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June Collection at Dai Ichi Art

Miwa Kazuhiko 三輪和彦 Japanese, b. 1951, “Abyss” Guinomi 淵淵盃, stoneware, H1.5″ x Dia3.7″; H3.8 x Dia9.3cm, with signed wood box

This June, we reflect on Kigo (季語) or “Season words”, which refers to words used to express the seasons and, in turn, feeling, in classical Japanese poetry. As June arrives in full swing, we may observe the term “minazuki” (水無月; the month of water), conceptualizing June. In 1941, the poet, author, and critic Masaoka Shiki 正岡 子規 (1897-1902), wrote about minazuki:

水無月の虚空に涼し時鳥

In the coolness
of the empty sixth-month sky…
the cuckoo's cry.

Complementary to Masaoka Shiki's poetry, Dai Ichi Arts features exceptional functional Sake Wares by Miwa Kazuhiko, Koie Ryoji, Kakurenzaki Ryuichi, Takeuchi Shingo, and more, echoing the refreshing tone of this summer season.

More information here…

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New exhibition at Chambers Fine Art

Wei Jia, No.19238, 2019, Gouache, ink and Xuan paper collage on paper. 27 1/2 x 40 1/4 in., 纸上水粉、墨与宣纸拼贴, 70 x 102.2 cm

Wei Jia: Good Times

Exhibition Dates:
June 19 – August 22, 2021 at Fou Gallery
June 24 – August 13, 2021 at Chambers Fine Art
Address:
Fou Gallery
410 Jefferson Ave #1
Brooklyn, NY 11221
Open House, June 26 & 27, 3-6pm
Chambers Fine Art
55 E 11th St, 5th Floor
New York, NY 10003
Open House, June 24, 3-6pm

Chambers Fine Art is pleased to announce that we will be presenting Wei Jia's latest solo exhibition Good Times with Fou Gallery. This is Wei Jia’s 17th solo exhibition in the United States. This exhibition will present representative works by Wei Jia from 2018 to 2021.

The works in this exhibition are different from his previous series: they are all collages on paper, and almost none of them are drawn with a brush. Many of the works in this exhibition were created during Wei Jia's quarantine due to the COVID-19 pandemic. This isolated lifestyle gave him more time to carefully reflect upon and explore his own memories and experiences by organizing the collage fragments of his previous works.

Wei Jia practiced traditional calligraphy, Chinese painting and poetry from an early stage. Wei graduated with a B.F.A from the Central Academy of Fine Arts in Beijing (1984) and M.F.A. from Bloomsburg University of Pennsylvania (1987). He currently works and lives in New York and Beijing. Wei has had numerous solo and group exhibitions internationally, including Central Academy of Fines Arts (Beijing), National Museum of Art (Beijing), CU Art Museum University of Colorado at Boulder (Boulder, U.S.A.), Lincoln Center (New York), etc. His recent shows include The 8th International Ink Art Biennale of Shenzhen, Hua Art Museum, Shenzhen (2019); Blurred Boundaries, New York School of Interior Design Gallery, New York (2018); Wei Jia: Recent Work, Schmidt/Dean Gallery, Philadelphia (2017).

For more information, click here

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Zoom Panel Discussion at Joan B Mirviss LTD

Suzuki Gorô (b. 1941), Large double-eared, irregularly rounded, and covered shino-glazed mizusashi (waterjar) with Momoyama-style floral patterning, Glazed stoneware, 2010, 5 3/4 x 8 1/4 in.

Tea as Context: Treasuring Ceramics
Thursday, June 24 at 5pm EDT

Internationally recognized as a pillar of Japanese culture, the art of tea (chanoyu), with its highly formalized aspects, is often misperceived as a stiff and impassive ritual. Rather, throughout its history, chanoyu has developed from the treasured relationships and bonds formed over “shared hot water.” These connections are integral to a longstanding, vibrant tea culture and further the rich stories behind the diverse practices and exquisite tea objects seen today. This unmissable Zoom event assembles an all-star panel of experts on the subject. A discussion of the relative merits of a teabowl for the curious collector will be a highlight of the event.

