined experience, partners Doug Frazer and Richard Waldman bring a lifelong passion for Japanese art. Frazer’s focus on early modern prints complements Waldman’s expertise in Ukiyo-e prints from the 18th and 19th centuries, making their collection a comprehensive representation of Japanese printmaking from the 18th to the 20th century.

In addition to their regular exhibitions during New York’s Asia Week in both Spring and Fall, The Art of Japan participates in prestigious print fairs across the U.S., including the IFPDA Print Fair and the Portland Fine Art Fair. Their frequent travels to Japan and Europe have allowed them to cultivate an extensive, carefully researched inventory, which is continually updated on their website. Their latest Fall acquisitions are now available online!

The current collection includes forty-five newly available works, featuring unique Yoshitoshi and Kuniyoshi designs, Kiyochika landscapes and triptychs, a rare 19th century ten sheet print depicting Hokkaido, and captivating works by Surimono and Hiroshige.

To view these remarkable prints and more, click here.

Whether you’re looking to expand your collection or sell individual pieces, The Art of Japan is there to assist. Feel free to reach out by email or phone with any inquiries!

(L) Hirotomi Maeda, Illustrious Reflection, 2013, gold-silver-copper alloy, h. 11 3/4 x w. 7 1/4 x d. 7 1/4 in., Courtesy Ippodo Gallery; (R) Noguchi Ken, L.S.C.U. #1, 2023, urushi, linen and cotton string, h. 11 7/8 x w. 23 5/8 x d. 13 3/4 in., Courtesy Onishi Gallery

Salon Art + Design
November 7 – 11, 2024
Preview: Thursday, Nov 7, 4:30-9pm (early entry) & 6-9pm (by invitation only)
Fair Hours: Friday, Nov 8, 11am-3pm (by invitation only), 3-8pm; Saturday-Sunday, Nov 9-10, 11am-7pm; Monday, Nov 11, 11am-4pm
Park Avenue Armory, 643 Park Avenue, NYC

Ippodo Gallery and Onishi Gallery are thrilled to exhibit at this year’s Salon Art + Design, the leading New York contemporary design fair held at the Park Avenue Armory from November 7 to 11.

At Booth B4, Ippodo Gallery unveils an extraordinary collection of contemporary Japanese art, showcasing Hirotomi Maeda’s intricate goldwork, Kai Tsujimura’s masterfully crafted pottery, Hiromi Itabashi’s expressive ceramic reliefs, Shin Fujihira’s striking cinnabar vase, and Midori Tsukada’s lace-like glasswork, among other standout pieces.⁠

Nearby at Booth C2, Onishi Gallery presents eight “Living National Treasures” (Ningen Kokuhō)—including luminaries like Inoue Manji (porcelain), Katsura Morihito (metalwork), and Yamagishi Kazuo (lacquer)—alongside twelve additional celebrated artists. Themed Merging Japanese Sensibility with Western Contemporary Taste, this exhibition highlights KOGEI’s growing influence on Western lifestyles and global art and design. In addition to this presentation, they will also open an exhibit at their new Upper East Side Gallery.

Purchase your tickets today and be part of this celebration of art and design!

To learn more about the fair, click here.

Installation view, TAI Modern

We are delighted to feature Santa Fe-based TAI Modern in this week’s Gallery Spotlight. Renowned for its dedication to contemporary art across diverse media—with a special focus on Japanese bamboo and contemporary American art—TAI Modern has been the world’s premier gallery for contemporary Japanese bamboo art for over 20 years. The gallery represents over 35 Japanese bamboo artists alongside select contemporary American artists, with a commitment to nurturing artists’ careers, offering expert guidance to collectors, and curating compelling exhibitions.

TAI Gallery was founded by Japanese bamboo art expert Robert T. Coffland, who began sourcing works from contemporary masters in Japan. In 2014, Margo Thoma acquired the gallery and merged it with her contemporary American art gallery, Eight Modern rebranding it to TAI Modern. Under Thoma’s leadership and with guidance from bamboo expert Koichiro Okada, TAI Modern continues to build museum-quality collections and promote Japanese bamboo art in the West. Thoma collaborates closely with senior Japanese artists, supports emerging talent, advises collectors and institutions, and curates exhibitions and public demonstrations.

