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Ippodo Gallery
Joan B. Mirviss, Ltd
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Japanese Art
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Japanese Art
Sebastian Izzard LLC
NEW YORK LOCATION
17 East 76th Street, 3rd Floor
New York, NY 10021
Tel: 212 794 1522
By appointment only
Katsushika Hokusai (1760–1849), South Wind, Clear Dawn (Gaifu kaisei),
Series: Thirty-six Views of Fuji (Fūgaku sanjūrokkei), ca. 1831–33,
color woodblock print; ōban yoko-e, 10¼ x 15 in. (26 x 38.1 cm.),
Signed: Hokusai aratame Iitsu hitsu
Publisher: Eijudō (Nishimuraya Yohachi II)
Katsushika Hokusai (1760–1849), South Wind, Clear Dawn (Gaifu kaisei),
Series: Thirty-six Views of Fuji (Fūgaku sanjūrokkei), ca. 1831–33,
color woodblock print; ōban yoko-e, 10¼ x 15 in. (26 x 38.1 cm.),
Signed: Hokusai aratame Iitsu hitsu
Publisher: Eijudō (Nishimuraya Yohachi II)
Utagawa Kuniyoshi (1798–1861), Red Carp and Wisteria, ca. 1837
color woodblock print: tanzaku-ban, 14⅞ x 5 in. (37.8 x 12.7 cm.),
Signed: Ichiyūsai Kuniyoshi ga
Sealed: Yanagi
Publisher: Tsujiokaya Bunsuke
Utagawa Kuniyoshi (1798–1861), Red Carp and Wisteria, ca. 1837
color woodblock print: tanzaku-ban, 14⅞ x 5 in. (37.8 x 12.7 cm.),
Signed: Ichiyūsai Kuniyoshi ga
Sealed: Yanagi
Publisher: Tsujiokaya Bunsuke
Teisai Hokuba (1771–1844), Waitress at the Tea Stand at the Ogyō no Matsu, early Tempō era, circa 1830‒35,
hanging scroll, ink, color, and gold pigment on silk, 40⅛ x 15½ in. (101.9 x 39.4 cm),
Signed: Teisai, sealed Hokuba ga in
Teisai Hokuba (1771–1844), Waitress at the Tea Stand at the Ogyō no Matsu, early Tempō era, circa 1830‒35,
hanging scroll, ink, color, and gold pigment on silk, 40⅛ x 15½ in. (101.9 x 39.4 cm),
Signed: Teisai, sealed Hokuba ga in
Asia Week New York March 2023
Japanese Paintings and Prints: 1800-1860
March 17-24
Monday-Saturday, 11am-5pm
(otherwise by appointment)
17 East 76th Street, 3rd Floor
New York, NY 10021
Asia Week New York 2023 Online Exhibition »
This Spring, Sebastian Izzard LLC will celebrate their twenty-fifth anniversary with an exhibition of nineteenth century Japanese paintings and prints. Concentrating on the last sixty years of the Edo period, the exhibition includes maps—both painted and printed—landscapes,dramatic historical tableaux, and studies of the natural world.
A panoramic view of Edo by the samurai artist Kuwagata Keisai (1764–1824) sets the scene followed by a rich selection of maps, landscapes, and illustrations of poetry by Katsushika Hokusai (1760–1849), including his iconic Red Fuji, and paintings by his followers Maki Bokusen (1775–1824), and Teisai Hokuba (1771‒1844). Hokusai’s works are complemented by landscapes by his rival Hiroshige, including a first edition of his famous snowscape Evening Snow, Kambara , and his moonlit masterpiece Seba. Hiroshige’s bird-and-flower prints are justly famous, and we are proud to offer a fine group which includes another masterpiece, Geese in Flight Under the Harvest Moon. The exhibition closes, appropriately enough, with a print by Utagawa Kunisada (1786–1865) depicting female shopkeepers selling books and prints by the artist and his friend Utagawa Hiroshige (1797–1858).
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