PANELISTS:
NICOLLE BERTOZZI, PhD candidate in Japanese history at Columbia University
LOUISE CORT, Curator Emerita of Ceramics, Freer | Sackler, National Museum of Asian Art, Smithsonian Institution, Washington, DC
ANDREW MASKE, Associate Professor in Art History and Visual Studies, Arts of Asia and Japan Studies, University of Kentucky
MORGAN PITELKA, Professor and Chair, Department of Asian Studies, The University of North Carolina at Chapel Hill
ANDREW WATSKY, Professor and Director, Program in East Asian Art and Archaeology, Princeton University

Click here to register for the event

A confirmation email with the invitation link will be automatically sent to you once you register.

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Francesca Galloway and Thomas Murray in the Hali Fair Online

Pori situtu’, Ceremonial Cloth 16027, Toraja People, North Luwu Regency, Rongkong, Sulawesi, Cotton; warp ikat, 19th or early 20th century, 96 x 58 in / 244 x 147 cm, courtesy of Thomas Murray

Hali Fair

HALI Fair Online is a new virtual event, running 23-27 June 2021, focused exclusively on antique rugs and textiles from around the globe, comprising a Fair, Exhibitions and Events including lectures, interviews and presentations.

Exhibitors will be available online during the five-day event, to discuss the works on show with visitors to their virtual stands

Nou-Rouz Shawl
‘Nou-Rouz' Shawl, French, Paris, designed by Amedee Couder in 1839 and woven by Caussen, Woven wool and silk 'tissage au lance, decoupe', courtesy Francesca Galloway

 

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Upcoming Exhibition: Sue Ollemans at Galerie Lamy Oriental Fine Arts

A reversible enamelled necklace (front), Jaipur, India, Late 18th century/early 19th century, 23 cm wide

Asian Wonderland
Asia & its Wonderful World of Jewellery

Sue Ollemans at Galerie Lamy presents a rare collection of ancient Asian jewellery
(June 17-27) 11am-6pm, by appointment

23 rue Ernest Allard
1000 Brussels

For more information, email Sue Ollemans at [email protected]


A reversible enamelled necklace (back), Jaipur, India, Late 18th century/early 19th century, 23 cm wide

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June auctions

Property from the Collection of Drs. Edmund and Julia Lewis, Shibata Zeshin (1807-1891), A tobacco tray with a bird-shaped kite, Meiji era (1868-1912), circa 1870-1890, (estimate: $7,000-9,000)

Edo Sparkle and Tokyo Splendor: Japanese Art of the Last Three Centuries at Bonhams on June 18

New York – On June 18, Bonhams will present Edo Sparkle and Tokyo Splendor: Japanese Art of the Last Three Centuries, a live sale comprising 116 lots of fine lacquer, netsuke, and decorative arts. Leading the auction is a Meiji era lacquer tray with a bird-shaped kite by Shibata Zeshin from the Collection of Drs. Ed and Julie Lewis. The kite depicted in the tray is no ordinary toy but a special variety that was probably Zeshin’s own invention. It has an estimate of $7,000-9,000.

See more here…

 

Christies
Property From the Junkunc Collection, A Pale Greenish-White Jade Figure Of a Lion, 6 ½ in. (16.5 cm.) wide

Art of China Summer online sale at Christie's

Christie’s New York is delighted to present our Art of China Summer online sale (11-29 June). The sale showcases jade carvings, gilt bronzes, porcelain and scholar’s objects from the collection of Stephen Junkunc, III; Qing porcelains from an important private New York collection; and huanghuali furniture from the estate of a lady. Highlights also include Chinese paintings from the collection of the Lee Family of Chicago, Illinois, and paintings sold by the Yale University Art Gallery to benefit acquisition funds.