TAI Modern’s upcoming exhibition in November, History Painting, will showcase new works by the pioneering digital artist Jason Salavon, who has been creating generative and data-driven artwork since the 1990s. History Painting will employ a host of “custom software, imaginings, and elbow grease,” to reinterpret the history of the universe via eight-hundred idiosyncratic encyclopedic entries created by the artist. They are pleased to open the show with an artist’s reception on Friday, November 29, followed by an artist walkthrough on Saturday, November 30.

To learn more about the show and gallery, click here.

Courtesy Alisan Fine Arts

Join Alisan Fine Arts as they celebrate their latest exhibition, Hidden Stories, with an evening reception on October 30th and an Artist Talk featuring one of the exhibiting artists, René Balcer, in conversation with Patricia Marroquin Norby, Associate Curator of Native American Art at The Metropolitan Museum of Art, on the afternoon of November 2!

Hidden Stories
Opening Reception: Wednesday, October 30 from 6-8pm
October 30 – December 21, 2024

Hidden Stories features six contemporary artists who work with photography as their primary medium. The artists in the exhibition are all storytellers; René Balcer, Stephen King and Myeong Soo Kim form narratives through their depictions of natural landscape, while South Ho, Ho Tam and Pixy Liao’s imagery is more personal, showing glimpses of everyday life, cityscapes and moments that enter the surreal.

To learn more, click here.

Artist Talk
Hidden Stories: The Arctic 
Saturday, November 2, 2024 at 2pm

This special conversation between artist René Balcer and Patricia Marroquin Norby, Associate Curator of Native American Art at The Metropolitan Museum of Art, will delve into the stories behind Balcer’s photographs of Inuit communities in the Canadian Arctic, enriched by Patricia’s unique insights.

René Balcer began his photography career in 1968. Eschewing studio work and staged images, Balcer seeks natural compositions that convey a sense of disquietude and an implied or hidden narrative, as well as images that engage his interest in social justice.

Ms. Norby made history in 2020 as the Met’s first full-time curator of Native American art. She has since curated a number of groundbreaking exhibitions during her tenure at the museum.

To learn more, view their Instagram here.

Taynush before Iskandar and the visit to the Brahmans, folio from the Great Mongol Shahnama (Book of kings) by Firdawsi (d.1020), National Museum of Asian Art, Smithsonian Institution, Arthur M. Sackler Gallery Collection, Purchase—Smithsonian Unrestricted Trust Funds, Smithsonian Collections Acquisition Program, and Dr. Arthur M. Sackler, S1986.105.1.

Zoom Talk: Alexander the Great between East and West
Tuesday, October 29, 2024
12-1pm

Throughout history, many authors have recounted Alexander the Great’s deeds and quests, real or fictional. In Iran, Alexander is known as Iskandar, and because of his Persian ancestry he is recognized as a legitimate ruler. In Europe, he is a model of virtue and piety for Christian rulers. In both traditions, Alexander is a relentless adventurer who journeys to the end of the world in an unsuccessful quest for immortality.

Join curator Simon Rettig and professor Mark Cruse as they explore Alexander’s centrality in the cultures of the global late Middle Ages, focusing on fourteenth-century illustrated manuscripts of Firdawsi’s Shahnama (Book of kings) and copies of the Romance of Alexander from the contemporaneous Latin West.

This program is held in conjunction with their exhibition An Epic of Kings: The Great Mongol Shahnama, now on view through January 12, 2025.

To learn more and register, click here.

Courtesy the Artist and The Korea Society

Artist Talk: Hayoon Jay Lee
Tuesday. October 29 at 6:30pm
In-person and Online

In the modern tradition of abstract art, artists look beyond what we physically see. Using color, shape, line, and texture, they express strong emotional content without constraints of representation.

