“Purple Rain,” Chinese brush painting on Double Xuan using Eastern watercolors and Japanese “Sumi” ink, 22 x 27 in., On loan from the artist

Portraits in Passing: Contemporary Chinese Brush Painting by A.E. Kozeliski

January 31 – June 21, 2026
Artist Talk and Demonstration: Saturday, April 4 at 1pm

The subjects in “Portraits in Passing” are the people of the street — those encountered in daily life yet often overlooked: the wanderers, the unhoused and the forgotten. Through Tallahassee-based artist A.E. Kozeliski’s brush, these fleeting figures become thought-provoking reflections of contemporary society. On view in our Balcony Gallery for Florida Artists, work invites viewers to engage personally and to find their own stories within the faces and gestures portrayed. As subtle details reveal themselves, the once unseen become visible, gaining presence and dignity through the artist’s hand.

Rooted in the ancient traditions of Chinese brush painting, Kozeliski’s process draws on the discipline’s four foundational strokes (dot, line, hook and wash), along with a refined mastery of brush pressure and water-ink balance. Careful selection of handmade paper is also essential to her practice. The paintings are created in the Mogu, or “boneless” style, which forgoes outlines and instead uses washes of ink and color to define form. Through this approach, she seeks to capture not physical likeness, but the subject’s energy, or qi.

Kozeliski notes, “I have embraced an ancient art form and through the depiction of contemporary subject matter I have made it my own while respecting its traditions.”

Join Kozeliski in the auditorium on the April 4 Free First Saturday for a talk on the works featured in this exhibition. Learn about her contemporary Chinese brush-painting techniques and enjoy a live demonstration. Free; no reservations needed to attend.

To learn more, click here.

“Benkei,” 1870s-1880s, Suzuki Chokichi (Japanese, 1848-1919), Japan, Meiji period (1868-1912), Bronze on wood base with gilding, 61 x 31 x 23 ½ in., Gift of Arthur I. Appleton, G12518

Exposition, Empire and Expression: Japanese Global Art 1870s-1970s

Ongoing

Commodore Matthew Perry (1794-1858) led two United States Navy expeditions to Japan in the 1850s to forcibly open global trade ports. Exposition, Empire and Expression showcases the impact over the subsequent century on Japanese artists and global art. Japanese bronze artists were highlighted at various World Fairs and international expositions in Europe and North America during the late 19th and early 20th centuries. Alongside the global appetite for colorful woodblock prints, fairs also sold Japanese bronze masterworks inlaid with silver and gold to many wealthy art patrons and museums. From the early 1900s through 1940s, Japan’s industrial prowess and military forces impacted Japanese formal and everyday fashion. Iconic kimono ensembles adorned with ships, planes, trains and artillery aligned Japan’s citizens with Imperial empire-building goals in East Asia and beyond. In post-World War II Japan, avant-garde artists worked across multiple media styles and techniques to embrace global art trends such as experimental film and painting techniques like abstract expressionism.

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Ancient Pathways: A Legacy of Trade

Ongoing

The Silk Road wasn’t just one road but a vast network of land and sea trade routes that started around the 2nd century BCE. It connected the far reaches of China with the Mediterranean Sea, stretching over 4,000 miles through challenging terrains like harsh deserts, towering mountains and fertile plains.

This network was born during China’s Han Dynasty, as they sought profitable trade routes. The name ‘Silk Road’ comes from the lucrative silk trade, but it was more than that. It was a bustling highway where not just goods, but ideas, cultures and religions were exchanged among great civilizations like China, Rome and Persia. This exchange continued for more than a millennium, peaking during China’s golden ages — the Tang and Song dynasties (618-1279 CE).

Drawn from the permanent collection, Ancient Pathways: A Legacy of Trade highlights the importance of international commerce and trade via the Silk Road through the art and objects on display.

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PERMANENT COLLECTION

Shakyamuni Buddha, Tibet, 19th Century, Bronze, gold, and pigment, 30 ¼ x 18 x 14 in. Gift of Arthur I. Appleton.

Asian Art

One of the largest collections at the Appleton, the Asian art holdings include works from China, India, Japan, Tibet and Southeast Asia. Buddhist art is represented by Chinese, Japanese, Indian, Tibetan, Thai and Burmese sculptures and textiles. The Chinese works feature a number of important ceramic pieces including Tang Dynasty horse and guardian figures, rare celadon funerary vases and examples of Chinese export art. The art of Japan includes a variety of netsuke, Meiji era bronzes and kimono.

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