View the sale overview here…

 


Objects from the Sotheby's auction “The Hundred Antiques”

The Hundred Antiques: Fine and Decorative Asian Art online at Sotheby's, June 11-22

The Hundred Antiques: Fine & Decorative Asian Art comprises over 170 Chinese and Japanese works of art and paintings. The sale features Ming and Qing dynasty porcelains, early Chinese ceramics, jade, and scholar’s objects, among others. Highlights include Buddhist sculptures and textiles from the collection of Florence (1886-1939) and Paul H. Benedict (1888-1968), a selection of Qing dynasty glass from a Florida private collection, a group of early Chinese ceramics from the estate of Paul and Marianne Steiner, and numerous Chinese works of art from the collection of Loyd and Linda Crawley.

View the digital catalog here…

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Online Symposium at the University of Chicago

Exhibiting East Asian Art in the West
Online Symposium June 4-6

The Center for the Art of East Asia at University of Chicago is pleased to present this free online symposium exploring the exhibition of East Asian art in the West. East Asian art has been exhibited outside its geographic area of origin since the early twentieth century. While exhibitions have since then constituted an important aspect of the production and dissemination of East Asian art historical knowledge, scholars have not studied more vigilantly the manners in which East Asian art was exhibited in relation to the understanding of the field in the West as representing East Asian artistic traditions and as an academic discipline.

Click here for more info and to register…

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Zoom-in For Asia Week New York’s Webinar “The Art of Installation and Display”
Thursday, May 27, 2021 at 5pm EDT

Installation shot of ‘Treasures from Asian Armories’, Asia Week New York 2019, by Runjeet Singh.

New York: When installing a precious work of art–whether it’s in a gallery, a collector’s residence, museum or auction house– a variety of elements must be considered for each environment. In The Art of Installation and Display, a panel of prominent experts will provide their perspectives on how they approach the process. To reserve a spot, for Thursday, May 27 at 5:00 p.m. (EST) click here

Says Lark Mason, founder of iGavel Auctions and president of the Appraisers Association of America, who will moderate the discussion: “The art of installation is more than just setting an object on a shelf. It takes expertise to understand the environmental conditions and the impact on the object– whether from direct sunlight, heat, and cold transitions–or the daily opening and shutting of doors with the subtle vibrations and the not-so-subtle vibrations of an earthquake. Objects are meant to be enjoyed and the considerations of a private owner are not the same as an institution.”

The expert panel includes:

Anu Ghosh-Mazumdar has been with Sotheby’s since 2003 and was appointed Head of the Sotheby’s Indian & Southeast Asian Art department in 2011. A specialist for both Classical as well as Modern Indian art, she plays a key role in securing major consignments for Sotheby’s sales of Indian, Himalayan & Southeast Asian Art and Modern and Contemporary South Asian Art held in Asia, Europe and the United States. Landmark sales of Indian and Himalayan art for which she recently provided her expertise include Indian paintings from the Estate of Dr. Claus Virch (2015 & 2016), The Richard R. and Magdalena Ernst Collection of Himalayan Art (2018), and most recently an historic collection of Mughal and Ottoman textiles from the Estate of H. Peter Stern, co-founder of the Storm King Art Center (2020). Ms. Ghosh-Mazumdar has lectured widely on the South Asian art market at both private and public international forums.

Sandra Nunnerley, founder and creative director of her namesake multidisciplinary studio in New York City, is best known for exploring the intersection of art and design. A native of New Zealand, Nunnerley brings a different sensibility to interiors. With the passion of a curator, she is known for creating beautifully edited environments that are timeless and sophisticated.

Designing for clients across the globe, the studio has created a range of projects from metropolitan residences in New York, Hong Kong and Berlin to sophisticated retreats in Aspen, Telluride and the Hamptons – each one reflecting the studio’s signature elevated style. Along with being named to the prestigious AD 100 list by Architectural Digest in the U.S. and Architectural Digest France, the studio has been featured in publications such as Departures, Elle Décor and The Financial Times.

In addition to residential projects, Sandra has also designed several exclusive product collections, including rugs with The Rug Company, tile with Exquisite Surfaces and a limited-edition furniture series with New York gallery Maison Gerard. Her debut monograph, Interiors (published by powerhouse Books), received international acclaim and a second one is in the works.