Hayoon Jay Lee uses rice as object, motif, metaphor and visceral biomorphic forms, meticulously and meditatively arranging individual grains of rice into a surface with modeling paste to create physical and emotional topographies.

In this Artist Talk, Lee will be in a conversation with art critic Seph Rodney about her art and career.

To learn more and register, click here.

Installation view with artists, SAYAKA + SAYAKA: Contemporary Ceramics by Shingu and Oishi Sayaka, Dai Ichi Arts Ltd.

SAYAKA + SAYAKA: Contemporary Ceramics by Shingu and Oishi Sayaka
Closing Friday, November 1, 2024
18 East 64th St, Ste1F, NYC

There’s still time to catch Dai Ichi Arts’ latest exhibition, SAYAKA + SAYAKA: Contemporary Ceramics by Shingu and Oishi Sayaka, where flora and fauna converge, giving rise to captivating contemporary ceramics before it closes on November 1st.

Highlighting two young women artists from a new generation of Japanese ceramics, this show explores the potential of “decoration” as a primary mode of artistic expression through the contemporary visions of Shingu Sayaka and Oishi Sayaka.

Shingu Sayaka’s work places a significant emphasis on the symbolism of flora and botanical forms, allowing her to explore profound Japanese themes of mutability and ephemerality through both sculptural and functional pieces. In this exhibit, she introduces a new series of “Lotus” pieces, sculpting the iconic lotus flower and its leaves into sensitive and daring ceramic sculptures that remind us of nature’s fragility.

Oishi Sayaka crafts surreal compilations of fauna in her sculptural and functional creations, where metaphysical themes of nature, human identity, time, and mortality converge through the mode of decoration. For this exhibit, she creates work that showcases an exquisite array of fauna, including eagles, turtles, coral reefs, koi fish, deer, lions as well as her signature “Apple” forms that show an amalgam of her animated motifs.

Both artists from Kansai, who share the same given name and have become fast friends, have explored the tension between form, function, and surface to create new works in dialogue with one another.

To learn more, click here.

Rasalila, illustration from a dispersed Harivamsha series, numbered 86 on the reverse, attributed to Purkhu, Kangra, c. 1800-15, opaque pigments and gold on paper, folio: 36 x 47.2 cm (including red border)

Autumn Highlights
Purkhu Harivamsha Folios and the Rind Album Pages

Francesca Galloway is delighted to present their Autumn Highlights, featuring a fine selection of works from private collections, many of which are newly available to the market. Amongst these, The Purkhu Harivamsha folios and the Rind Album pages in particular are exciting folios, as are a small group of Mughal material acquired on the London market in the 1970s.

Two of the paintings from the Purkhu Harivamsha Series belong to a well-known Pahari series of the Harivamsha (Genealogy of Hari [Vishnu]). Comprising 16,374 shlokas and traditionally credited to the ancient sage Vyasa, the text of the Harivamsha recounts the life of Krishna in a level of detail matched only by the Bhagavata Purana. This particular series, which consists of large number of paintings without a running text or even a brief synopsis on the reverse, is widely associated with the work of Purkhu, a leading artist of the Punjab Hills.

Other standout pieces include two large watercolors made for the the Rind Album, compiled by Major James Nathaniel Rind (baptised 1753-1814). Born in Scotland, Rind traveled to India in 1778 and was stationed there until 1801, spending much of his time based in Calcutta from 1793 to 1801. Paintings from Rind’s extensive album were first introduced to a wider audience at Sotheby’s in 1971, when part of his collection was sold by his descendants, including their Portrait of a Bengali (lot 48). While many of Rind’s paintings are relatively conventional, some are truly extraordinary, including their large and impressive painting, A Bengal Catfish from the Hugli River. Almost certainly painted from life and to scale, this is one of a relatively small number of paintings of fish commissioned by Europeans from Indian artists in the closing years of the 18th century.

The gallery warmly invites you to schedule a private appointment to explore these magnificent works and more in their space in Holland Park.

To view them and learn more, click here.