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Indian, Himalayan &
Southeast Asian Art
Southeast Asian Art
‹
Indian, Himalayan & Southeast Asian Art
Prahlad Bubbar
London location
Mayfair
London, UK
by appointment
+44 (0) 207 494 3144
+44 (0) 790 047 1544
info@prahladbubbar.com
prahladbubbar.com
Instagram: @prahladbubbar

Ten Leaves from the Shahnameh. Rostam kills the White Demon Iran, (Shiraz), Circa 1570, Opaque watercolour and gold on paper. 44 x 29 cm each leaf. Provenance: Private collection, UK, 1960s.
Ten Leaves from the Shahnameh. Rostam kills the White Demon Iran, (Shiraz), Circa 1570, Opaque watercolour and gold on paper. 44 x 29 cm each leaf. Provenance: Private collection, UK, 1960s.

Asavari Ragini, An illustration from a Ragamala series, Bundelkhand, probably Orccha, India, Circa 1645-50, Opaque watercolour on paper, 25 x 15.7 cm. Provenance: Paul. F. Walter Collection, New York, acquired in 1984.
Asavari Ragini, An illustration from a Ragamala series, Bundelkhand, probably Orccha, India, Circa 1645-50, Opaque watercolour on paper, 25 x 15.7 cm. Provenance: Paul. F. Walter Collection, New York, acquired in 1984.

Attributed to Mir Kalan Khan, Bathing in the Moonlight, Lucknow, India, Circa 1750-60, Opaque watercolour, gold and silver on paper, 29 x 21.5 cm. Provenance: Sotheby's London, December 13, 1965, lot 91; Benkaim Collection, USA, 1965; Private collection, UK, 2003; Private collection, London, 2015.
The Abundance of Nature
For this year's Asia Week New York, Prahlad Bubbar will present a series of outstanding works from the Persian, Indian and Himalayan worlds, which connect with the theme of abundance as the innate generosity and regenerative power of nature, a quiet observer in all these works. Within the various tableaux we observe contrasting narratives informed by various movements and art schools. Present in all these works is the enveloping power of nature as it makes it restorative force felt and remains the ultimate arbiter of time and destiny.
(by appointment only)