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Tibet House US
Yale University Art Gallery
1111 Chapel Street
New Haven, CT 06510
(203) 432 0600
artgallery.yale.edu
The Yale University Art Gallery is free and open to the public.
Tuesday–Friday
10am–5pm
Thursday (September–June)
10am–8pm
Saturday–Sunday
11am–5pm
Raga Bhairava, from a Garland of Musical Modes (Ragamala) manuscript, India,
late 18th century, opaque watercolor on paper, 17 ½ x 11 ¾ in. Gift of Lauder Greenway, B.A. 1925, Ph.D. 1930
Raga Bhairava, from a Garland of Musical Modes (Ragamala) manuscript, India,
late 18th century, opaque watercolor on paper, 17 ½ x 11 ¾ in. Gift of Lauder Greenway, B.A. 1925, Ph.D. 1930
Ren Yi, Demon Queller, Zhong Kui, 1882, ink and color on paper, 65 ½ x 30 ¾ in.
The Clyde and Helen Wu Collection of Chinese Painting, Gift of Dr. Clyde Wu
Ren Yi, Demon Queller, Zhong Kui, 1882, ink and color on paper, 65 ½ x 30 ¾ in.
The Clyde and Helen Wu Collection of Chinese Painting, Gift of Dr. Clyde Wu
Kawasaki Rankō, Woman under a Cherry Tree, ca. 1907–1915, ink and color on silk, 88 3/8 x 41 5/16 in. Purchased with the Ann and Gilbert H., B.A. 1953, M.A. 1954 Kinney Fund.
Kawasaki Rankō, Woman under a Cherry Tree, ca. 1907–1915, ink and color on silk, 88 3/8 x 41 5/16 in. Purchased with the Ann and Gilbert H., B.A. 1953, M.A. 1954 Kinney Fund.
Current Gallery Exhibitions
On view through November 2022
Understanding an Eighteenth-Century Indian Album brings together several manuscript pages featuring exquisite paintings of musical modes, given to Yale in 1939 and 1940. The display locates their production in late 18th-century northern India and presents a selection of textiles and ceramics similar to those illustrated in these pages.
Chinese Painting between War and Revolution, 1830–1950 highlights the vibrancy and experimentation with Western and Japanese visual traditions that characterized Chinese painting during the tumultuous period between the Opium War (1839–42) and the establishment of the People’s Republic of China in 1949.
Celebrating the varied rendering of cherries in paintings, woodblock prints, lacquer, and metalwork, Sakura: Cherry Blossoms explores the longstanding Japanese fascination with the beauty of this delicate blossom as a symbol for the ephemeral nature of life and its pleasures.
In addition, the recent gift Rain Washes the Body, Enlightenment Cleanses the Soul (2017), a painting by contemporary Korean artist Kim GuGu, is temporarily shown with stone and bronze sculpture from Asia’s multifaceted religious traditions. These less fragile sculptures, together with ceramics and metalwork objects from across Asia, remain permanently on view. To view this special gift, click here.
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