Press Images
Art Passages
Maharana Jawan Singh (detail)
Udaipur, India, c. 1830
12 x 8 1/4 in.
Credit: Art Passages
Oliver Forge and Brendan Lynch Ltd.
Portrait of a reclining beauty, Safavid Persia
Opaque pigments with gold on paper, 17th century
Painting: 3 3/4 x 7 ¼ in. (9.5 by 18.5 cm); folio:
5 1/4 x 8 5/8 in. (13.5 x 22 cm)
Credit: Oliver Forge and Brendan Lynch, Ltd.
Francesca Galloway
Zebra
Mughal, by a court artist, circa 1625
Opaque pigments and gold on paper
Folio: 13.8 x 19.7 cm
Credit: Francesca Galloway
Carlton Rochell Asian Art
AVALOKITESHVARA
Central Tibet, 15th century
Copper alloy
Height: 13¾ in. (34.9 cm)
Credit: Carlton Rochell Asian Art
Alisan Fine Arts
Wucius Wong
Mountain Dream 8, 1985
Chinese ink & color on rice paper
30 ¾ x 19 ¼ in. (78 x 49 cm)
Credit: Alisan Fine Arts
Ralph M. Chait Galleries, Inc.
Pair of Chinese Imperial Green Enameled Dragon Dishes
Qianlong mark and period, AD 1736-1795
Diameter: 7 in. (17.7 cm)
Ex: Private American Collection, acquired from our gallery in 1967
Credit: Ralph M. Chait Galleries, Inc.
Fu Qiumeng Fine Art
Qian Du (1764-1845)
Summer Reflections by the Lakeside Pavilion
Ink and color on silk, hanging scroll
33 1/4 x 11 7/8 in.
Credit: Fu Qiumeng Fine Art
INKStudio
Kang Chunhui
Sumeru NO. 34, 2023
Ink and mineral pigment on paper
Credit: INKStudio
Kaikodo LLC
Bronze Snake-decorated Finials
Eastern Zhou, 5th century BCE
Length of each: 5 in. (12.7 cm)
Credit: Kaikodo LLC
Lark Mason Associates
Abraham Ortelius
Maris Pacifici, 1589
19 1/2 x 13 1/2 in.; sheet: 25 13/16 x 17 7/16 in.
Credit: Lark Mason Associates
Loewentheil Photography of China Collection
John Thomson
Rapids at Nanping, River Min
China, circa 1870
Carbon print
Credit: Loewentheil Collection of Chinese Photography
Zetterquist Galleries
A Longquan Celadon “Yen Yen” Vase with Applied Scrolling Floral Decoration
Yuan Dynasty, 1271-1368 AD, China
Height: 25 cm
Credit: Zetterquist Galleries
The Art of Japan
Kitagawa Utamaro (1753-1806)
Courtesan applying eyebrow makeup
Circa 1795-1796 (minor restorations)
Oban tate-e: 37.9 x 25.1 cm
Signed Utamaro hitsu, publisher Iseya Magobei, censor stamp kiwame
Circa 1795-1796 (minor restorations)
Credit: The Art of Japan
Dai Ichi Arts, Ltd.
A Group of Ceramic Works by Kawai Kanijro (1890-1966)
From left to right: the flat, square jar from the mid-1950s, the 1961 stoneware flask featuring Kawai’s signature Gosu blue glaze, and the 1955 platter with a Hakeme glaze, which reflects Kawai’s deep engagement with traditional Korean ceramic techniques—an important influence within the Mingei Movement.
Credit: Dai Ichi Arts, Ltd.
Carole Davenport
Yamanba
Deme Yukan
Early Edo period, Japan
Credit: Carole Davenport
Egenolf Gallery Japanese Prints
Kawase Hasui (1883-1957)
Komagata Embankment from the series Twelve Scenes of Tokyo, 1919
Woodblock print
26.3 x 39 cm
Credit: Egenolf Gallery Japanese Prints
Ippodo Gallery
Shota Suzuki
Gingko Leaf, 2023
Brass, gold powder
H:21 5/8 x W:9 x D:10 1/4 in (H:55 x W:23 x D:26 cm)
Credit: Ippodo Gallery
Sebastian Izzard LLC Asian Art
Tōshūsai Sharaku (active 1794–95)
Segawa Kikunojō III as Ōshizu, the wife of Tanabe Bunzo, 1794
Color woodblock print
Ōban tate-e, 15 x 10 in. (38.1 x 25.4 cm)
Signed: Tōshūsai Sharaku ga
Censor’s seal: kiwame (certified)
Publisher: Tsutaya Jūzaburō
Credit: Sebastian Izzard LLC Asian Art
Joan B Mirviss LTD
Wada Morihiro (1944-2008)
Overlapping Comma Pattern Vessel, ca. 2004
Glazed and slip-glazed stoneware
14 1/2 x 8 1/4 x 8 1/4 in.
Photography by Richard Goodbody (13050)
Credit: Joan B Mirviss LTD
Onishi Gallery
Onihira Keiji
Box with Design in Maki-e, “Memories Come Back,” 2013
White-lipped pearl oyster, South Sea abalone shell, gold, and pearl oyster
5 1/2 × 11 1/2 × 6 1/2 in. (13.7 × 29.5 × 16.7 cm)
Credit: Onishi Gallery
Scholten Japanese Art
Utagawa Hiroshige (1797-1858)
One Hundred Famous Views of Edo: Atagoshita and Yabu Lane, 1857
Woodblock print
14 x 9 5/8 in. (35.5 by 24.4 cm)
Credit: Scholten Japanese Art
SEIZAN Gallery
Takashi Seto
A-UN (A) (detail), 2024
Yuzen-dyed silk fabric, gofun, gold leaf, silver leaf, urushi lacquer, cotton fabric mounted on wood panel
55.1 x 39.4 in. (140 x 100 cm)
Credit: SEIZAN Gallery
Shinbunkaku
Yamaguchi Takeo
(Japanese, 1902-1983)
Tai, 1974
Oil on board, framed
23 x 37 / 26 x 40 cm (overall)
Credit: Shinbunkaku
TAI Modern
Nagakura Kenichi
Whirling Dance, 2017
Madake bamboo, washi paper, mixed media
24 x 12 x 8 in.
Credit: Tai Modern
Thomsen Gallery
Inoue Hakuyō (1893-1969)
Late Summer, circa 1920, Japan
Pair of two-panel folding screens; mineral pigments shell powder and ink on hemp
Each screen: 66¾ x 74¼ in.
Credit: Thomsen Gallery
Hiroshi Yanagi Oriental Art
Kongo Rikishi Statue (Agyo)
Statue height: 85 cm
Credit: Hiroshi Yanagi Oriental Art
HK Art & Antiques LLC
Bohnchang Koo (b. 1953)
“VA 23”, 2017
Archival pigment print
Edition: 2/10
35.4 x 28.3 in. (50 x 40 cm)
Credit: HK Art & Antiques LLC
Shibunkaku
Inoue Yuichi
Hin (poverty, the naked state of birth, in Zenphilosophy), 1974
Ink on Japanese paper, framed
49.6 x 42.9 in (126 x 106.5 cm)
Credit: Shibunkaku
Alisan Fine Arts
Gu Gan born (b. 1942)
Red Autumn, 2003
Chinese ink and color on self-made paper
19 5⁄8 x 19 5⁄8 in (50 x 50 cm)
Credit: Alisan Fine Arts
TAI Modern
Honma Koichi
Taking Wing, 2023
Menyadake and nemagari bamboo
22 x 18 x 11 in
Credit: TAI Modern