Runjeet Singh is a dealer of Asian antique arms and armor based in Royal Leamington Spa, a town with stunning Regency architecture based in rural Warwickshire. Having been involved as a specialist in the field of arms and armor since 1999, his considerable experience has led him to exhibit both in the UK and internationally at a broad range of premier antique fairs and events such as Asia Week New York and TEFAF.

Singh’s enthusiasm for his specialist area is particularly academic: all objects are thoroughly researched, and the high-quality catalogues produced for each exhibition sit on the shelves of many prestigious institutions. Owing to his keen eye for fine and rare objects, as well as his careful selection of responsibly sourced pieces with a reliable provenance, he enjoys a reputation as a dealer of discerning taste, which has led to close relationships with the most important collectors, museum curators and academics around the world.

He has advised and contributed to a range of highly regarded publications, and takes great pleasure in providing confidential advice, consultation, and valuations for collectors, institutions, and museums.

William Stender is the founder of 10-31, Inc., a diversified company specializing in the mounting and display of objects of art and history. From initial design concept to the fabrication of every custom armature and base, our experienced staff is devoted to making your objects look their best. 10-31, Inc. has been in the business of fabricating mounts and bases for over twenty years, working with institutions worldwide and handling objects large and small, priceless to precious.

About Asia Week New York
The collaboration of top-tier international Asian art galleries, the six major auction houses-Bonhams, Christie’s, Doyle, Heritage Auctions, iGavel, and Sotheby’s–and numerous museums and Asian cultural institutions, Asia Week New York is a week-long celebration filled with simultaneous gallery open houses, Asian art auctions as well as numerous museum exhibitions, lectures, and special events. Participants from the United States and countries abroad unveil an extraordinary selection of museum-quality treasures from China, India, the Himalayas, Southeast Asia, Tibet, Nepal, Japan, and Korea.

Asia Week New York Association, Inc. is a 501(c)(6) non-profit trade membership organization registered with the state of New York. For more information visit www.AsiaWeekNewYork.com @asiaweekny #asiaweekny

About Songtsam, Presenting Sponsor
Continuing as Presenting Sponsor for Asia Week New York is Songtsam Hotels, Resorts & Tours, an award-winning luxury boutique hotel group with twelve properties (four Linka resort hotels and eight lodges) located in the Chinese provinces of Tibet and Yunnan. Founded by Baima Duoji, in 2000, the hotel group is the only collection of luxury Tibetan-style retreats found across the Tibetan Plateau that strives to preserve and share the cultures and spirituality of its locale, all the while offering guests sophisticated elegance, refined design, modern amenities, and unobtrusive service in places of natural beauty and cultural interest. For information, visit: www.songtsam.com/en

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New exhibition at Joan B Mirviss LTD

FUJINO SACHIKO (b. 1950), Form 19-3, 2019, Stoneware with matte glaze in white and gradations of gray, 19 1/2 x 18 1/8 x 17 3/4 in

FORMING A VOICE
New Sculpture by Fujino Sachiko

For her third exhibition at Joan B Mirviss LTD, Fujino Sachiko (b. 1950) presents evocative sculptures in FORMING A VOICE. Her earlier explorations in both geometric forms and organic blooms merge to find new expression here—intricate artworks are built upon strong, balanced shapes of spheres and wedges and crowned with soft, irregular folds in velvety gray-black or creamy white.

Fujino began her studies and early career in the world of fashion-design in Kyoto. A pottery class in the 1980s first introduced her to the ceramic world and resulted in her becoming the student of the pioneering, female ceramic artist Tsuboi Asuka (b. 1932), herself a pupil of the celebrated Tomimoto Kenkichi (1886-1963).

Her work has been highly awarded both nationally and internationally. Museums such as the Faenza International Ceramic Museum, Italy; Kyoto City Cultural Museum; Minneapolis Institute of Art; Museum of Fine Arts, Boston; Samuel P. Harn Museum of Art; and Yale University Art Gallery, to name a few, hold her artwork in their collections.

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