ASIA WEEK NEW YORK AUTUMN 2024 EXHIBITION CLOSING SOON
Yarnscapes: Mulyana’s Environmental Tapestries
Yarnscapes: Mulyana’s Environmental Tapestries
September 14 – December 10, 2024
Charles B. Wang Center Skylight Gallery
The Charles B. Wang Center at Stony Brook University proudly presents Yarnscapes: Mulyana’s Environmental Tapestries during this season of Asia Week New York Autumn 2024. This exhibit offers a unique opportunity for the public to engage with the immersive and thought-provoking works of renowned Indonesian artist Mulyana.
Yarnscapes delves into the imaginative and intricate world of Mulyana, celebrated for his distinctive use of knitting and crocheting to create large-scale installations. These works showcase human endurance, creativity, and a profound connection to the divine and nature. As a devout Muslim, Mulyana attributes his artistic vision to God, or Pencipta, viewing his talents as a divine gift that underscores the contemplative nature of his craft.
Visitors will be greeted by Mulyana’s Si Koneng (2022) and Adikara (2021) costumes, representing his mythology with a central character named Mogus, symbolizing his alter-ego. Masks and costumes play a significant role in Indonesian culture, and Mulyana’s creations serve to both conceal and liberate, embodying the complexities of his Mogus persona.
The exhibition also features Candramawa (2022), showcasing intricately knitted and crocheted coral islands in various shades and textures of gray yarn, mimicking the bleaching and dying off of real-life coral reefs. This piece intertwines imagination with environmental awareness, offering a profound reflection on our relationship with nature and each other.
Curated by Jinyoung Jin, Yarnscapes promises a thought-provoking journey into Mulyana’s visionary world. All works in this exhibition are on loan from Sapar Contemporary, New York.
To learn more, click here.
PAST ARTIST LECTURE
Yarn Reimagined: Artistic Crochet Using Excess Yarn By Mulyana
Wednesday, October 23, 2024 at 2-3pm
Lecture Hall
Free Admission
Experience the fascinating world of crochet art in our featured exhibit, Yarnscapes, with Mulyana, an acclaimed Indonesian artist known for his vibrant and intricate textile creations. We are thrilled to host this unique lecture where Mulyana will share his inspiring journey into the world of crochet, where excess yarn is transformed into breathtaking art. Mulyana will also explore the innovative techniques and creative approaches that breathe new life into leftover materials. This lecture will ignite your creativity and showcase the boundless possibilities of crochet artistry.
LONG TERM INSTALLATIONS
Organic Serenity: Reflections of Life in Sui Park’s Sculptures
Charles B. Wang Center East Hall
Sui Park’s artistic vision revolves around the exploration of the seemingly static yet actually dynamic characteristics that shape our experiences. With the remarkable ability to transform industrial materials into enthralling organic visualizations, Park weaves and connects traces of subtle changes to give rise to breathtaking biomorphic shapes that mirror the transitions and transformations found in nature. The exhibition becomes a conduit for reflection to engage with the delicate balance between our experiences and the natural world.
You will encounter a collection of artworks that captures the essence of our evolving lives. Each piece serves as a vessel, encapsulating the subtle changes in our emotions, sentiments, memories, and expectations. Park’s organic forms invite contemplation and draw us closer to moments that we may overlook but are truly inspiring.
Again by Seongmin Ahn
Charles B. Wang Center Main Lobby
Again is a typographical mural by Brooklyn-based artist Seongmin Ahn, expressing her manifesto of overcoming the global COVID-19 pandemic. The mural is a cross-cultural exchange and community bonds, and it incorporates both Eastern and Western styles, motifs, ornaments, and symbols. The ornamented images celebrates “the beginning of a prosperous future again” in various languages, including Korean, English, Spanish, Chinese, and Hindi.
The mural has been installed in various communities in New York City, including the neighborhood of Corona, Queens, an area that was hit hard by COVID-19.
The Studio: Through a Surrealistic Lens
Charles B. Wang Center Theatre Gallery
White, flat, dreamlike spaces, serving as thresholds between the inner, subjective self and the external, physical world, were a subject that fascinated the South Korea-based project group GREEM (a name that literally translates to “picture” in Korean). GREEM’s goal is to elicit feelings of strangeness, difference, curiosity, and fun in its audiences. Following a long and rich Surrealist tradition, GREEM draws inspiration from dreamlike narratives, absurd juxtapositions, and comic books for new graphic languages.
A huge, flattened, and cartoon-like artist’s studio in white and black is open, inviting viewers to live out their surrealistic fantasies. The realistic detailing of the artist’s studio also adds touches of humor, utility, and everyday-ness. As soon as the viewer enters the studio (which is carefully modeled and gives the illusion of a three-dimensional form), surrealistic dreams are triggered; the white, flat scene and the viewer’s point of view are disrupted.
The current exhibition is designed to be reproduced and seen on social media as much as it is meant to be enjoyed in its actual location. This imaginative exhibition crosses perspective, culture, and media.
Curated by Jinyoung Jin, Director of Cultural Programs at the Charles B. Wang Center, this exhibition is designed and presented by Project Group GREEM, based in Seoul, South Korea.
Simplicity Over Complexity
Charles B. Wang Center Outdoor Garden
Brooklyn-based Korean American artist Jongil Ma revives the Charles B. Wang Center’s outdoor garden with architecturally woven sculptures, using varying lengths and types of thin wooden strips, both in their raw state and dyed in color. Three large, site-specific installations balance the positive with the negative, tranquility with tension, and stillness with movement. The installations interact with the Wang Center’s architecture and spatial dynamics, transforming the garden through a multiplicity of viewing possibilities.
Zen Rock Garden
Charles B. Wang Center Outdoor Garden
Located on the first floor, in between the meeting rooms 101 and 102 at the Charles B. Wang Center, this Japanese rock garden (枯山水 karesansui) was created by Gerard Senese and his wife Hiroko Uraga-Senese as a tribute to the appreciation of Japanese culture. Japanese gardens are rich with symbolism, and they are usually created with certain meanings and wishes in mind. The Wang Center’s new Zen garden features symbols of Buddhist paradises with a tortoise islet (kame-jima) and a crane islet (tsuru-jima). Made with rocks, the tortoise symbolizes prosperity and the crane symbolizes health and good luck.
To view all the exhibitions, click here.
